sōsaku hanga (12. 689)

Via John Coulthart’s { feuilleton }, we appreciated the introduction (as well as the source) to renowned woodblock printer Sekino Jun’ichirō (関野 凖一郎) who is considered one of the leading figures behind the title Creative Print (創作版画) movement that was a post-war departure from the traditional ukiyo-e craft whose output was characterised by a rigid division of labour, the artist’s expression not dependent, downstream from the collaboration of artisan tasked with conceptualising, carving and colouring. The pictured “Summer Ending” seemed appropriate for the changing seasons (see previously), and the prolific artist produced and exhibited several series aside from individual portraiture and cityscapes such as a reinterpretation of the classic by Utagawa Hiroshige The Fifty-Three Stations of the Tōkaidō, the rest-stops and horse-refreshing posts along the royal road connecting the shōgun capital of Edo to the imperial one of Kyōto, hot springs of the country and folk toys. Much more at the links above.