the nomi song

Born Klaus Sperber in Swäbish Immenstadt in 1944, aspiring counter tenor who adopted the stage persona Klaus Nomi, worked as an usher in the opera houses of West Berlin, entertaining the crew during set breakdowns with arias and studied music yet was unable to secure a steady position and so switched to the confectionary business which later became somewhat of a trademark. Moving to New York City in 1973, Nomi received more professional training and took various gigs performing and developing his presence. His breakthrough moment came in 1979 when David Bowie engaged Nomi as a background singer during performances on Saturday Night Live as musical guest. Being discovered afforded more venues for his unique shows whose robotic demeanour and elaborate costuming both anticipating and reflected the stage presence of acts like Bowie’s and Peter Gabriel and reinterpreted songs like Marlene Dietrich’s “Falling in Love Again” and Chubby Checker’s “Twist” as well as classical, operatic numbers in an abstract, highly synthesised fashion. The black and white palette complemented by cubist clothes and hair-styles that referenced both the Bauhaus theatre movement, kabuki and the retro-future vision of the 1920s—particularly the film Metropolis. A decade after coming to New York, Nomi was diagnosed with AIDS and though growing sick and weak already embarked on a European tour and the talk show circuit, anticipating it would be his last, Nomi dying of complications of the disease on this day in 1983. One of the first figures from the arts community to publically die from the relatively then unknown illness, Nomi became posthumously the subject of many tributes and homages, acknowledging his stylistic influence.