meshes of the afternoon

This 1943 experimental short film by spouses and creative collaborators Maya Deren (*1917 – †1961) and Alexander Hammid (*1907 - †2004) delivers a surreal round and refrain of motifs that have become the diaphanous displacements for several music videos and directors such as the iconic David Lynch (previously). The directors themselves portraying the two characters whose interior experience cannot be documented for another to see or experience, the plot follows a strange stream of dissociative nightmares where repetitive, simple tasks become outsized in their difficulty and importance, a feature that can be common to dreams, and ends without a settled resolution.