As part of an interesting ensemble of back to back posts from Kottke bookended with the explanation why older photographs or indoor sporting events have a nice hazy blue filter that one does not see on contemporary images (the ambiance is caused by cigarette smoke) and a nice primer on point-and-shoot 
technology that ushered in the age of the amateur shutterbug (amateur comes from the Latin to love originally and not a non-professional), we learn that at the turn of the last century, that the hotel amenity most in demand was a darkroom for guests (so called “Kodak fiends”) for developing their holiday snapshots. Starting as far back as the 1850s, innkeepers would accommodate itinerate photographers by allowing them space to rig up their own studios and labs, covering up windows, to supplement portable but possibly less reliable set-ups. By 1902, there was even an effort among hoteliers to come to a consensus on an international symbol that a darkroom was on the premises, like for fitness facilities, a pool and later television and wifi. By the mid-twentieth century, most hotels no longer offered such services and traveling photojournalists were issued kits that touted around in a suitcase that expanded into a sheltered workspace for developing film. Much more from Daniel J Schneider at the link above.
synchronoptica
one year ago: assorted links worth revisiting (with synchronoptica)
eight years ago: kinetic art, an Art Nouveau hotel in Brussels plus neighbourly civil engineering hacks
nine years ago: a visit to Bonn and environs, thanksgiving for a good harvest plus Queen Zenobia
eleven years ago: US government shutdown
twelve years ago: the Bavarian separatist movement
