merkmale

H and I had the chance to re-visit the site in the north of the City of Leipzig, dedicated to the memory of the fallen German and Russian troops who withstood Napoleon's advance on this front and ultimately precipitated his surrender and defeat, after managing to realign and re-distribute much of Europe in a manner that survived his rampage.
Partnerships of convenience, long-lasting alliances and a much poorer Church emerged from the turmoil. Das Völkerschlachtdenkmal (the monument for the Battle of the Nations) was completed in its unique and defining neo-classical, betraying influences from the Meso-Americans and the Ancient Egyptians and previsioning the Art Déco (Jugendstil) movement, in 1913 for the one-hundredth anniversary of the decisive campaign and underwent extensive restoration of its interior crypt during the past few years for its centennial, honouring the anniversary of the battle this past October.
We were able to see the halls and galleries, a clime of some five-hundred steps (with a lift too but some chambers, like the ancient ziggurats it borrows from, could only be reached through a labyrinth of stairwells that sometimes had one ascending through the colossal statues.
The monument was misused at times as a symbol of German mysticism and exceptionalism, like the Barbarossa monument commissioned by the self-same German emperor, Kaiser Wilhelm, that sought to strengthen ties among a disparate assemblage of former petty kingdoms as the German Empire, and its East German caretakers proposed at one time to tear it down. I am glad that they didn't and consistently appreciate the charge of a curator.

An inverted bee-hive spiraled high above. No doubt that the crypt is sacred ground and one cannot forget, even when awing at the scale as a tourists, but it was a strange feeling how the experience was reminiscent of Scooby-Doo forensics or the archetype for the staging of an installment of Star-Gate, Riddick and any given action-adventure experience—without being too sacrilegious.

form and function

Designer and artist Katerina Kamprani has reimagined a whole gallery of familiar everyday items but with a twist on their usefulness. The Uncomfortable collection has tableware, containers and other practical accessories that really make one think about grip, stability and other tactile qualities that we've grown accustomed to.
These objects still fulfill their purpose, and retain their semiotic niche, but would be awkward to handle. It's sort of like computer icons of envelopes, pad-locks, chains, paint-cans, rubbish bins or key fobs—whose function is transparent but whose avatars are only masks.  Wouldn't you appreciate the standard form of a fork or drinking glass after trying to handle one of these pieces?

tadasana or yoga-on-ice

A correspondent from the local's Swiss edition gives an intriguing and inspiring review of a fusion activity taking place on the slopes that tower above the Engadine.

A veteran instructor of yoga and skiing brings her two skills together to deliver to the guests of the resort at St. Moritz a certain mindfulness and meditation when it comes to engaging in that seasonal sport that many visitors, however experienced, try to cram into one get-away weekend per year and maybe tend to be a bit reckless and rushed to get their money's worth. In addition to imparting techniques that can build on awareness and improve maneuvers (as mental and physical preparation—not that one assumes the tadasana, the mountain pose, while on a run), the pause and circumspection can also train hectic holiday-makers to take it slower and adjust their focus to savouring quality over quantity.

cifrão or surreal times

In response and in anticipation to a marked upswing in the trend, a group in Brazil has minted a form of alternative protest currency, called the Surreal—opposed to the real (reais), the fiat tender of the country, Der Spiegel reports (auf Deutsch).

Residents of Rio de Janeiro and the vicinity, having witnessed how big events have become a liability for host cities in recent years with kettling security and robber-baronage that hardly benefits the local economy, leaves environmental, and foremost precipitates a price-gouging that the group finds unacceptable, are expressing their displeasure with the watermark of Salvador Dali over their home-town venue, entertaining the Fußball-Weltmeisterschaft (the FIFA—Fédération Internationale de Football, otherwise soccer—World Cup) this summer and the Olympiad in 2016. Given the country's affection for sport, to stage such a rally, not against the well-deserved honour but the back-handedness of it, I believe says a lot.