glowing, glowing, gone

We are all for any gesture—however notional—that highlights the plight of the planet and causes us to reflect on how rubbish we are as stewards of the oceans, so appreciated Pantone and Adobe owing up to its slightly tone-deaf irony in nominating Living Coral as the colour of the year, considering that over half of the vital ecosystems have died off over the past three decades with the rest endangered and on the decline, by introducing a palette that reflects the death-rattle of coral.
Called coral fluorescence, the vibrant colour change from purple to yellow to blue is the reef’s final response to heated, acidified water, heralding succumbing to the phenomena of coral bleaching and demise. Signalling overall health but still not fully understood (like most tings, it seems to be far more nuanced and a way of filtering sunlight, protecting from ultra-violet rays and regulating its symbiotic relationship with algæ and other denizens), going through these chromatic transformations is a distress message that we can’t ignore.

голос води

Commissioned for the 23 March annual observance of World Water Day (previously), a group of one hundred sound engineers and musicians—including the group DakhaBrakha—teamed up to create a tone poem from the waters of Ukraine, designing special accompanying instruments to capture the character of currents coursing down the Carpathians. More to explore at Calvert Journal at the link above and for those of you who missed the commemoration like we did, it’s your cue to appreciate and collect the music of your local body of water.

macroalgae

Instead of the usual plastic cups or bottles of water offered to parched runners, for this past London Marathon participants were handed out some thirty thousand gulps of a sports drink encapsulated (previously) in a seaweed-based edible container. Among the newest wonder material, designers and the industry are just beginning to appreciate the potential of seaweed as a sustainable bio-plastic which, incorporated dietarily, can also combat the bio-genesis of methane.

plop, plop, fizz, fizz

Swedish sound artist Alexander Höglund ordered different effervescent pain-relieving tablets from around the world and brought them to his recording studio in Malmö to press a limited run of vinyl records as a meditation on the fizzing sounds as the pills slowly dissolve.
The resulting album, Substance, is surprisingly soothing and perhaps a nice placebo—resonant with me as well for the morning ritual H calls my “vitamin water”—and makes me want to experiment a bit with the drinking vessel and water levels and makes me wonder how much of the experience one has to take in to achieve the desired result, like the impression that the angry hiss of tablet finding just a few drops of moisture instead of the full glass would probably begrudge any pharmacological efficacy.

hungersteine

Weeks of drought conditions have precipitated significant drops in the water level in rivers and lakes across Europe, including the Elbe (Labe), where near the border between Germany and the Czech Republic at Děčín carved boulders, normally submerged, have been exposed. Known as hunger stones, the engravings mark historic droughts and thus failed harvests that have occurred over the past six centuries. While such memorials lends some perspective to our times, the extremes we are experiencing now and unprecedented in combination with intense temperatures that overtax the resilience of ecosystems when there’s no relenting.

anthropocene

Via Nag on the Lake, we are invited to ruminate over the indelible mark that humans are leaving on the planet through insatiable greed and a feeling of entitlement to exploit Nature, which will result in a future world inimical and inhospitable to human life through anthropogenic climate change and destruction of vital ecosystems. This is not something that we can look away from and pretend is not happening.  Learn more about the filmmakers and their trilogy of documentaries here.

water column

Oceanographers in Queensland for the first time have produced a comprehensive, global map charting out the pristine, untouched areas of oceanic wilderness, which sadly reveals that there is only a small percentage not already befouled by mankind.
Researchers admit that they were expecting to find much broader expanses of unspoilt waters and ecosystems but these contrary results, testament to the endless assault that people are waging with careless pollution, climate change heating up waters and disrupting currents, over-fishing, sand-mining (the chief component of all the concrete and glass that goes into new construction) and intensive shipping, demonstrate the degree of negative, disruptive impact that humans have had above and below the waves.