cyrus charter

Though in possession of the British Museum, the ancient clay cylinder bearing the declaration of king Cyrus the Great, outlining his genealogy and conquest of Babylonia as favourite of the god Marduk and documentation of the end of exile of the Jewish people and allowing them to resettle within the empire was loaned to Tehran on this day in 1971 for a period of sixteen days for the gala celebration of the two-thousand-five-hundredth anniversary of the founding of Persia—see previously, beginning mid-month ten days later. The artefact recovered in 1829 (in Mesopotamia, in modern day Iraq) is considered by many historians as the pioneering attempt to administer and multicultural state with universal human rights and was made the official symbol of Iran in absentia.

shock theatre

With the debut of the syndicated package of made-for-television monster movies after a few minor roles in a Western series—one being an undertaker—on this day in 1957 in the Philadelphia market, John Zacherle (*1918 - †2016) began a decades’ long career as a horror host, editing a pair of anthologies of ghost stories plus penning a few monster novelty songs. Often filling in for his colleague and fellow Philadelphian broadcaster Dick Clark when touring, Zacherle was the substitute MC for American Bandstand. As a promotional stunt to mark his move to New York, Zacherle staged a presidential campaign in 1960, running as a “cool ghoul” but failing to meet the threshold to get on the ballot in any state. Continuing the same format as Shock Theatre, the interstitial breaks became more and more elaborate with a cast of monstrous characters and branched out into a few motion picture parts as well as hosting a cartoon variety hour and adolescent dance show in New Jersey called Disc-O-Teen. Through the seventies and eighties, Zacherle was a Prog Rock disk-jockey and in an array of b-movies. His success and notoriety helped his niece Bonnie Zacherle develop and successfully pitch her 1982 toy line, My Little Pony—the horror.

a creature unknown to science

peoplemover

As a space-saving and universally-accessible alternative over stairs, underpasses and elevators to ford an obstacle, usually train-tracks, the system invented by engineer Emil Schmid first transports passengers up vertically, sideways and then down again in one fluid motion. A couple of these engineering marvels (see also) remain in operation at Bahnhöfen in Altbach, near Stuttgart, and in the Rummelsburg district in Berlin. More at Miss Cellania at the link above.

strömungswiderstandskoeffizient

Designed with a similar streamlined aesthetic as the tear-drop trailer, the Stout Scarab and Buckminster Fuller’s Dymaxion car, we enjoyed making the acquaintance of the prototype Schlörwagen presented at the Berlin Auto Show in 1939, developed at the aerodynamic testing institute in Göttingen (hence the nickname the Göttinger Ei) to produce a body profile with a low drag coefficient. Though less than well received by the public at the time, the test vehicle trialled faster speeds at significantly great fuel-economy. The namesake engineer, Karl Schlör von Westhofen-Dirmstein—from a Frankonian noble family, saw his project derailed by the war and impressed into working on submarine propulsion systems and later imprisoned for assisting Jewish families—afterwards entered into politics, returning home and helping Kitzingen and Würzburg secure fuel rations and promote their responsible use, studying and championing biogas and wind turbines. More from friend of the blog Nag on the Lake at the link above, including a demonstration of the car in a wind-tunnel.

tubular bells

On this day in 1974 Mike Oldfield’s technically rich and complex instrumental arrangement, Opus One, the nineteen year old’s debut studio recording, climbed to the top position on the UK charts (see also), some fifteen months after its release, its opening theme used for the horror film The Exorcist shortly thereafter. Several anniversary and occasional versions have been produced in subsequent years

8x8

heir apparent: after over a century, Russia hosts a royal wedding for a member of the Romanoff family

9m²:a luxury apartment in Tokyo that makes very efficient use of space—at more than twice the size, my work-week flat feels rather sprawling and and ilunder-utilised 

pandora’s box: a trove of leaked records, following on from the Panama papers shows how the wealthy and connected hide their riches 

faux mcdoo: a fake McDonald’s in Los Angeles for filming purposes, via Messy Nessy Chic 

tx-33: new lows attained in gerrymandering and voter-marginalisation 

full circle: a retrospective exhibit of Judy Chicago  

deuce court: a demonstration of medieval tennis  

вызов: cast joins crew aboard ISS to film scenes of the first movie shot in microgravity

the final programme

Adapted from the eponymous Michael Moorcock novel and premiering in UK cinemas on this day in 1973, the Robert Fuest sci-fi, action production (thanks to the introduction from The Flop House), the plot centring around the quest for post-humanism beings—perfect and self-propagating—is a post-modern Prometheus story that shares a lot of energy and aesthetics with the roughly contemporary Abominable Doctor Phibes. Bent on carrying out the taboo and contro-versial plan of a recently deceased mad scientist and bring human kind into a new age and out of an existence condemned to near post-apocalyptic wasteland, Miss Brunner—a sado-masochistic techno-magician—instigates the epiphanical sequence, causing her to merge with the protagonist, a suave playboy physicist and son of the man scientist called Jerry Cornelius and dispatching with the henchman named Dmitri who had helped bring their plot to fruition—briefly manifesting as some sort of messianic figure to herald a new age before devolving into a caveman (see also). The creature, as it escapes the secret lair, observes that it is indeed “a very tasty world.”