Our faithful antiquarian, JF Ptak’s Science Books, finds some lush, poetic language in the debate that spanned from the time when astronomer Percival Lowell’s assistant Carl O Lampland described the exacting photographs taken of the surface of Mars by Eugene Michel Antoniadi.
Our observations lead us to divide the channels into several categories, namely: In diffuse shadows, more or less irregular, some of which appear double in a fleeting way; In gnarled blobs; In gray masses, shapeless and disjointed; In irregular, thin blurring, in the construction of a hedge of Martian seas, and widen into a vast and confused shadow further on, like new with their tributaries, seen at a great distance.