götterdämmerung (10. 949)

A translation of the Norse term Ragnarök, the final cycle of the tetralogy Der Ring des Nibelungen by Richard Wagner (previously) premiered on this day at the Festspielhaus of Bayreuth in 1876. The play opens with the Norn sisters (analogue to the the Moirai, the Greek Fates who weave mortal destiny) braiding their wyrding rope and foreseeing an avoidable future with Walhalla burnt and in ruins and the “twilight of the gods.” The cord breaks when they begin to contemplate the curse of the ring of power, Andvaranaut—that would reveal gold and other precious items to its wearer, stolen by the god Loki and given to Hreidmar, King of the Dwarves, with a curse to bring eventual destruction to its owner, Prince Fafnir stealing the ring from his father and transforming himself into a dragon to guard it and his hoard of treasure, himself slain by Siegfried and gifting the ring to Brünnehilde—and lamenting the loss of their foresight retreated into the Underworld. With this token recovered from the dragon’s lair as a symbol of his fealty and faith, Brünnehilde dispatches our tragic hero on a quest along the Rhein.