nefertiti

Representing chief consort and Great Royal Wife of Amenhotep IV, the iconic limestone bust was discovered on this day in 1912 by a team of archæologists working under the auspices of the Deutsche Orient-Gesellschaft (DOG—the German Oriental Society) led by Ludwig Borchadt in Amarna at site that housed the workshop of celebrated sculptor Thutmose. Since its first going on display to the public in a Berlin museum, Egyptian authorities at the bureau of antiquities have requested that the three-thousand three hundred and fifty year old artefact be repatriated, arguing the significance of the find was downplayed and had inspectors been allowed to fully examine the bust, they would have never allowed it to leave. Focus of aspirations for revanchism after the dissolution of the Prussian monarchy and defeat in World War I, Nefertiti was conscripted for a rather fraught political career of propaganda (see also) in the Third Reich in the years to follow. Presence in the Zeitgeist included the 1935 cinematic portray of the Bride of Frankenstein, patterned after the signature crown, and her role and cultural impact has now been rehabilitated insofar as she is considered the counterbalance to the figure of Tutankhamun and a good-will ambassador for representation, art and the field of Egyptology. The arguments against repatriation, characterising nations outside of Europe too unstable to properly care for their treasures and cultural heritage is particularly rubbished by the way Germany has torn itself apart, Nefertiti sent away for safe-keeping in a salt-mine and nearly lost to history.

8x8

regolith: British R&D company working on process to extract oxygen from lunar soil and using the by-product to three-dimensionally print a moon base—via the New Shelton wet/dry  

gentle giant: David Prowse, the British weight-lifter and character actor who played Darth Vader, has passed away 

person, woman, man, camera, tv: Sarah Andersen’s funny take on our future senility  

kung-fu grip: new research suggests that Neanderthals did not use their hands and thumbs in the same way as Homo sapiens 

 handkerchief flirting codes for post-humans: Janelle Shane (previously) trains a neural network on late Victorian courtship etiquette 

wilmarsdonk: the remains of a village in the middle of the Port of Antwerp, mostly vacated for the busy shipping hub’s expansion  

social harmony: queuing guests practise distancing on a length of music notation, producing a movement from Gymnopédie  

pareidolia, apophenia: brain neurons juxtaposed with galactic clusters connected by filaments of dark matter

palæomixology

The ever adventurous team of explorers at Atlas Obscura bring us the story of a university palæontologist celebrating his first published paper—on archaeopteryx feathers—was taken to commemorate his accomplishment with a signature cocktail for the occasion, sharing the recipe and toasting remotely with his friends and colleagues over a video conference call. Afterwards the hobby bartender was inspired to create more drinks honouring other prehistoric icons including Lucy and a ginkgo mimosa. What other dinosaur and dinosaur-adjacent cocktails might you mix up? Much more to discover at the link up top. Here’s a slightly modified version of the namesake drink of the Urvorgel (see previously) with appropriately German ingredients.

• Two full shot-glasses (a shooter glass—three ounces) worth of black-berry or black currant (Schwarze Johannisbeere) soda or syrup 
• One shot Jägermeister 
• One shot lime juice 
• One shot of Stone Fruit (Pfirsich oder ähnliches) syrup 
• One dash of activated charcoal plus 3 dashes of bitters 

Mix all the ingredients in a couple (a broader, shallow stemmed flute) glass, saving the charcoal for last and garnish with a black feather—the colour of the plumage (the cocktail by the same name is however brandy, Cointreau, vermouth plus bitters) being one of the conclusions drawn from the paper.

