Though it kind of seems otherwise, we know we haven’t dedicated more reportage to the Texas governor’s pontoon-bridge to deter immigration from Mรฉxico than Trump’s bombastic Border Wall. The prop is political pandering of course to worst elements of the Republican Party’s constituents assembled by subcontractors and will likely break apart and damage infrastructure or be disassembled as a violation of international law. 
We did not know, however, that between the orange buoys, there’s a circular saw, nearly hidden from sight. Barbaric and overly-aggressive, calling this modern enhancement medieval is unfair to our pre-Enlightenment progenitors, and as with machines of torture back then, there was no industrial push to equip every castle with chamber of horrors with threat and rumour being more coercive and corrective and the surplus of such devices the handiwork of enterprising tour guides. Something as gruesome as the Iron Maiden was misconstrued reconstruction of the much tamer—yet humiliating Schandmantel (Coat of Shame—a wooden vessel sometimes lined with metal on the inside to be worn for punishment) which has an analogue in the image of the bankruptcy barrel. The Texas implements of inhumanity are very real.
synchronoptica
one year ago: Scientology’s Sea Org Day, the first Model-T (1908) plus assorted links to revisit
two years ago: Willy Wonka (1971), the closing ceremony of the Los Angeles 1984 Olympics, an exhibit of ephemera from events cancelled due to COVID, a Roman fast food kiosk, a WikiHow illustration worth a thousand words, a handbag inspired by a pasta box plus Avon paperbacks
three years ago: more on the new US Space Force, the Democratic ticket, the first IBM PC plus the martagon lily
four years ago: preparing to revisit the Bretagne
five years ago: the cart before the horse, silver thistles plus a photograph from Art Kane featuring the Harlem music scene
