Tuesday 23 November 2021

il bronzino

Passing away on this day in Florence, where he had spent his entire life, in 1572 (*1503), Agnolo di Cosimo, better known by his sobriquet for his dark complexion and red hair, was from his late thirties on engaged as a court painter for the grand ducal family of Tuscany, the Medicis—specifically for Cosimo I and Eleonora, which the Mannerist-trained painter portrayed here as Orpheus, musical virtuoso, around 1538.
The style curried disfavour from the general art world (see previously) from the late-Romantic to early Modern eras, but the disciplined poses and idealised renderings have seen somewhat of a resurgence recently.
Such impressions of poise and unchanging elegance made a lasting influence on aristocratic portraiture though not many others employed heroic nudity for public figures, patrons or otherwise. Many of his commissions were also allegories of classical mythology and biblical passages, including his 1533 depiction of the popular subject of Saint Sebastian—see previously.