8x8

bongo cat: a joyous, simple noisemaker—via Boing Boing  

der orchideengarten: Austrian fantasy-horror revue that prefigured and informed Weird Tales and related properties  

backscatter: spooky, simple photography techniques and visual effects to haunt one’s Halloween picture portfolio 

porto-potty: Austrian postal service issues a special, rather expensive toilet-paper stamp whose proceeds go to charities benefiting those impacted most by COVID-19 

llama glama: a llama-based webfont—via Pasa Bon!  

smitten kitchen: for this US Food Day (made-up as a counterpart to Earth Day but never really took off) a look into the recipe library of Georgia O’Keeffe plus others  

clean up on aisle four: glass-floor of a supermarket in Dublin reveals a millennium old glimpse of Hiberno-Norse history (see also here and here) 

flags and drums: young brothers in Pakistan play BBC News theme on the table

7x7

whose side is justice department hunk trant finglepoz on, anyway: a treasury of Hallmark Channel movies counting down to the American election  

moving pictures: TIME magazine showcases one hundred of the most influential photographs  

malochio: an appreciation of the iconic, inspired CBS eye-logo  

giant steps: exploring the overlapping sensory experience of synaesthesia (previously) to the musical stylings of John Coltrane  

nazcat lines: archaeologists uncover a feline geoglyph in the Peruvian desert  

stranger danger: Patch the Pony transformed into a Halloween soundtrack 

fiscal cliffication: continued delays and deferment on financial aid will make it harder for the US economy to recover

υπό κατασκευή

At the behest of the Hellenic Ministry of Infrastructure and Transport, we learn via Boing Boing, architectural photographer Pygmalion Karatzas has documented the expansion of the metro systems of Athens and Thessaloniki. Dating back to 1869 as a conventional steam railway before electrification at the turn of the century, Μετρό Αθήνας (see also) has been the only subway in Greece, now serving the Piraeus, until the expected completion of the Thessalonki network in 2023. Any sort of construction—never mind mega-projects like these, present particular challenges for ancient and venerable places (relatedly) and may yield more discoveries yet. See a whole gallery of Karatzas’ works at the links up top.

grotte de lascaux

Discovered by eighteen-year-old Marcel Ravidat and three friends when his dog, Robot, fell into a hole on this day in 1940, the four companions descended the fifteen-metre-deep shaft into the underground gallery believing it might be the legendary secret entrance to Lascaux Manor and were astounded to find the ancient cave paintings covering the walls.
The depictions dated at around seventeen thousand years old are produced with pigments that suggest an advanced knowledge of deriving colour compounds as well as an understanding of scale and perspective and include human activities, abstract symbols and a host of animals, felines, horses, bears, deer and aurochs. The site has been closed to the public since 1963 once it was determined that the influx of visitors was causing the rapid deterioration of the paintings though many at scale replicas have been created.

artemision or the streisand effect

Though it was the restored temple financed by the citizens of Ephesus themselves, a version that post-dates its infamous destruction by arson on this day in 356 BC, that sealed its inclusion in Antipater of Sidon’s tourist guide, the Seven Wonders, that earlier loss bears more notoriety for the Temple of Artemis than the other must-see attractions.
Comparing it to his other sight-seeing excursions—none of which are extant excepting the oldest and most venerable Great Pyramid at Giza, the travel writer himself pronounced, “Lo—apart from Olympus, the Sun never looked on aught so grand.” The fate of the final temple is not well documented though it was the Christians that oversaw its slow dissolution, cannibalised for architectural elements and decorations including some of the columns of the Hagia Sophia—with archbishop of Constantinople John Chrysostom credited as “the overthrower of the temple of Diana, despoiling in Ephesus the art of Midas.” While this last boast sounds lofty, it is far less memorable than that of our damnable vandal, Herostratus.

itineris mosellæ or pilgrims in an unholy land

With trade and occupation lasting the duration of the late Empire, Roman culture left its imprint on the region including excavations of ancient wineries, the foundations of workshops and the remnants of defensive and civil engineering, a network of roads still trod to this day and the occasional tomb, like this pair of Römergräber perched above the vineyards of the village of Nehren (Villa Nogeria, a stylised version of the reconstructed graves are community’s coat of arms).
Prior to know- ing what the struc- tures were, the “heathen mounds” (see also here and here) were used as shelter from the elements for growers tending the grapes and memorials such as were often erected along trafficked areas so the departed would be remembered and carried with the living.
Afterwards, we returned to the city of Mayen and took in the spectacle of Schloss Bürresheim—another one of the few intact structures of this area and if it seems familiar, due to its well-preserved status it has made several cameo appearances in film, including the exterior, establishing shots of the fictional Schloss Brunwald where Doctor Jones and son are held captive in Indiana Jones and the Last Crusade. Also a house divided and on the border between different land holdings, Bürresheim, taking its present appearance in the fifteenth century, was probably again preserved by dint of its joint ownership

