Sunday 20 October 2019

karambolage

From 1942 to 1990, Arnold Odermatt was employed as a forensics photographer for the Swiss canton of Nidwalden whose extensive portfolio documents encroaching modernity into this once isolated area, especially in traffic accidents, taking a second photograph for his own personal collection once the injured had been taken away.
Though his fascination is morbid and inscrutable as his motivation was never stated and the existence of the images were only disclosed by accident (his filmmaker son discovering the trove in a box in the attic one day and published them in a book that garnered attention in the late 1990s at the Frankfurter Buchmesse), there is, one might conjecture, a restorative property in seeing these husks of vehicles in an austere light, unmoving without drivers and passengers. Much more to explore at the link above including several galleries of Odermatt’s compositions, which includes many candid, happy scenes artfully captured as well.