santa’s little helpers

Writing for The Daily Beast, columnist Sally Kahn reminds us how big warehouse distributors exploit workers, especially those brought on to take up the holiday slack, with a telling decision upheld in the courts.
Though happily in Germany, these elves can go on strike—and over lesser injunctions—for America’s sweat-shops there seems to be little hope, and no great change of heart for these grinches seems forthcoming. This stint is not an insignificant one, not paying workers for the time at the end of each shift they spend being subjected to mandatory screenings and searches to make sure that they are pilfering any merchandise, especially considering that this same company will be awarded (for its tracking and logistics expertise) government security contracts and help maintain that list of who’s been naughty and who’s been nice.

load of guac

The avocado is not only, like the tomato, a fruit and not a vegetable also known—apparently—as the crocodile pear, it is also the cultivar of an evolutionary anachronism. The avocado, like cherries or berries to lesser creatures, developed as a to spread its over-sized seed by way of mega-fauna, such as giant sloths loping about on the pampas of South America, which are long-since extinct. Fortunately, the humans that displaced the intended distribution system are still around for tending.

wmf or brøderbund

Via Pre-Surfer comes a fine and heart-felt tribute from The Atlantic for the quirky galleries of clipart that came bundled in software suites, which are effectively being euthanised as one of main libraries of illustrative materials is being discontinued. Though better alternatives can be summoned-up with increasingly less effort, there is something a touch nostalgic to making do with a limited number of choices and the stock images that graced business presentations and school projects until just recently. I suspect that the genre might be perpetuated elsewhere, however, as linotype, stencil and other techniques are still used and appreciated. Fittingly, the eulogy is delivered in the media itself.

back-lot or quadratura

Berlin’s film museum, the Deutsche Kinemathek, is celebrating the work of set-builder and stage-crafter Sir Ken Adam, who conceived some of the most memorable, iconic and colossal cinematic backdrops of the past fifty years.  Adam’s vision of the White House War Room for the Stanley Kubrick classic Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb even had the newly-elected real-life, Hollywood president convinced that was the command-and-control centre he’d inherit when he took office. Adam created the atmosphere of epics like Ben-Hur, several James Bond films and other cult movies.  Quadratura is an Italian term used to describe the technique that applied perspective and foreshadowing to flat surfaces to create the illusion of depth and space.