so we spin (10. 029)

Published in part at the link, we enjoyed this introduction to the graphic design portfolio of Elinor and Joe Selame in their 1971 data-visualisation (see also here and here) volume that poses the question whether one is a wheel or a cog and demonstrates the discipline’s commitment to limning socio-economic realities and communicating an class and ethnographic truth. Widening inequalities create a thesis and antithesis that can be convey clearly in a family of symbols, which not only project and reflect society, the technique can also help one to understand one’s role within the context of community. More at Print Magazine at the link above.