de finibus bonorum et malorum

Spotted by Super Punch, New York Times sports writer Andrew Keh took note of the inspiring captions on posters for the Winter Games in the hotel he’s based out of. Lorem ipsum is placeholder text used in draft copies before the final version is available (see previously) and is adapted from a passage from the above Socratic dialogue of Roman orator Cicero (meaning on the ends of good and evil, a rather heavy subject for a throw-away endeavour), popularised in typesetting since the 1960s by a Letraset transfer sheets ad campaign, this pictured call-out begins “the pain is important to me” but non-standard, breaks down from there. Traditionally, the passage, which could very much apply to the spirit of competition, continues: “[B]ut occasionally circumstances happen wherein toil and pain can procure some pleasure. To take a trivial example, whom of us ever undertakes laborious physical exercise, except to obtain advantage from it? But who has any right to find fault with one who chooses to enjoy a pleasure that has no consequences, or one who avoids a pain that produces no pleasure?”

7x7

reset: audiences of a hugely popular show in China about a video game programmer stuck in a time loop are upset about its positive ending  

országos kéktúra: Hungary’s national long distance walking route (see also) from Irottkő to the Austrian border 

the book of fate: an 1822 edition that appealed to contemporary British preoccupation with Ancient Egypt and Napoleon  

we only remember ‘long polio’: contemplating the lingering, debilitating effect of severe cases  

boharat cairo: a foundry explores the possibilities of Arabic script expression 

 encanto: we need to talk about Bruno  

where is my mind: an edit of problematic fav Fight Club available for streaming in China follows some different rules

corporate identity

We thoroughly enjoyed this object lesson in the importance of logos and branding via this collaborative work-space application called Kapwing taught by filtering iconic emblems through a suite of different graphical eras and movements—from Art Nouveau to Bauhaus, Psychedelic, Pop Art, Retro 80s and 3D. Check out the full matrix of iterations and various big name brands at the link above.

7x7

sick sad world: our crypto-bro, cyberpunk dystopia  

brik: aesthetic LEGO typography  

just keep swimming: mobile aquaria allow fish to drive—via the morning news  

molten path: an ancient—though not inaccessible—airburst over the Atacama shed shards of glass across Chile—see also   

thinking of you, i mean me: a Barbara Kruger (previously) retrospective in Chicago on capitalism and its critique

queued-up: Instagram versus reality

a listicle in eight parts: Cory Doctorow expounds on the scam of fintech—via the New Shelton wet/dry

a ‘savage stenographic mystery’

Reminiscent of another challenge recently recalled involving shorthand and its devotees, we learn courtesy of Strange Company that not only did author Charles Dickens make an early living as a court-recorder using the brachygraphic system of Thomas Gurney (trained as a clockmaker and developed his shorthand out of a fascination with astrological symbols, realised that there was little financially to be gained from scribbling and sensibly returned to the horological industry) and continued to use it for personal correspondents and manuscript (supplementing the character-set with glyphs of his own invention), there are moreover writings of the studied and celebrated novelist yet to be deciphered. There’s an appeal with an honorarium attached for decoding a passage in a text known as the Tavistock Letter and call for help in general in completing the canon.

latinxua

Similar to other courtesy alphabets and attempts at Latinisation we have encountered before—with varying degrees or success and reception (see here and here), the always engrossing Language Log introduces us to the above transcription scheme also known as Sin Wenz (“New Script”) developed by Russian and Chinese Sinologists and saw widespread use in the 1930s and 1940s. This first attempt as Romanisation (see previously) had native speakers as stakeholders and notably did not attempt to indicate tonal shifts as those were expected to be made clear by context. Much more at the links above.

