outside the lines

We very much appreciated the introduction to surrealist photographer Arthur Tress whose portfolio was informed by the pivotal year of 1964 in politics, segregation and civil rights via his series of antique colouring-book collages paired with complementary or juxtaposing found photography, likely sourced from the same flea markets. Tress’ sense for mismatch went on to aid him in delivering his commission for the US Environmental Protection Agency to document and publicise the social pressures and injustice underpinning lax ecological stewardship. More at Collectors’ Weekly at the link up top and at the artist’s website.