triadic ballet

In keeping with the theme of all the pieces featured in this year’s Performa in New York City that paid tribute to the Bauhaus movement on its centenary anniversary, Kia LaBeija’s contribution takes the outline of the third act of Oskar Schlemmer’s 1922 experimental choreography (previously here and here) and expands it as a showcase not only for her talent but moreover as a reappropriating of a school which for all its subsequent influence and resonance was rather still a product of its age and the domain of the few—not representative of the reach that the members’ aspired for.  The costumes not only exaggerate the dancers’ figured and invites one to think on the function that belies our conceits but also what sort of prosthetics and inventions we can avail ourselves of, not just in terms of image and health but also as something enhanced beyond human weaknesses.  Much more to explore at the links above.