turned off (11. 326)

Via our faithful chronicler, we learn that on this day in 1969, one of the shortest-lived television programmes (see also), cut during its first and only broadcast with the time slot by some network affiliates filled by organ music, an emergency protocol that hadn’t been used in decades, Turn-On was summarily rejected for its language, quick-cuts and general poor taste. Conceived by writer-director Digby Wolfe (Bewitched, I Dream of Jeannie, That Was the Week That Was) and George Schlatter, the premise for the surreal sketch comedy series was, slotted as the replacement for Peyton Place, was as the first computerised television show with no sets except for a white backdrop and the troupe of actors to stage improv prompts generated by an artificial intelligence. Viewers were especially disturbed by the rapid-fire sensory assault consisting of experimental split-screens, puppets, computer graphics and stop-motion effects on the blank slate, as well as the Moog-synthesised laugh-track (the computer’s laughter) and the random appearance of production credits throughout the half-hour programme—rather than as an intro or outro. Not much different than than Laugh-In except in tone, Turn-On would probably sit well with today’s audiences.