Tuesday 30 June 2015

#grexit, #PRexit

Patriotism aside, the USA and the EU are in many ways organised around the same basic principles. Although I am sure that many would like to back away from such a comparison by pointing out important distinctions and the fact that the US is a more (or less, depending on one’s point of view) coherent bloc, despite or because of varying jurisdiction, taxes, etc.
The US cannot exactly boot out the recalcitrant and the under-performing and succession has been made an illegal-fiction—and while the fledgling EU has untried provisions to kick-out members or let them leave voluntarily, and perhaps more importantly, on balance with the insistence that this experiment will work, the ability to selectively invite new partners—which really isn’t a possibility for America—and the core of badly-behaving Europe achieve a new and hopefully better character in expanding its borders. Though many of the contiguous territory, in my opinion, are in far worse financial straits, the Colombian Union is baiting and beating up on one of its colonial outliers in insolvent Puerto Rico with mounting attention that may well match captivation that the Greek tragedy is providing.  Receivership does not seem like an option that will do anyone any good, other than the lenders of last resort.

5x5

ephemera: MOMA acquires beautiful set of postcards advertising the inaugural Bauhaus exhibition

mincome going dutch: Utrecht will test out basic income plus a look at historical experiments with eliminating poverty

redrum: food decoration inspired by Stanley Kubrick classic The Shining, via the splendiferous Nag on the Lake

proud as a peacock: charming round up of railings against the US Supremes’ decision to ban state-level curbs on marriage

neapolitan: biography of Rose Totino, patroness, of frozen pizza—plus a selection of inventive advertisements made with stock-images  

eyalets and encomia

Though now I know that the frigate on the obverse of the old drachma coin represents the vessel of the head of the Greek admiralty and freedom-fighter Constantine Kanaris, thinking on the possibly eminent return of the currency, the nature of nomos, numisma and the Union, the paradoxical Ship of Theseus—where one speculates if a boat is still the same boat if one has replaced a single nail, plank, sail, jib and mast, the entire deck and eventually though still called Theseus’ comprises none of the original composition.

Kanaris was celebrated by the Greek independence movement of the 1820s and 1830s for having destroyed a large part of the Ottoman Armada and eventually securing freedom from the empire. It’s enough fractious history for the West to understand the Holy and Roman Empire of the Germans and the associated Kleinstaaterei, but the parallel career of the land of the sultans, which was longer-lived, far vaster and far more heterogeneous is an equally if not more fascinating story. There was the same sort of mediatisation and devolution among kingdoms, principalities, duchies, condominia, and ecclesiastics but under other territorial titles—eyalets, sanjaks and beylerbeys. The Ottoman Empire, which grew from the ruins of the Eastern Roman Empire (Byzantium), saw its decline and ultimate dissolution in the aftermath of World War I. There’s of course not a direct correspondence between contemporary imperium and Greek rebellion—just as the patchwork of Europe is not the apposite pole to the Ottoman Empire and trying to force the comparison is a disservice but maybe there is something to be gleaned from the dissection and reconstitution in the end.

Monday 29 June 2015

5x5

ostalgie: doll houses and dioramas of East Germany

in search of lost time: introduction to Alain de Botton’s series on how Marcel Proust can turn one’s life around

throughput: Disney corporate flow-chart for strategic success

sperrgebiet (dead link): Germany will transform sixty closed military installations into nature reserves, via TYWKIDBI

notorious rbg: US supreme court justice’s civil rights sojourn and superstar status

namely: peristeronic

From the Oxford English Dictionary Online Word of the Day comes a timely and useful bit of vocabulary in the adjective peristeronic—that is, relating to or suggestive of pigeons.

It turns out of course that it was never breeding pigeons that was considered not halal, given that pigeon exhibitionism is well-nigh impossible and not suggestive of anything except maybe when the male gets all puffed up and cooing to woo a reluctant mate. Rather—arguably equally incredulously, the keeping of pigeons was banned (despite the rich and long heritage that this practise has in the Arab world, including distinct strategic advantages with homing and messenger pigeons already in antiquity) was because some lecherous spies were using it as an excuse for being on the rooftop and from that vantage point, peeping at neighbours. Peristeronic. PfRC invites readers to build their treasury of words as well by visiting the OED Online and subscribing to the Word of the Day.

