your daily demon: haagenti

Great president of the infernal realms, forty-eighth in the calendar of demi-weeks and ruling from this date until the twenty second (the twenty-ninth degree of Scorpio, this demon whom presents as a griffin is well-versed in the alchemical arts, hermetical magic according to the Ars Goetia and other sources, and can aid in and impart wisdom regarding the transmutation of baser metals into more precious ones and water into wine and for whom cats are sacred, preferring a more feline aspect when compelled by an exorcist to assume human form. 

 

your daily demon: vual

Ruling the twentieth to twenty-fourth degrees of Scorpio—corresponding from today until the seventeenth of November, we make the acquaintance of the infernal grand duke Vual that presents according to the Ars Goetia et al. as a great and terrible dromedary. 

This camel demon controls thirty-seven legions of spirits and is a master negotiator, both politically and in romance. Their sigil looks a bit like a single-humped desert wanderer.

your daily demon: bifrons

From the Latin for “two-faced” like Janus, the Roman god of beginnings, endings, transitions, borders and thresholds, the infernal earl who rules sixty legions of spirits and governs the second quadrant of Scorpio, is ascendant from the seventh through the twelfth of November. This demon according to the Ars Goetia and other sources imparts knowledge of herbs and the curative properties of precious stones and has the ability to shift the departed in their plots from one place to another.

your daily demon: vine

Ruling the tenth to fourteenth degrees of Scorpio—corresponding with today until the sixth of November is the infernal potentate called Vine, according to the Ars Goetia after Johann Weyer’s late sixteenth century hierarchy and expanded, elaborated by Aleister Crowley and illustrated by Jacques Collin de Plancy. Generally depicted as a noble lion on a black steed and holding a viper as a staff, the demon king can be compelled to assume human form and will give counsel on all the secrets of the past, present and future (quite the thorough opposition-researcher) and is invoked to reveal the presence of other spirits or practitioners of the diabolical arts and is attributed with the power of troubling the waters and tearing down walls.

1q or the feast of the archangels

Venerating Saint Michael and companions, Gabriel, Raphael and Uriel in honour of their victory of Lucifer and the rebel angels in the angelomachy, Michaelmas (previously) is observed on the penultimate day of September—in some traditions, the feast extending into the next day—and has also come to one of the four quarter dates of the financial year, kept since at least medieval times to mark when school and court terms were to commence and the accounting was due to ensure that debts and unresolved cases didn’t linger (see also) into the next season.

Though the customary hiring fairs and local elections do not necessarily adhere (the tradition is retained for the election of London’s lord mayor, just as peasants during the Middle Ages would appoint a reeve from among their peers to represent their interests to the manor) to the same calendars, this time of year—still referred to as the Michaelmas term for matriculating students in England, Scotland and Ireland and for the US Supreme Court’s and the English bar’s Inns of the Court’s fall sessions and of course it marks the end and beginning of the fiscal year for budget purposes. Asters or the Michaelmas daisy are one of the few flowering plants left at the beginning of autumn, and thus inspiring the rhyme and invocation: “Michaelmas daisies among dead weeds, bloom for Saint Michael’s valorous deeds.”

demon-seed

Rather more exhausted than intrigued and knowing full well that the credentials of Trump’s latest favoured Leibartz(in) lie not only in the realm of possibilities but nay in that of inevitabilities, I still wanted to see if I could gather more background on this individual who trafficks in incubi and has truck with alien DNA and believe that Washington, DC is formulating a vaccine turn people agnostic.
Delightfully the first alternate news source I was presented with was this report from BBC’s Pidgin language service (Why you fit trust BBC News—I like this inclusivity in journalism and forget these other perspectives avail themselves to us sometimes), which informs that the good doctor has further invited on herself the ire of social media who have deplatformed her seminars in the name of preventing the spread of medical disinformation. Facebook is promised divine retribution unless Dr Immanuel’s profile is restored. That vaccine however sounds very promising and hope that we can establish herd immunity.

