rotation № 17

Born this day in 1926 in Berlin (†1999), Robert Rotar was a painter, sculptor and photographer whose contemplative, meditative repertoire drew on symbolism, instructions—flow-charts from alchemy and astrology and was quietly prolific and accrued many patrons from all over the world. Receiving artistic training in Köln after the war—his studies at the Waldorfschule and Vitte in Hiddensee interrupted, Rotar became a member of the Deutsch Werkbund, collegial with Mies van der Rohe, Joseph Beuys, Florence Knoll, Alfred Schmela and other gallerists and artists, departing somewhat from the school’s usual output with a doctrinaire opus that conveyed a certain philosophic correspondence, indulging a trance-like state as he worked, especially with spirals, which embraced the motif of coincidentia oppositorum—out of the union of opposites wisdom is gained and cultivated close friendships with such contemporary thinkers as Werner Heisenberg, Niel Bohr, Wolfgang Pauli and Erwin Schrödinger.