8x8

schwibbogen: a look at Germany’s Erzgebirge’s Christmas decorative arts traditions—see also

lakshmi-narayan: a looted sculpture returned to Nepal becomes a god again  

wind in your sails: a giant kite will pull a ship across the ocean in a demonstration project to cut emissions

all songs considered: NPR’s Bob Boilen’s recommended listening from the past year  

farmscrapers: advances in hydroponics and robot-assisted harvesting are making vehicle crop-growing a reality  

wysiwyg: Anna Mills on her typography and creative outlook  

carry on regardless: the comic language pf Professor Stanley Unwin  

god rest you merry, gentlemen: the comma in this carol makes us wonder about punctuation

fuzzwords of the year

Differentiated from buzzwords as something intentionally euphemistic or vague and so perhaps under the radar of censors and above a certain level of reproach, we enjoyed learning some of the current slanguage vocabulary of China. We especially liked the Mandarin / Putonghua near equivalent for the English acronym GOAT—that is, greatest of all time—in yǒngyuǎn de shén (永远的神) YYDS, “eternal god” and used to heap praise for excellence. As the author points out, the same transliterated, four-letter initialism is also employed for yǒngyuǎn dānshēn (永远单身), essential “forever single”—so context counts. Much more at Language Log at the link above.

mysterium hoc arcanum

Located to the left door jamb of the Baptistery of Pisa, one of the other ensemble of buildings in the Piazzia dei Miracoli often upstaged by the cathedral’s campanile, the structure designed by architect Diotisalvi and built from 1153 to 1363 contains an undeciphered epigraph, which while representing an unknown script, is not unique—lost though having

appeared in Lucca and other places in Tuscany—is suggested to in a sense a kind of gamification to hunt for such mystery inscriptions and debate, contemplate what they might mean without any definitive interpretation established. Courtesy of one of the commentators, here is the puzzle to solve.

♡̂

Although one might be forgiven that the initial summary conclusion of semiotician—a student of processes and signifiers, like flow-charts and equations—Charles K. Bliss (*1897 - †1895, born Karl Kasiel Blitz in the Austro-Hungarian Empire but migrated to Australia after the war and release from concentration camps via Shanghai) was that the strife in his homeland was caused by the inability to communicate, we suppose that one only need look at his Blissymbols as a precursor (see also) to our extended character-set of emoji. The constructed ideographic writing system first expounded in 1949 and elaborated subsequently, even assigned its own ISO script block. Originally championed as a heuristic for teaching grammar to those with learning challenges, a set of Blissymbols were adapted into the universal suite of directional and informational glyphs found at train terminals, airports, stadia and hotels following the tourist explosion and jet-setting of the 1960s. More to explore at the links above.

7x7

floh u. trödel: couple’s costume ideas—via the ever excellence Everlasting Blört 

boutonniere: Harriet Parry’s flower arrangements reproduce iconic fine art and classic tarot card designs—via ibīdem

microface: a quick quiz to identify whether the subject is a font or a Marvel character (see previously)—via Kottke’s Quick Links  

오징어 게임: Squid Games Funko-Pop characters—see also 

pyrrhic victory: the rules of play for a variant called Atomic Chess allows a pawn crossing the breadth of the game board promotion to a scale that would instantaneously annihilate all pieces—of both sides

rollercoaster tycoon: Saudi Arabia transforms a decommissioned drilling platform into an extreme amusement park  

hell no: a sensible horror film

counterpunctual or slashdot

Another kindred internet caretaker, TYWKIWDBI, picked up on an idea we were wondering about after an earlier encounter with site that distills one’s writing down to its constituent punctuation marks. 

While no refined work of literature or self-consistent as canon, we did wonder if there was a certain detectable cadence or scansion to our posts on PfRC—and indeed whether hypertext markup, virgules, separatrices, etc. counted or should be counted, but from the Latin to score with points, it does seem right to include after all.

horticultural dingbat

In announcing the winner of contest held in honour of Punctuation Day, adopted and embraced as an international observance, Shady Characters gives us a brief but thorough education in the dual-use glyph, used both as a form of punctuation and as a typographical ornament known as the printers’ flower, Aldus leaf (after Renaissance publisher Aldus Manutius of the the Aldine Press), the hedera symbol or most commonly as the fleuron—❦. Similar to the pilcrow (¶, Middle English pylcrafte and ultimately from the Greek paragraphos), it was used in ancient manuscripts to divide paragraphs in a block of text and fill the space of indentation. In modern bookbinding and pagination, it is used similarly to the asterism to denote line- and page-breaks as well as borders. Couched in the title conventions, they are referred to as “floral hearts.”

boustrophedon

Designed to remedy brain fatigue, Scott H. Perky (son of Henry Perky of shredded wheat fame) created and patented a bi-directional typeface that would eliminate effort required for a mental carriage-return and allow readers to carry on slaloming through a block of text. Though not without historical precedence “as in the manner of the ox that turns while ploughing” and antecedents, the younger Perky’s idea failed to gain traction at the time.

