Though best remembered international for stellar performances of roles that were not able to contain her energy and talent, stock-characters in good but less acclaimed films like the happy hooker in Never on a Sunday, the good-time girl-type, naughty nun, or gal Friday in Topkapฤฑ, Greek singer and actress of the stage and screen, Melina Mercouri, had another equally impassioned calling as a politician. Finding herself exiled, stateless—her passport having been revoked for outspoken socialist sentiments against the junta government of a cadre of conservative colonels who overthrew the liberal government in 1967, while away on performing on Broadway, Mercouri—along with other prominent members of the Greek diaspora focused attention and shame on the military coup d’รฉtat.
Despite tepid support in Greece and an overall laughable platform that no one took seriously, the junta lingered on and on for seven unbearable years—not ousted until their adventures with a one-Greece-policy by invading the Cyprus that was so poorly executed and resulted in the partition of the island nation rather than its annexation. Once Mercouri could return to Athens, this “last Greek goddess,” as she was nicknamed, decided to focus her energies on rebuilding her homeland—which had suffered considerably in the intervening years with dismantling of cultural capital and censorship. When questioned on her credentials for entering politics as an actress, Mercouri retorted by questioning what qualified lawyers to represent the people. Mercouri went on to become the Minister of Culture, and lamenting that it was always just the chiefs of finance that met and that money was not certainly everything—a pretty bold truth to speak, especially in the present atmosphere where Greek financial ministers are characters people might actually recognise by name—and called together, for the first time, all the European ministers of culture and the arts. The legacy of this summit survives today in the rotating European Cultural Capital and the open dialogue it invites with a less rarefied form of diplomacy that everyone can appreciate. Mercouri was also the first voice in a growing choir of protests and calls of vandalism to have the so-called Elgin marbles returned to the Acropolis and for the protection, stopping trafficking and the repatriation of other national treasures.
Saturday 3 October 2015
attica or cultural studies
badenov, godunov
Though for some the names Mel Blanc and Tex Avery are more instantly recognisible among the luminaries of animation, there was another Man of a Thousand Voices that gave life to as many memorable characters during his long and varied free-lance career.
half a league, half a league, half a league onward
Though there are of course many historical pitched-battles and sieges that are received through careful scholarship that dissect the propaganda of the victors and the element of psychological warfare that’s always been upheld on the home-front, the first truly modern war in the way that we think of it, with embedded correspondence and mediated public sentiment was the international quagmire—from which we’ve never managed to extricate ourselves—that spanned from 1853 to 1856 called the Crimean War. For a war with so many modern elements, including explosives, rail-transportation and the concepts of triage and sanitation through hospital adminstratrix Florence Nightingale, it was very much rooted in religious contentions with the Russian Empire’s desire for crusade and recapturing the Holy Land from the Ottomans. Previous conflict, with collaboration among later belligerents, had established British protectorates for Christian enclaves, with the collateral control of the Suez shipping-lanes also under British mandate. Banking on continued support from the French and British (who had previously allied with them against French hegemony during the height of the Napoleonic Wars), Russia moved to attack the Ottoman territories and claim the Holy Land for the Orthodox Church, enraging Napoleon III, who felt he owed his legitimacy to papal allegiance—but the various controlling churches were pretty much pleased with the arrangements as they stood and had expressed no ambition to be liberated.
Despite confessional differences, France sided with Britain and the Ottoman Empire to rebuff the Russian advance. It strikes me as strange quirk of the march of history that Fredric Auguste Bartholdi’s work that would eventually become known as the Statue of Liberty was originally conceived to commemorate the to be dynamited Suez Canal, but due to the conflict she was sent to America instead. I wonder how that conversation went. As much as religious intrigues were brought down onto the mundane level and invoked as a casus belli and the home-front exposed to developments in real-time—something that the rear-detachment in England could really rally around, far greater than unmaterialised consequences and grand engineering projects. The immortal prosody by Lord Tennyson, “The Charge of the Light Brigade” was interned in the public imagination nearly as quickly as the latest news dispatches and was an invocation, “Like Remember the Alamo,” that victory might be snatched from the hands of defeat—though the Franco-British powers had the upper-hand and were just ensuring that this advantage be retained. It is dangerous to second-guess the purity of one’s intent, but Russia—with access blocked to the Black Sea because of Ottoman control, had historically lacked routes for trade until the foundation of Saint Petersburg on the navigable Volga some one hundred and fifty years prior, the port built to better supply the British with raw materials, lumber, to build up their naval prowess. Having their export limited to this one centre of exchange, Imperial Russia embarked on a series of desperate but dogged overtures for the taking and keeping of the strategic stronghold of Sevastopol and thus access to the sea. The terms of surrender were rather humiliating for Russia in the end with all gains capitulated and Russia cut-off from international markets—at least to a large extent as only the inland routes of Saint Petersburg and the northern Baltic outpost of Archangelsk in the White Sea was not reachable in the Winter months and had been somewhat decomissioned in favour of promoting the city of spires and masts on the Volga—created to counter-balance the mercantile impositions. The Russian Empire was not allowed to keep a fleet in the Black Sea until the defeat of the Ottomans in War World I and the subsequent Bolshevik revolution that saw that Imperium reconstituted under new auspices. The immediate effects of this crushing commercial defeat further brokered the sale of Alaskan territory to the US—fearing that the lands would just be taken away as retribution by British-Canada, but if they sold, however unwillingly, at least Russia would get something out of the transaction.
Thursday 1 October 2015
hive-mind, motorcade
Hearing reports of the big trends at the Frankfurt International motor show (the IAA, die Internationale Automobil-Ausstellung) were finally broaching the potential of driverless-carriages and that markets may be losing interest in gilding lilies (though coverage was somewhat tarnished by other events in the industry).
5x5
undersea kingdom: discovering a little known, imaginative Disney theme park in Tokyo
gazetteer: beautifully crafted maps for abstractions
the peasant-look: ethnography of Ellis Island immigration told through striking portraiture
votive-offering: celebrity prayer-candles
hen house: deluxe daycare facilities for pampered pet chickens
the devil and the deep blue sea
If you have not yet treated yourself to the absolutely edifying oblectation of Futility Closet series of podcasts, I strongly recommend you began with their latest instalment on the forgotten story of gentleman merchant raider of World War I, Felix Graf von Luckner. This swash-buckling villain has been overshadowed by other semi-legendary figures of the time—like the Red Baron, but was turned hero for his humanity and persecuting war without causalities. Posing as a Norwegian logging vessel, Luckner’s captained his crew of privateers in a somewhat anchronistic sailing ship called the Seeadler through the supply lines of the Atlantic, confounding materiel delivery and treating his hostages as friends—a sentiment that was reciprocated, but that’s only the barest outline of the tale. It’s definitely worth working backwards as well to catch up on all the engrossing episodes.