nakhlite type

The classification of Martian meteorite (see also) that was the first of its kind to suggest the presence of water and then for a tantalisingly brief time nearly a century later as technology and analysis methods improved microbial life, named for the Egyptian village of El Nakhla El Bahariya were it fell, broken up by the heat of entry into about forty samples raining down, on this day in 1911.
They are ejecta of volcanic rock from the plains Elysium Mons that was able to escape the planet’s gravity through a violent asteroid impact, wandering through space for ten million years before being captured by Earth, occasionally impacting over the past ten thousand years.  Though likely apocryphal since there were no remains recovered and no other corroborating witnesses, astronomers still repeat the legend and it’s become a mascot in the field of meteor studies, a local farmer recounts how a fragment landed directly on his canine helper, vaporising the animal without a trace, the so-called Nakhla dog.  In 1999, a sample previously unexposed to earthly elements was cleaved off and studied using a powerful scanning electron microscope revealing a matrix of pores very similar—though not conclusively so—to the traces that bacteria would leave in rocky substrate on Earth, leading many researchers to conclude that the Red Planet at least at one point harboured the niche environment that could support life.

9x9

the incalculable loss: New York Times again dedicates its pages to giving voice to overlooked obituaries

ruputer: Seiko’s 1998 smart watch proves the adage plus ça change, plus c'est la même chose (see also)

air bridges and air gaps: COVID-19 curtails international travel

invisible woman: incredible, augmented reality fashion show—via Things Magazine

privatising profits, socialising losses: the grifting companies receiving and retaining millions from economic recovery stimulus programmes in the US—via JWZ

metadata and memory hole: the internet’s repository is under assault

peaceful transition of power: the nightmare scenario if Trump refuses to leave office—via Cynical-C

chaotic good: DJ Cummerbund presents Weird Betty—nearly as good as Play that Funky Rammstein

and may those who lament their loss find better heroes: Egyptologist usefully share instructions on how to topple monumental structures

anthroposophy and apogee

Acknowledging the esoteric dangers that have emerged from the pseudo-scientific disciplines that arose towards the end of the era of Enlightenment just on the cusp of Modernity that try to reconcile the onslaught on evidence that the Cosmos is far older and complex than we can account for with the Bible and founding mythologies, Geoff Manaugh introduces us to the writing of one Sampson Arnold Mackey by leaning heavily into the paradoxical nature of such ethnography and theosophy that it’s in the effort of nailing down a narrative that brings up the problematic nature of speculation and amateur pursuits.
Never going away just repackaged and given a different sheen, we look at impossible epochs and receding events that disappear from the archeological record dredged up from archetypal memories and leading down pathways—some branches potentially problematic, either in fiction, espousing dangerous ideology or adopting thinking that rejects any achievement outsized in the mind of the beholder technically or sensibly has to be the work of the supernatural and one is left to deal with various theories that state the Pyramids of the Ancient Egyptians and Nazca Lines were the work of aliens. Mackey’s The Mythological Astronomy in Three Parts published in 1827 is no different than modern day disaster movies that gainsay the slow creep of environmental degradation with something dramatic like the flipping of the Earth’s magnetic poles and makes a deep and earnest investigation into a pet theory relating to the procession of the zodiac—that we’ve moved on from the Age of Pisces to the Aquarian one, except that Mackey hoped for more cataclysmic and drastic transitions—plunging humankind from an time of general prosperity into an “Age of Horror” plunging the world into deep enduring winters and arid droughts. Life and culture are driven so far as we know by stability and not swings between extremes, however distance that time out of mind may be. The work presents calculations, and like trying to pinpoint the primordial flood that haunts and informs our collective memory is a way to privilege one original story over another and suggest in was the deluge that formed the Mediterranean, for example, or makes some similar loaded and elaborated assumption—which again seems to be the overreach of amateurism that breeds more fables—but still invites one to ponder if these larger, unfathomable cycles might not have some bearing on belief and behaviour and constitution and how disaster imprints and lingers and that instinctual awareness of a pendulum fuels dread and hope.

