Tuesday 21 August 2012

frühstücken oder morgen post

I really liked this tableau by Danish artist Laurits Andersen Ring, recently featured on the English Wikipedia home-page as a featured image.
Productive from the fin d’siècle until the 1930s, Ring’s style and subject matter helped define the Socio-Realism movement, which embraces such iconographic works as Grant Wood’s American Gothic, the anonymous and evocative profiles of the Great Depression in America (like the photograph of Migrant Mother [DE]) and the cavalcades of propaganda art from different confessions and persuasions yet all with common ways of portraying, lensing society. Focusing on the craftsmanship of the furnishings and small details really complete the scene, which is also pregnant with symbolism that slowly emerges. The allegorical is a subtle thing and can tell stories that are inexhaustible, noting the way the way shadows dapple, the copy of the page, the halo of greenery at the woman’s head, the intention of the palette and so on. Taking a moment to appreciate the unfolding reminds one that links do not allegory make.