Sunday, 23 October 2011

jolly roger or goonies r good enough

For another spooky Halloween tale (and perhaps less theologically challenged than the last, or perhaps not) is the curious story of Hanseatic privateer turned pirate, Klaus Störtebeker, is circulating the internet (first appearing to me via the fantastic and phantasmagorical Atlas Obscura), and having never heard of this episode before, I did some research and discovered that it is not just a scary, friend-of-a-friend urban legend ghost story, the beheaded pirate most remembered for the not unremarkable feet of lurching some twelve paces through the gallows after he had been decapitated, but a fascinating history and a tale of a man elevated to folk-hero.
Störtebeker, almost certainly not his real name but probably a pirate nom de guerre since it means something like to drink down the cup in one gulp, originally helped keep supplies flowing safely between ports of the Hanseatic League during conflicts with Sweden and Denmark, but once his services were no longer needed, and attributably out of a sense of justice to distribute the wealth among his band of conspirators and the common land-lubbers who suffered under the monopoly of the guilds, he turned pirate himself. After some years of conquests, Störtebeker and his crew were eventually captured and condemned to death around the year 1400, after failing to commute their sentences with fantastic offers of plunder, by the senate in Hamburg. Störtebeker’s ghoulish theatrics in the gallows, walking without his head, was more than just sheer resistance (I had never heard of this story and it reminded me of that often repeated episode of a maiden, after being accused of witchcraft and about to be burned at the stake, eating as much gun-power as she could stomach to take the whole audience and inquisition with her) but he plead for a deal with the jury: first to be executed, Störtebeker pledged that he would walk away afterwards and that all the members of his crew that he passed ought to be spared. He passed a line-up of eleven or twelve of the men and might have gone on to save them all, if he had not been tripped, as some say. When this amazing feat came to pass, the judges decided not to uphold their end of the bargain and had all seventy or so of his men executed anyway. I imagine that that cursed Hamburg for all time, eventually leading to the League’s dissolution. Incidentally, the judge asked the executioner afterwards if he wasn’t tired from all that work. The executioner boasted that he was not worn out at all and could still take on the entire senate, if need be, and for that, the executioner was put to death too.

artistic license or don’t mess with the jesus

I took an afternoon walk to the neighbouring village and explored the old churchyard to find a creepy and unsettling sculpture just in time for Halloween. This large bronze figure dominated the entrance to the cemetery and featured a detailed skeletal figure that was inverted, like it had fallen from the cross and was hanging, upside down. Click on the images to see the features, which are a little washed out from the darker exposure in miniature.
The tablet to the side reads "Death has no more power." A lot of variations on a theme are out there, displaying craftsmanship and commissions for public art in good faith but there is something a bit disconcerting in such a departure from the traditional, whose symbolism is inscrutable and yet no parody and only piety and memento mori is intended. The image and the wonder haunted me the whole way home.

Saturday, 22 October 2011

retronautics institute

I stumbled across this fantastic web-site called Retronaut that features a lively and active almagest through the past decades with collections of vintage photography, advertising ephemera, and artwork (although I later realized that their work as curators has been embedded in a lot of other sites I visit).
The web-site has amazing exhibits of early colour photography of New York, London and Moscow, 1960s fashion-shows, future-perfect visions of the colonization of outer space, Hong Kong public housing, and celebrities posing with their record collection. Check out the extensive and daisy-chained catalogue for yourselves.

Friday, 21 October 2011

priorität or listening-tax

I suppose that in the midst of everything else that is happening the business of legislation and upholding the rule of law must go on, but I found this item being entertained by a few members of America’s Congress to be backwardly-visionary: law-makers want to make it a felony to perform and share (primarily via the largest video repository of the internet) cover-songs. Violators could face prison-time for lip-syncing, sampling, karaoke, or otherwise playing copywritten music, regardless of the venue or platform’s policies or whether the rendition is talented or not. A group has rallied to stop this proposal, championing the alternative-history cause of one young vocal artist, who happened to be discovered singing cover ballads in just the manner they propose to outlaw, and portray the young performer as unjustly incarcerated in this bizzaro, future dystopia. It is easy to guess the instigators behind this bill (and its natural extensions) but at the same time hard to reconcile the cognitive dissonance behind an industry that would want to stifle creative experimentation and fame-making in its future associates.