the inauguration of the pleasure dome

Via Weird Universe we are acquainted with the portfolio and curriculum vitæ thus far of underground filmmaker and author Kenneth Anger (*1923) whose anthology of short works explore Thelema and its adherents through his eponymous 1954 (remastered in 1966 for 1978 for wider audiences as Anger’s original concept included projecting the action on three screens simultaneously) through the cinematic filters of surrealism, the occult and homoeroticism.
Playing the goddess of magic Hecate himself, the short also stars Anaïs Nin as Astarte (Ishtar) and fellow director and pioneer of New Queer Cinema Curtis Harrington (*1926 – †2007, whose credits include numerous television series—Baretta, Wonder Woman, Charlie’s Angels and also Orson Welles’ unfinished The Other Side of the Wind) was in the role of Cesare, the somnambulist from The Cabinet of Doctor Caligari and was inspired by the ritual fancy-dress parties that founder Aleister Crowley would host that invited guests to come as their madness and a recitation of the Samuel Taylor Coleridge’s atmospheric poem. More to explore at the links above.

vox in rama

First dispatched to Emperor Friedrich II and his son King Heinrich of Germany on this day in 1233, with many other furnished courtesy-copies later, the papal decretal, A Voice in Ramah (a village in Palestine with several Biblical citations), issued by Gregory IX established an inquisition commission to combat heresy and Gnosticism (which the Church defined as devil worship), eventually precipitating the Bosnian Crusade.
The letters patent which carried the legal force of a bull, a public decree, included detailed descriptions of initiation rites and the satanic familiars enlisted to do their dark master’s bidding and increase the numbers of the congregation—specifically shape-shifting toads and black cats. Not only did the directive sew distrust among neighbours and led to violence and plunder, the zealous prejudice against felines is strongly believed to be amongst the chief driving forces of the spread of the plague throughout Europe, with no cats to keep the rodent population under control, the fleas they bore were more readily able to infect human populations.

speak of the devil

Founded on the principle of religious scepticism and gravitating towards the devil in the sense of adversary and ideological foil to theism, the Church of Satan was constituted in the Black House of California Street, San Francisco on this day, Walpurgisnacht, by musician, actor and occultist Anton Szandor LaVey (*1930 – †1997) in 1966.
Explicitly not espousing a belief in the Christian characterisation of the Great Dissembler or in fact any other deity for that matter, the orientation’s high priest saw the value in and reduplicated the organisation and the hierarchy, though as a counterpoint to the control and validation that the Abrahamic faiths demanded and by extension the share of evangelical prosperity that they tout. The Church also recognised the intrinsic value and co-opted some symbolism and ritualistic elements as cathartic and therapeutic—so called lesser magic with the possibility of greater, supernatural magic that was outside the limits of human comprehension yet only ahead of scientific understanding. Learn more about the Church’s history and tenants at the link to their website above.

fuku mame

Literally seasonal division and more properly denoted as Risshun, today marks the festival of Setsubun (節分) the eve of the beginning of Spring in Japan and a signal to perform ritual cleaning of one’s household to drive out the misfortune of the past year and welcome in good luck for the year to come.
Originally associated with the Lunar New Year, its date has now been fixed and the chief ceremony involves the scattering of the titular luck beans called makemaki (豆撒き) where a family member born in the corresponding zodiacal year is charged with roasting soybeans and tossing them out of the threshold of the home (a variation includes another family member discharging the duties of a loitering demon and being pelted with the beans)—shouting “Demons out—luck in!” Like the New Year’s custom of eating black-eyed peas, people will also eat a number of soybeans for each year that they have been alive plus one extra for good luck.

