the anathema of zos

Among the youngest artists to exhibit at the Royal Academy and securing an art scholarship and associated with occult figures like Aleister Crowley, Austin Osman Spare (*1886 – †1956) is virtually unknown despite his contemporary presence—possibly for his departure from other esoterics by turning inward to uncover hidden knowledge by engaging his atavistic subconscious psyche. Accessing his portfolio full of Art Nouveau grotesques and echoing the style of artwork of Aubrey Beardsley through his self-published grimoire Earth Inferno, inspired by Dante’s epic trilogy. Eventually accusing other magicians as only concerned with self-aggrandisement and harshly critical of Nazism’s flirtation with the occult, Spare’s subsequent works articulated the process of automatic writing and mediumistic sketching, a method to produce the sigils that summon spirits, and analysing the output. Modified by later adherents and evangelisers, Spare’s techiques and theories were transferred to a movement broadly called chaos magick. More to explore at the link up top with the content warning that some of the imagery verges on the sexually domineering and violent.