musique d’ameublement (12. 288)

Having previously learned about the introduction of music on demand, an early streaming service for subscribers and the accidental advent of hold music (muzak being a proprietary eponym), the former emerging at a time when exposure to song was a rarer treat and required some effort and received as a performance, whereas the latter shows how we are over-saturated at times, we quite enjoyed this segment on the “furniture music” of composer Erik Satie to complete the timeline with the immersive experience of incidental or mood music—or a pleasant background to ignore. Commiserating with an artist friend over the cacophonic playlist that typically filled restaurants, far from enhancing the dining ambiance rather magnified the general din and clang of cutlery, prompting Satie to design music to blend into the environment. Though under appreciated at the time, his tailored compositions eventually gave rise to the unintrusive and unengaging musak above and ambient, meditative songs from Brian Eno and John Cage. Much more from Open Culture at the link above.