minimalist phillumenist

Collectors’ Weekly curates a fantastic gallery of one phillumenist’s (a collector of matchbooks) passion for the minimal artwork featured on matchbooks from all around the world. The ephemeral often feature advertising for a specific night club, bar or hotel but there are also plenty of little evocative and endlessly efficient canvases touting vacation destinations, big events, local colour, safety awareness and public service. Browse through the exhibition and be sure to visit the collector’s private retrospective at the link.


 

tropopause

Without the fanfare and budgetary excesses associated with corporate sponsorship, a computer-scientist (though himself a vice-president at one of the world’s largest companies), having planned his dive in secret, was carried aloft a few days ago in a balloon of his own design from an abandoned airfield in Roswell, New Mexico (it was probably easier to beg forgiveness than to ask for permission) and jumped some forty kilometers back to earth. It’s too bad that dare-devil stunts are the ones to hog the stage—to ham it up, even, even if not the carefully, thoughfully executed record-breakers and the feat of this gentleman passes without due recognition.

phylogenetic or langue et parole

Via the ever-engrossing Mental Floss comes an beautifully illustrated diagram that charts the development and relationships of Old World languages by Minna Sundberg. A graphic artist Ana a story-teller by trade, Sundberg also applies her craft to linguistic and other academic interests. The style of her art, this tree in particular, and curiosity remind me a bit of JRR Tolkien. Check out more of Sundberg’s work at the link to her blog.

ultima thule or récit

At one of those book exchange kiosks, one of those in the wilds that is the natural habitat of literature, I discovered the author Paul Auster through his work entitled The New York Trilogy. Though some of the aspects of his writing remind me of a few of his contemporaries that are also counted among my favouries, like Thomas Pynchon, Umberto Eco and Don DeLillo, but in this series of noir, hard-scrabble detective stories that broach existential mysteries there is a subtle philosophical injunction that is a sort of anti-story-telling. Not meaning that his characters are not vivid or inhuman or that there is no plot to follow, but a lot of the narrative comes through allusion and the real events that transpire are the allegories of monologue. The failings and missteps of the characters are not hamartia, tragic flaws, but rather a deconstructing, I think, like trying to look past the mental language of perceptions and prejudices at the world and oneself independent of a particular framework.
There’s also a theme of isolation—but the mood is not one of loneliness or ostracising but maybe another aspect of the failure that’s understood to be dismantling—highlighted in meta-references and evocative footnotes. Using the fable of Edgar Allen Poe’s The Pit and the Pendulum as a point of departure (incidentally, everyone always expected the Spanish Inquisition, since they always announced their purges with a thirty day grace period), Auster relates the true tale of intrepid Danish explorer Peter Freuchen and his harrowing experience weathering a blizzard in Greenland. Freuchen had buried himself in an ice cave for shelter and though he was worry about the pack of wolves sniffing around above ground, his more immediate concern was that his igloo, his universe was slowly shrinking around him. With each breath, the ice walls grew thinker by a hair’s breadth, threatening to enclose him fully. Freuchen, however like Auster’s characters, lived to tell the tale. I am looking forward to reading more of his works.