Saturday 3 November 2018

silent majority

Echoing the 1919 turn of phrase employed by Warren G Harding during his campaign in the aftermath of World War I that was meant as a euphemism to distinguish the quick from the dead (with those who’ve passed then and now far outnumbering the living and by extension more moral weight like all future generations), Richard Milhous Nixon popularised the appeal to the quiet in a speech on this day in 1969:
“And so tonight—to you, the great silent majority of my fellow Americans—I ask for your support.” Assuming that those who were not actively protesting Nixon’s policies, joining the counter-culture and rallying against the Vietnam War were in fact an overshadowed demographic and gave Nixon their tacit approval. Casting this idealised demographic against a “vocal minority” was a strategy of divide-and-conquer and the “disenfranchised” were not the precarious, forgotten or downtrodden but rather the comfortable who aspired for more and were menaced by those that had less. It was effective.  This demographic of Middle America (though now more international in its application) has gone through many incarnations since—from the Angry White Male to the Soccer Mom, Loggers, Coal Miners and many other labels before returning to its original form. If one does not speak up, it becomes much easier for others to speak for you.

Friday 2 November 2018

expedition 1

On this day in 2000, the first long-term residents arrived at the International Space Station, ferried up by a Soyuz spacecraft, the crew activating ISS systems and unpacked equipment to prepare for a series of deliveries by shuttle and other resupply vehicles.
During their four-and-a-half month stay in orbit, the three person crew also conducted experiments to study the behaviour of plasma and protein crystallisation in microgravity and filmed footage for a 3D IMAX documentary. Since the complement was refreshed with Expedition 2 in March 2001, there has been an uninterrupted human presence in space to the present day.

8x8

queen bee: a review of the 1955 Joan Crawford film that informed Mommie Dearest  

solar sail: speculation that the mysterious interstellar interloper Oumuamua (previously) might be a remnant of an alien propulsion system

oobi land: “I contain a message to another human being. Please further my journey an inch, a foot or a mile.”

envir-o-can: a beer can touted as more ecologically-friendly due to the absence of a pull-tab

ad astra: an ode to the immeasurably expanding achievements of the nine-year Kepler mission that discovered over twenty-five hundred exoplanets

development hell: former cast and crew reflect on earlier attempts to make The Other Side of the Wind

ask the past: how to eat a pumpkin, 1597

innuendo: Queen’s lesser-known, soulful operatic anthem

compositie 10.

The Wiesbaden Museum (previously) is hosting a special retrospective exhibit of the Dutch painter Piet Mondrian (*1872 - †1944) and I had the chance to inspect the galleries and got to monitor the pioneering modern artist’s progression to an increasingly abstract style, reaching a point where his visual vocabulary was resolved to a grid and geometric colours.
Click on the thumbnails for larger versions.  Like the roughly contemporary Suprematism movement, De Stijl that Mondrian co-founded with Theo van Doesburg became something that transcended representation and was incredibly influential—synonymous with modernism itself—affecting the ideal in architecture and fashion as well as in the art world. It was pretty captivating to see his earliest, formative studies of trees and windmills.