¡!

As our faithful chronicler reminds, this day since first championed in the United States of America by Jeff Rubin in 2004 is set aside to promote the correct use of punctuation, observed—among other rituals—by sharing the gravest transgressions. Also an occasion to celebrate the rarer or failed interpunction like the asterism or interrobang, we liked learning about the proposal for a friendly period to lighten the tone, formality or finality.

conspicous calculation

Addressing the lexical weight of numeracy and the outsized weight we attribute to it as we do with all jargon from coding to spellbinding, we really enjoyed the panel discussion between host Helen Zaltzman and guest Professor Stephen Chrisomalis featured on the latest episode of the Allusionist on numbers and notation. 

We especially appreciated the disabusing reminders about bias, audience and the recent dominance of Indo-Arabic numerals (see also) and the vestigial systems, like Roman numerals, that accord prestige and the fact that I, V, X, L, C, D, M were not immutable from Antiquity until now with medieval abbreviations sometimes reflecting the Latin name or using Claudian letters and that the symbols were never meant to denote centum or mille but rather that half X is V and half C is L, and so on.

8x8

letraset press: a collection of instant lettering dry-transfer sheets (see previously) from Coudal Partners’ Fresh Signals 

the woman who stared at the sun: the circumstance and contributions to astronomy of Hisako Koyama who helped hone our understanding of solar cycles 

a good walk spoiled: an in-depth look at how golf course exacerbate the housing shortage  

couch gag: a clever individual shares their construction of a miniature replica of the Simpsons’ purple television set that plays random episodes 

one week supply: a podcast discussing Damn Interesting’s curated links section 

the china syndrome: a super-tunnel simulator that illustrates the quickest, shortest routes to connecting points around the globe—see also  

tartu snail tower: the spiralling skyscraper in Estonia’s second city  

the art of letters: a typographical study from Mark Gowing

referens b𝑤ks

Courtesy of Weird Universe, we’ve previously encountered this forty-three letter script called Augmented Roman in which each glyph makes a distinct sound, allowing for a fully phonetic English orthography—textual examples of which we can recall looking and being thoroughly confused as young readers. We failed to realise however that the politician, publisher and educational reformer who developed the Initial Teaching Alphabet (i.t.a.) was Sir James Pitman (*1901 - †1985), grandson of Sir Isaac Pitman, who of a similar disposition, had developed a popular though far longer-lived stenographical system.

itc kristen

Being unabashed font snobs ourselves, we thoroughly enjoyed this piece by Jonah Lehrer for Lithub on the utility of Comic Sans and other similarly disfluent typefaces, how they are demonstrated to aid in retention and recall, jarring mental laziness and how corporate logos—in their quest for refinement—may be preening their brands to be instantly forgettable. The excerpt goes on to examine how the disquieting defamiliarisation plays a big role in oral tradition and the recitation, transmission of sagas and epic poetry.

floating capital

The excellent house blog of San Francisco’s storied DNA Lounge, JWZ, asks us to consider the meaning and message of one of the least popular emojis, the so described as man in business suit levitating (🕴)—an enigma but not in the sense of Avicenna’s thought experiment of the Floating Man or Magritte’s Son of Man, but rather what sort of capitalist, privileged elation that this symbol can be used to express. Click through for a selection of literary tropes for which this shorthand for rapture, stock-photo, narcissist or sociopath—whereas the real backstory involving a webdings exclamation mark and a Ska band is equally intriguing if not more circuitous.