Saturday, 11 October 2025

heavy petting (12. 785)

Despite (or because of) its ban by the BBC and refusal to air the chanson on the radio or on Top of the Pops for its overtly sexual content, the song whose title translates to “I love you … me neither”—originally composed by Gainsbourg for Brigitte Bardot in 1967—the Serge Gainsbourg and Jane Birkin duet rose to number one on the UK and Irish charts on this day in 1969, the first foreign language one to do so. Prolific and iconic songwriter Gainsbourg (previously) was ordered after a particularly bad date by his then-girlfriend Bardot (see also) to write the ultimate love song as penance—which the two later recorded in a studio together. After the session Bardot begged Gainsbourg to never release it—he complied but was upset that his singular attempt at writing a love song would go unheard. Breaking up with Bardot the next year, Gainsbourg’s on-screen tryst with English actress Birkin during the filming of the romantic comedy Slogan turned into a real-life affair—at first for the sake of the project—with Gainsbourg latter seducing her with the private recording made with his ex. For admittedly selfish reasons, motivated by the fact she wanted no one else to record it, Birkin agreed to perform the track. The title «Je t'aime... moi non plus» was inspired by a quotation of Salvador Dalรญ that “Picasso is Spanish, me too. Picasso is a genius, me too. Picasso is a communist, me neither.” Despite Birkin’s lasting imprint (Gainsbourg directed her in an erotic film of the same name in 1976), it was revealed later that Gainsbourg also approached Marianne Faithfull to do the duet and by 1986, Bardot had reconsidered her position and persuaded Gainbourg to release their original recording. An instrumental version was played during the opening ceremony of the 2024 Paris Paralympics.

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synchronoptica

one year ago: Texas Chainsaw Massacre (with synchronopticรฆ) plus a last day on the Havel

sixteen years ago: an awful trollish post on Obama winning the Nobel Peace prize that we’re ashamed we made and feel very differently now

seventeen years ago: fleeing interconnections to a new Dark Age