Tuesday 29 September 2020

unprocessed cartoons

PRINT magazine contributor Steven Heller has a nice retrospective appearance and remembrance for an underground political cartoonist often overshadowed by his contemporary R. Crumb in R. Cobb. While many might more readily recognise the Cheap Thrills that duly excoriated our modesties of the former, we might not be as familiar with the latter, who recently departed (*1937) after a long bout of dealing with dementia, whose extensively syndicated illustrations laid bare how the governments—most pointedly the US establishment—was eroding civil rights, liberties and the environment.

Cobb turned his talents to raising awareness and championing social justice causes after being dismissed as redundant by Disney studios in 1957 once the animation of Sleeping Beauty was complete—notably the last film to use hand-inked cels. There are an embarrassment of panels from the late-1960s that are very resounding and correspond, appearing in the Freep plus more mainstream outlets, with what we face at present (see a whole gallery at the source up top), but we are choosing to highlight the ecology symbol Cobb created—combining e (environment) and o (organism) into a ฮธ-like glyph that gifted into the public domain and was adopted by the conservation movement. After his career as a cartoonist, Ron Cobb designed conceptual art for science-fiction films such as Star Wars, Alien, Alejandro Jodorowsky’s unfinished Dune, The Abyss and Total Recall.