lapidary capitalis (12. 176)

Aptly illustrated with this calligram of the she-wolf who nursed Romulus and Remus—via Pasa Bon!, we are referred to project ARETE (ἀρετή, the concept of excellence in any field—the ‘polity van’ used for sanctioned field trips of my college had the license plate H ARETH, with the proper article and transliteralisation) from the University of Applied Sciences of Potsdam of a visual and interactive study in the network of influences, interventions and inscriptionsthat led to the genesis of Roman Capitalis to Antiqua and Grotesk font families and how manuscripts continued to inform the look of typefaces even after the printing press came into being in the West, injecting a typographical angle into scholarly discourse. Each font sampler has extensive details on its provenance and how it relates to other points of inflection.