6x6

the voyage home: studying whale communication for its own sake and as a gateway to talk to alien life

new car smell: the odour that’s a premium for American customers does not enjoy universal appeal 

the midnight parasites: a surreal 1972 animated short by Yōji Kuri set in Hieronymus Bosch’s Garden of Earthly Delights (previously)—an alternate source

notes on a place: visual artist Kimmo Metsaranta helps us appreciate architecture’s unnoticed corners and angles

casting out demons: US priests find themselves fielding more and more requests for exorcisms

😂: a Swedish word with a quite broad regional variation

the funk of forty-thousand years

I can’t exactly pin-point the appeal of this vintage audio grimoire—released by Capitol Records in 1969 as a double eight-track tape—except to say that people respond to stories and can’t exactly vouch for the accuracy of the history and witch culture presented, but this recording from Vincent Price, “Witchcraft-Magic: An Adventure in Demonology” is incredibly soothing and somehow enchanting.  With interstitials by the witches’ chorus from Hamlet, Price masterfully delivers anecdotes and instructional lessons of how to summon the unseen, as well as the antithetical, graphic explanation for witch-hunts over the fragility of the male ego and challenging the hierarchy.

bakemono zukushi

Via Public Domain Review, we discover an anonymous Edo-era scroll of a certain classification of yōkai (previously here, here and here) called bakemono (化け物), which are distinguished from other super natural beasts and ghouls by their ability to shape-shift and are associated with the liminal world, both physical and figurative—especially tunnels and thresholds.

 Be sure to visit Public Domain Review at the link up top to learn more about this veritable rogues’ gallery of creatures to haunt one’s nightmares

legendary creatures

Miss Cellania introduces us to a Japanese yōkai, a menagerie of supernatural monsters, called Ashiarai Yashiki who manifests herself as a hoovering apparition that appears in the form of a giant dirty disembodied foot that barnstorms her way inside and will stamp about the place unless appeased by a thorough washing.  Many Japanese monster stories are so singularly odd that it is sometimes hard to distinguish the stuff of legend and folklore from modern fables.  Apparently people were content to allow the nature and motive of this unwanted guest to pass without explanation as the dealings of the gods and spirits surpassed human understanding and most likely could never be adequately related. 

grimoire

By way of Oxford English Dictionary’s Word of the Day, we’re drawn to perhaps summon a demon or two. The first exorcise is in deference to a maleficent entity, who is either facing redundancy owing to the eternal, infernal memory of the internet or is now finding himself racing to beat the devil for a backlog of old business, by the name of Tutivillius, the Worthless One.
Tutivillius is charged with maintaining one’s permanent record, as it were, recording one’s misdeeds—specifically the sack of syllables that represent the mumblings, grumblings, gossips and complaints dropped unwitnessed—like so many crumbled cookies of one’s digital footprint—during church service, when one’s thoughts were supposed to be at their most refined and rarified. This recorded testimony is used against an individual on Judgement Day. A second—related or conflated demon and the creation of his own handywork—is called Titivillus, whose duty which he gladly discharges on behalf of Lucifer is to introduce errata into copy and text that escapes the keen eyes of scribes and editors and is the bane of proofreaders: namely in infamous publications like the 1631 edition known as the Wicked Bible since some of the Commandments omitted the not part from thou shalt. The two are probably one and the same—owing to a typo which the demon trafficks in. Titvillus is also blamed for mispronunciation and other slips of the tongue. The superstition that the latter possessed orators and haunted the presses is the reason a printer’s apprentice is referred to a printer’s devil, charged with the most onerous of tasks and was the brunt of blame (perhaps nowadays a jamming, problematic laser-printer) when an error popped up.

le génie du mal

Our thanks to Kuriositas for introducing us to this handsome devil, who’s taken up residence underneath the pulpit (chaire de vérité) of Saint Paul’s Cathedral of Liège (previously).
Not the usual subject of religious sculpture, the artist who executed this fallen angel, Guillaume Geefs, had to come up with his own iconography—drawing from the myth of Prometheus and other sources to frame his creation—which was commissioned as a replacement for an earlier work by his younger brother, whose version of the Genius of Evil was removed from the church for being too much a distraction for the congregation. See a comparison at the link up top. I suspect that church-goers still do not dedicate their undivided attention to the sermon but rather spare a glance to the tortured soul lurking below—the elder Geefs making the androgynous figure even more alluring. The brothers Geefs came to prominence themselves in the 1830s with Belgian independence movement by creating nationalistic monuments and public sculpture that celebrated their history and culture separate from the Netherlands, and the Church turned to the artists to convey their dispatch of the “triumph of religion over evil’s genius” but it is debatable whether either iteration was exactly on message for parishioners and the wider public—the devil too sublime and seductive. It’s always a gamble whether people respond better to caricature or camouflage.