der goldene hut von schifferstadt

Uncovered in a field near a village not far from Speyer on this day in 1835, the Golden Hat of Schifferstadt is one example of a quartet of headdresses from the Bronze Age and likely date, judging by the intricacy of the metalwork, the gold alloy hammered to the thickness of a sheet of paper, to circa 1300 BC.
This reproduction above is on the shingle of the local museum near the spot where it was excavated, with the delicate original conserved in the larger facility in Speyer—though sometimes ancient artefacts are part of the furniture and become sort of a mascot. The meaning of the insignia and symbols is unknown but researchers speculate that the hats were worn by the high priests of a Sun worshipping cult and may have served as an almanac, marking the days and weeks between planting and harvesting and other rituals.

flotsam and jetsam

Via Present /&/ Correct, we are introduced to a new form of beachcombing, mudlarking (see also here and here) that’s pivoted for one Cornwall resident from shells and lost treasures to the plastic detritus of modern times in LEGO Lost at Sea, who has nonetheless continued to collect what she can scavenge from the shores and displays them in their dismaying beauty. Learn more at the links above and share your own meticulously arranged collages of castaways.

approaching pavonis mons by balloon (utopia planitia)

A few days ago, NASA’s Astronomy Picture of the Day featured this collapsed opening in a shield volcano (Peacock Mountain) in the Martian Tharsis region—originally discovered during the Mariner 9 mission in 1971 with the gentle rise and general topography near the planet’s equator making the feature a good candidate for the anchor of a space elevator, tethered to the captured asteroid of Deimos—and teased that the protected environment within the cavern could be a promising refuge for hold-out Martian life forms. Long before being imaged again by a Mars orbiter in 2011, it was the subject of the eponymous Flaming Lips’ song from their 2002 album Yoshimi Battles the Pink Robots. The next phrase of the exploration programme, due to land February 2021 includes a rover called Perseverance equipped with a drill to extract and study core samples and an aerial drone, which could peer down into such places.

pilier des nautes

Rediscovered on this day in 1710 whilst performing excavation beneath Notre Dame for a new crypt, the Pillar of the Boatmen is a monumental Gallo-Roman column made during the first century and found re-used as building material for the fourth century defensive wall of the Île de la Cité.
Originally raised on the embankment of Lutetia (Paris) by the guild of sailors and ship wardens of the Seine as tribute to Jupiter (Iovis Optimus Maximus) the dedication and inscription mix some of the Roman pantheon but the other deities invoked and depicted, one singularly or as part of an ensemble to each side of four stacked blocks, in bas-relief are distinctly Gallic and have Gaulish vocabulary. Aside from Jupiter, and the twins Castor and Pollux, the others bear their native theonyms, as far as the incomplete and reconstructed inscription can be deciphered with certainty, and not epithets for their Roman equivalents, like Cernunnos, the Celtic horned god (second from the top, facing left) of commerce and fertility often portrayed but only named on this artefact—the city’s modern name itself coming from the tribe the Parisii which the Romans displaced with their occupation. The pillar is now displayed in the Thermes de Cluny, the ruins of an ancient spa in the heart of the city, in the bathhouse’s former cold pool—that is the frigidarium.

