wappenschmied or great seal

While researching something else entirely (and I hope they never manage to work up a deliver system that can filter out all things tangential and only present exactly what one was looking for), I can across this really neat, abstract—modern totem for the City of Frankfurt am Main in use during the years of the Weimar Republic between World War I and II. The constitutional convention of 1919 took up the standard of the city that had hosted the last attempt, some sixty years prior, in deference to those efforts to first unite the German peoples under a constitutional monarchy.

Those seminarians were overcome by war and political intrigues but the task was one worth repeating and the Reichsadler (not empire but rather the word suggests realms) of Frankfurt is reflected in the contemporary seal of the federal government and seen on government buildings. Frankfurt modified its symbols and coat-of-arms to distinguish itself from the central government, and while the vexillology passed down does look quite dignified and officious, this sort-lived alternative offers an interesting statement on anachronism, seeming almost tiki inspired and with the talons of a Lego minifig.

magnificat or o du fröhlich

The evening prayers of the last seven days of Advent, leading up to Christmas, in Western church traditions are punctuated with vocative calls and responses called the O Antiphons. The cycle begins on 17. December with O Sapientia (O Wisdom), then O Adonai (O Lord), and so one, dedicating the evening’s meditation to one aspect attributed to Jesus. The tradition was originally restricted to the cloister and each of the seven days was an occasion to exchange presents among the community, but later was made part of Christmas time celebrations.

This seems like a very nice and collected way to approach the holidays and properly wind down from all the jingle-pressure, and although the 21. December has garnered an awful reputation—though only, I think, for this year and not for very much longer, I do appreciate the fact that the chant or that night is O Oriens—o breaking of the day, splendor of the light eternal. Though we should fear not, we ought not, I think, to stammer along without any take-away. It is not necessarily something dodged or a saving grace, to reboot from dreary pessimism, but could still be an antiphon that days, no matter how limitless or numbered, are gifts and should not be taken for granted.

3. advent: trim up the tree with christmas stuff

night gallery or genius mode

Occasionally I wish that I had better recall of my dreams. Mostly they evaporate too quickly and I’m only left with the nagging tug of something forgotten, and regardless of what techniques I try, I am usually only able to remember my dreams as I am dreaming and they all come back in many layers with similarities that tunnel through. Although I am far from sure that I am loosing anything particularly creative, profound or prophetic by not remembering or if that’s just the preserving nature of dreaming, I do sometimes manage to retain, with some effort, not so much the content but rather the mechanics of an idea that I dreamt. I woke with the impression, already slipping into vagaries, whether ones nightly imaginings were responsive or pre-programmed.

I have experienced of course the alarm clock or other noises or physical urgencies ingratiating themselves an instant before waking, and I wondered if whole themes weren’t triggered by the mind’s chemistry responding to being too cold or overheated or other subtle stimuli. I also recollected the possibility that dreaming run on a fixed schedule, that maybe one dreams ones entire life as the subconscious sees it, or pre-determined segments of it, like a radio station’s broadcast day, with different scheduled hosts. Thanks for joining us for the Witching Hour, and next we’ll be playing you through 0400 with some familiar classics like impossible staircases, small dogs, driving from the backseat and vertical warehouses, but first here is a one-hit-wonder from the eighties, repetitive Tetris stepwise motion. I wonder if what strikes us as memorable or contemporary—or even as therapeutic or cathartic, in dreams only sticks because anything and everything is cycled through and the waking mind latched on to a coincidence of memory and revises, rewrites the whole evening’s play-list in a way we can make use of it in the here and now. Dreaming’s clearing-house, I suspect, is both responsive and on a certain timetable but maybe the masks that the waking and sleeping brain put on each other make such analogies very limited.