Thursday 14 May 2015

mobsters and magic lanterns

Years before Thomas Edison was able to secure the credit of popular memory, an inventor from Metz working in a studio in Leeds by the name of Louis Aimรฉ Augustin Le Prince created cinematography in 1888 with the filming of two short outdoor sequences, developed on strips of photographic paper and then projected.
Struggling to win a patent for his suite of devices and techniques, La Prince resolved to undertake a promotional tour in the United States, where competition over proprietary rights was particularly stiff and Le Prince feared losing out on any royalties to the likes of Edison’s Kinetoscope empire—which is tragically exactly what happened though what help or hindrances fate had is pretty mysterious. After a visit home (the pioneering inventor was helped by the wealthy family of a college buddy whose sister he ended up marrying), La Prince made arrangements to begin a series of public demonstrations of his moving pictures in America but vanished without a trace after boarding the express-train from Dijon to Paris, the first leg of his journey. Neither Le Prince nor his luggage was ever seen again, and while there is nothing to suggest foul-play outright, many theorise that the forgotten founder was a casualty of the patent-wars in the early days of photography and film-making. Indeed, Thomas Edison, after Le Prince’s tour never materialised, rather callously claimed that all the missing Le Prince’s ideas were Edison’s own. Le Prince’s widow and son fought desperately to defend his discoveries but their hopes were dashed. La Prince’s son was found dead himself just two years later while duck-hunting on Fire Island in New York. Their name was later vilified by history as more and more come to acknowledge La Prince’s contributions.

chiaroscuro or all light is mute amid the gloom

Corporate Europe Observatory releases a quite in-depth investigation on some of the peripheral consequences of the on-going TTIP negotiations, which I dare say is compounded with the perception and reality of dragnet snooping by America that included business espionage, in the codification of trade-secrecy.
The proposed trans-Atlantic jurisdiction would afford confidential practises the same degree of protection as another juicy legal-fiction, intellectual-property, and obscure dealing even more with the onerous cloak of mystery, impenetrable for the mere consuming public, reporters, and politicians without a lobby. Arguments keep reverting (circling for excuses) to the supposed language of TTIP, which is also played close and not disseminated except as glosses, as justification for creating a unified front against this self-affirming threat. The scope of this special-interest apparatus is truly alarming with some three thousand letter-box offices are encamped in Brussels, roosting at the European Union’s corridors of power to ensure that their message is duly pardoned, sanctioned and muted.

Wednesday 13 May 2015

five-by-five

bio-pic: beautifully haunting animation style of pioneer Lotte Reiniger

phew-phew: supercut of the Foley artist sounds of Star Wars, including some effects that didn’t make the cut

zener cards: minimalist deck by Joe Doucet

tee-total: the Organisation for Economic Co-operation and Development wants Germany to curb its drinking-habit

tiger beat: social media giant promotes snap articles to journalism industry desparate to maintain young readership

grooks or squaring the circle

During the Nazi occupation of Denmark poly-math turned resistance-fighter by the name of Piet Hein published thousands (a body of some seven-thousand in his lifetime) of short, aphoristic poems that really went above the heads of their oppressors but were immediately understood and spread virally by the Danish people. Hein called these concentrated verses grooks (gruks, which Hein maintained was purely a nonsense word but some suggest it is a portmanteau of laugh plus sigh) and one particularly poignant one illustrates the heartbreak of conquest, vacillating between indecision, flight or taking up arms:

Consolation Grook
Losing one glove
is certainly painful,
but nothing
compared to the pain,
of losing one, throwing away the other,
and finding the first one again.

There are multitudes to discover on every subject and I am sure that anyone could find one that resonates.

Problems
Problems worthy of attack
prove their worth
by hitting back.

Or for the melancholy Dane, finding resolve when least expecting it:

A Psychological Tip
Whenever you're called on to make up your mind,

and you're hampered by not having any,
the best way to solve the dilemma,
you'll find, is simply by spinning a penny.
No -- not so that chance shall decide the affair
while you're passively standing there moping;
but the moment the penny is up in the air,
you suddenly know what you're hoping.

After the war, Hein continued to formulate grooks of course but also turned his attention to other word play in the form of language games and logic puzzles. Returning to his mathematical and engineering prowess, having mentally spared with Niels Bohr and other luminaries, Hein also devised an architectural compromise that embraced both the rectilinear and the round in the form of what’s called the superegg, which came to typify Scandinavian Mid-Century design and architecture.

Tuesday 12 May 2015

lifecycle replacement or persistence of memory

The whole time I was enjoying Doug Dorst’s frame novel S, I did not realise that the subtitle, The Ship of Theseus, was itself a reference to a rather famous philosophical model.

Paradoxically, the ship of the legendary founder of Athens was maintained in a seaworthy state for generations after his death, according to a pledge to honour his memory, but with time and tide, rotten planks had to be replaced at regular intervals. Eventually, none of the original material would have remained, begging the question, posed by many quizzical minds, is the Ship of Theseus still the same ship if 99%, 90%, 50%, 5% or none of the parts were original and all had been replaced. Some argue yes and some no. Now understanding this allusion, the connection becomes quite apparent to the story. Though debatably, one cannot step into the same stream twice, Heraclitus believed that persistence, through the element, medium of time, projects identity outward, even if all the component parts—our bodies included, are continuously eroding and being replaced. What do you think? Is that rescued and refurbished jalopy the same classic car? Is it still Lenin who’s visited in his mausoleum, or now, as he lies in state, even more reliably and fixedly the man?

five-by-five

one ring to bind them: wonderfully geeky and romantic science-fiction inspired jewellery

swim-lanes: a vintage timeline of human history

dollies: beautiful lace patterns created out of newspaper collages

[edit]: audio landscape of revisions, additions to Wikipedia

ampelmรคnnchen: in the run up to EuroVision, Vienna installs same sex couple cross-walk lights