transcendental aesthetic (11. 318)

A direct ancestor of the Laserium light show (collaborating with Henry Jacobs for his display at the Morrison Planetarium), we quite enjoyed this short 1961 abstract, experimental animation on 16mm film from Jordan Belson, a prolific artist, often with a nonobjective (his career was kicked off by a sustaining grant from the Museum of Non-Objective Painting, which later became known as the Guggenheim) but spiritual bent, who created an extensive portfolio of works over the course of six decades. Evoking a mediative, introspective experience like many of his works, in 2011, the US Library of Congress inscribed “Allures” in the National Film Registry.