danaë (10. 809)

Seriously damaged during an act of vandalism on this day in 1985 in its home at the Hermitage in St Petersburg but fully brought back after over a decade of careful restoration, the work by Rembrandt (previously) features a life-sized depiction of the mother of Perseus, presumably when Zeus transformed “himself into a shower of gold and visited her—visited her and loved her,” the Argive princess locked away in resplendent but isolating chamber with no entrance or egress, save a skylight, to prevent a prophesy delivered to her father King Acrisius that his grandson would kill him, ultimately unable to thwart his fate when at a homecoming games celebrated for the demigod’s triumphs, he accidentally strikes Acrisius in the head when throwing a discus. Originally executed in 1536, the artist undertook some major revisions to the monumental piece, scaling down the canvas to make it more marketable, too big for all but the grandest of settings at two-and-a-half by three metres, and changing the face from its original model’s likeness, Saskia van Uylenburgh, his wife, to that of Geertje Dircx, his son’s caretaker and mistress.