daytrip: milseburg

Bright through very windy, H and I took a trip to another of the nearby peaks of the Rhön highlands (Mittlegebirge, mountain ranges that tend to not rise above the treeline and are forested the entire way up) and hiked up the Milseburg with views of the Wasserkuppe and the valleys beyond. This trapezoidal massif and extinct volcano is most significant for the remains of its ancient Celtic settlement—oppodium, which was one of the first well researched and preserved sites of its kind in central Germany and led to the establishment of societies to maintain places of cultural heritage and accord them protected status, beginning nearly a century and a half ago.
Though now covered in moss, the basalt stones still in parts comprise the base of defensive walls (see also) and foundations of domiciles and the abrupt abandonment of the fortress, first in 1200 and then again in 400 BC, suggests that the site set the scene for a clash of cultures between the Celts and the Germanic tribes of the area. At the top of the mountain is a chapel dedicated to Saint Gangolf, a Burgundian knight and wealthy landowner under King Pippin the Short, whom was killed 11 May in 760 for his express wish to renounce his worldly possessions by his wife’s lover.
Prior to his martyrdom, however, Gangolf had several heroic exploits including, reportedly, no less than vanquishing the giant Mils, who in league with the devil was preventing people from taking the sacrament of baptism by a monopoly of water sources—and generally causing crops to fail by withholding irrigation access. They shall not pass—Gangolf fought valiantly but had no refreshment to regain his strength for the next attack, and a local farmer, himself desperate, refused the knight any relief unless he paid an exorbitant price, which for all his wealth Gangolf could not muster. Resigned to defeat, he removed his helmet and on the spot where he laid it down, a new spring broke forth, still flowing to this day, and gave the knight the resolve he needed to finish off the giant and furnish the locals with a new source of clean water.
The devil entombed the defeated Mils and hence the Milsburg. No recent excavations have been undertaken but the mountain is protected from an archaeological standpoint as well as a being a nature preserve that welcomes visitors and remains a popular destination. Being stormy, it wasn’t the best conditions to be exposed on a summit but it is one that we’ll be able to explore again soon.

rank and file

Like the exquisite but diminutive game piece itself we nearly overlooked this incredible find (see also) that provides a tangible link between the activity of Lindisfarne and the Viking raids and subjugation that began at the dawn of the ninth century.
On learning that the finely crafted bauble is speculated to be playable character of an ancient Viking board game, akin to chess (ibidem as it turns out), called hnefatafl my memory was jogged and there’s quite a bit of resonance to an artefact that suggests how these imagined ruthless plunders brought along their pastimes and distractions to the equally imagined milieu of desperate poverty and privation.

the hungry earth or the gorn hegemony

Inspired by and named for a 1970 Doctor Who story-arc that originally aired from this day until 14 March on BBC1 in weekly installments wherein the Third Doctor tries to broker a peace settlement between the simians, sapiens and the reptilian Silurians who were the dominant intelligent species, the eponymous hypothesis is an interesting and self-critical (though sometimes coopted by fringe elements and regaled with the hallmarks of pseudo-science) thought experiment, a corollary to Fermi’s Paradox in a sense, to gauge those simian successors’ ability to detect evidence of prior (or parallel) advanced civilisations.
Formalised and fleshed out just in 2018 in a paper by astrophysicists Adam Frank and Gavin Schmidt, they pondered whether there would be any sort of trace of industry, given sufficient time and distance and divergence from our own manifestly self-destructive and unsustainable technology, a civilisation that produced less enduring waste and had a lower profile in terms of environmental impact would be harder to dig up but would probably be the more successful and longer-lived for it as well.  Any artefacts, direct or indirect, could prove elusive indeed, and we may be incapable of recognising them for what they are. Please be sure to visit Futility Closet at the link up top for an abstract and the full paper.

5x5

scorched earth: ornithologists in Australia have observed opportunistic birds that use the bush fires to flush out prey—via Kottke

midden mound: one beachcomber is sharing her found treasures

robertson head driver: an interesting look at the history of screws and other tools

the rich get richer and the poor get children: proletaneous defines one aspect of economic disparity

bucket-brigade: Sydney Opera House thanks the firefighters