la repubblica popolare democratica di corea

Hyperallegic directs our attention to a modest gallery owner and art broker in a small Tuscan village who is responsible for the vast majority of North Korean art—inspiration, motivation placards, ephemera, propaganda posters and fine art—that enters into Western markets. The article also discusses the thousand-strong studio that produces much of what the gallery resells and that has executed monumental consignments for various institutions and world leaders at steeply discounted prices.