pseudomonarchia dæmonum

We enjoyed exploring Jacques Collin de Plancy’s comprehensive reference on demonology, le Dictionnaire Infernal, with Public Domain Review as our dark companion and guide. First published in 1818 to a rather startlingly resounding reception (given relatively enlightened nature of the era) it was the sixth and final version that was illustrated by maritime painter Louis Le Breton (working from earlier engravings) that cemented the book’s popularity in 1863 and haunted the reader with superstitions which the author and the age had believed themselves to have matured beyond.  The occult has always managed to gain a purchase in times when rationality and reason seems on the rise and de Plancy himself vacillated in his belief as he embarked on his project, but in seeking to formally classify and describe the hierarchy of that universe may help to reconcile that dissonance.

mind the gap or devil’s haircut in my mind

Via TYWKIWDBI (scroll all the way through his Divertimento and let yourself get distracted), we learn of the of the property of symmetry or palindromicity in figures, called Scheherazade numbers by Buckminster Fuller for the leading stories that they tell after the character in 1001 Arabian Nights.
One thousand and one is too a palindrome but not a prime number but another, much larger named-number that shares both properties was named by science columnist Clifford A. Pickover Belphegor’s Prime. In long form, the number which reads the same forward or backward would be one quintillion, sixty-six billiard, six-hundred billion and one or 1000000000000066600000000000001 or easier to recall as one followed by thirteen zeros on each side with the Number of the Beast at the centre. For all these cameo appearances of superstitious numbers (notationally represented by an upside down π) is named after one of the seven demonic princes of Hell (Hebrew for Lord of the Gap), characterised by John Milton in Paradise Lost as the devil that curses man with inquisitiveness and ingenuity—considered sinful as looking for short-cuts is the way of pride and sloth.

blood sugar sex magick

Though occultist Aleister Crowley first suggested that the ability to speak backwards might be a useful skill to hone back in 1913, it was not really until the 1980s that the moral panic of subliminal Satanic instruction really took hold—and if some accounts are to be believed, solely at the behest of the future Second Lady of the United States, after witnessing in horror her young daughter innocently repeat some rather explicit song lyrics.
Backmasking as the technique is known and as presented by the Daily Grail, palindromically since one spells the title the same forwards and backwards though not itself some encoded diabolical commandment, seems nowadays perfectly simple to debunk and explain away as an acoustic example of pareidolia (quite a few to be found at the Daily Grail), though I suppose that once something’s heard, it cannot be unheard. The highest profile cases dragged on through the courts as suggestions below the threshold of conscious perception were adjudicated not to be protected as free speech, especially when those orders are masked by a form of expression that ostensibly is protected.

mordantly queued litheness

Though perhaps better known for their compendia of infernal characters, the Lesser Key of Solomon (definitively edited by Aleister Crowley) and the Pseudo- momarchia Dæmonum (the False Hierarchy of Demons) that inspired the former, the grimoires also contain a range of mandalas—magic circles for summoning and casting-out above referenced malevolent forces, but naturally (although unlike the cleromancy of I-Ching divination or Tarot whose permutations are mathematically defined and all possible oracles are set forth) not all variants, whose compliment of iconography includes fimbriation suggestive of the works of Piet Mondrian and bar-codes and all sorts of symbols, could be contained in a single tome, no matter how big. The Lesser Bot, however, could—in theory—generate every possible spell. This achievement sounds quite dangerous but without an incanter, I wonder if it counts.