Sunday 28 June 2015

daytrip: wetterau

 After being treated to a fun and festive Rhein river cruise courtesy of my employer, the next day H and I traveled a little farther north to a county named after a tributary thereof. It’s a little striking how much of German topography is named for streams and rivers instead of the other way around, like the Fulda or Heufurt closer to home that’s not where the hay, the straw can ford the stream (I would like to see that) but rather where there is an easy crossing on the Heu—and the name doesn’t refer to the weather, unlike the endless skies of this prairie land between the mountain ranges declaimed although feistier weather never materialised.
First we passed the ruins of a fortress on a hill called Mรผnzenburg and stopped to visit. Unlike the name suggested to me, it was not a mint and the castle was built around 1160 by an administrator called Kuno I under contract of Emperor Barbarossa as a display of imperial power. The towers certainly dominated the otherwise flat landscape and was a treat to climb through the long-abandoned, neglected as other instruments of might became available, corridors and explore.
 Next we came to the yet vibrant compound of the Cloister of Arnsburg, just outside of the town of Lich where the popular brand of Licher beer is brewed. The compound embraced by the course of the Wetter, whose mother cloister is in Eberbach, fell into ruin with the dissolution of the monasteries in 1806, but parts have since been restored and re-purposed, including a poignant courtyard that is a sombre resting place for soldiers and victims of the regime of terror of the Third Reich.

Afterwards, we traveled onto the city of Wetzlar (home of Leica photography) and had a fine time walking through the winding cobbled streets of half-timbered houses that dated from a long time ago and reminded me of Frankfurt’s core Altstadt with a Hauptwache and squat cathedral.
I can’t wait until we have the chance to next time make a little more familiar what’s in the range of this backyard (plus from different perspectives) and look forward to exploring much more.

panorama or bread and butter

With this news item and its repercussions overshadowed by the visit of the Queen and then understandably wide-spread panic over the financial viability of Greece and the coordinated terrorist attacks that targeted tourists, it took me some time to realise that there is truly a landmark decision—pun very much intended, on the docket for the EU parliament. Standardising the so-called Panoramafreiheit, named after the German concept that images either framed or incidentally with art installations and works of architecture that are on display to the general public can be shared openly without fear of reprisal or accusations of commercial infringement, has suddenly become a priority. And while some are championing the German model be taken up in other lands where legal entanglements can make publicising a picture, especially of modern buildings whose likeness is controlled by some individual or brain-trust, difficult, others fear that the interpretation and enforcement of commercial-use could swing the other way in favour of the lien-holders. Tacky souvenir-shops seem to have gotten away with selling kitsch for years, whether copyrighted or not—Paris owns the right to the picture (and reminiscences thereof apparently) of the Eiffel Tower illuminated at night—and while I don’t think it’s necessarily right for some fly-by-night opportunist to profit at the expense of the labour of some genius architect and the outlays of a municipality by 3D-printing charm bracelets of some newly built sports stadium named after an on-line loan company—supposing there’s a market for such trinkets, no one should need to get permission and pay royalties for making their own personal postcards and sharing them.
The fact, however, that the venues where such things are shared are mostly unabashedly commercial ventures, the legal wranglings, suits and disappeared images would be soon to follow. Given that they are the bread and butter of the industry of sharing and of the gadgets that make this level of snapshots and selfies possible such candid postcards prompted this discussion—and probably gave someone a whiff of money to be made, it strikes me as ironic and necessary that there might be a degree of cooperation between those prying giants of the internet and their usual antagonists, the libertine Wikipedia and your friendly neighbourhood Pirate Party. It is strange to think of them being potentially on the same side.  I imagine that the social media networks would wither on the vine should the environment become as restrictive about broadcasting one’s whereabouts (with pictures) as bootleg has become.  Should the lawyers get their way, what is to stop it from progressing to even natural monuments, claimed as trade-mark by states unable to glean any tax-revenue off of those same internet giants that get off scot-free (which really does mean duty-free, hors taxes) though profiting greatly with local operations? Be sure to let people know how you feel about this and photograph everything as that’s the new graffiti.