social mediation

It should come as no surprise, since nothing seems out of bounds—especially for the information that we've volunteered for scrutiny, but the revelation that lenders world-wide are using ones social media connections to supplement more traditional means of gauging creditworthiness. Apparently, the company that one keeps and their own credit-histories can have a significant impact, especially for those absent any track-record of loans and repayments, young people and first time-buyers, to reference. I wonder what repercussions that this sort of financial-intelligence might have on how one cultivates connections, friends of friends, realizing that anyone may prove a liability and probably not a source of collateral. Maybe it's better to sit out this dance.

vee-dub or pão-de-forma

Via Jalopnik comes news that the last of the T-2's, which until this year were being produced at a Volkswagen factory in Brazil, will be manufactured and released on 31 December, due mostly to more stringent safety standards for automobiles.
To honour the end of the of the sixty-four year production run of the Bulli, the micro-bus (the hippie van was also known as the vee-dub to English speakers, since, like the world-wide-web, enunciating the W's of the initialism took more time than the whole name), the factory will be producing a special nostalgic line with the classic off-white and baby blue colour scheme of the sixties. In Brazil—which I remember manufactured the classic Beetle along with a plant in Mexico also for decades after it disappeared from US and European markets, the buses are modified to run on sugar-cane and are as popular as ever. It is sad to see such a classic line finally go but I know its legacy will live on.

context clues or you see, it's OK. he saw it on the television

Mental Floss featured an interesting round up of eleven creative interpretations of classic films that's a bit above the caliber of the investigative work my friends and I did watching a VHS cassette of Three Men and a Baby one frame at a time to catch a glimpse of the tortured ghost stage-hand that was caught on a millisecond of the released version of the movie, but still rather implausible though well-constructed. The alternative reading that struck me the most was theories on the Stanley Kubrick film The Shining. I had heard the suggestions before that the movie was a veiled allegory of the director's views of the Holocaust or the genocide of the aboriginal peoples of the Americas, a significant departure from the book on which its based, but over all not a very compelling argument.
As the author of the original novel posits, however, all writing is a confession although it is not always clear what one is owning up to—though in this case, the author admitted that he had had some dark thoughts about his family when they got on his nerves, the article, referencing a documentary called Room 237, debuted during the Directors' Fortnight of last year's Film Festival at Cannes, entertains the idea that the changes in the screen-adaptation were the esteemed director's secret confessions for his part in the mock-up, staging of the Apollo Moon landings. Conspiracy theorists and Moon-landing deniers have found all sorts of supporting evidence, including, the sweater that Danny Torrence wears bears the Apollo 11 rocket, the lunar mileage was about 237,000 miles—hence the warning to avoid Room 237—and the distinctive hotel carpet pattern that Danny races his Big Wheel across bears some resemblance to the launch pad for the mission. An awful lot of the iconic scenes only come from the film—the wave of blood from the elevator, the ghost twins in the hallway and the writer's block expressed on dozens of typed pages. It seems like a pretty far-fetched explanation and one can surely find hints like these anywhere, if they support one's thesis. What do you think? Do you think there are such admissions lurking in the subtleties of gaffing and artist license?

commemorative edition

It is pretty effortless to order up apparel with any print or slogan that one sees fit nowadays, or even to print a three-dimensional rendering as a keepsake of anything that has transpired. In the past, people have said some pretty obtuse things, which I thought ought to be embroidered on a throw pillow or stitched on a sampler, if I had that talent.

Showing that figurines were not only sentimental subjects in eras gone by, I think that this excellent interview with an accomplished collector of some of the more sensational and gruesome pieces of Staffordshire pottery from Collectors' Weekly, show that people even back then wanted to have conversation pieces—even if it was not always material fit for polite conversation, the tabloid scandals of the day, maulings, murder, emancipation, and discriminatory marriage laws. It's amazing how these unusual figurines, especially the Ersatz hunting dogs, sort of totems for the unlanded gentry who were not allowed by law to keep real dogs, tell a story and capture an elements of the times that would otherwise be lost.