red telephone

Despite its conception in the popular imagination the Washington-Moscow Direct Communications Link or hotline, which first went into operation on this day in 1963, was a text-only emergency channel as spoken communication was considered too prone to misunderstanding.
Engineers first recognised the need for an expedient exchange between the leaders of the polarised world in the midst of the Cuban Missile Crisis of the previous summer when it took US diplomatic and military staff nearly twelve hours to receive and decrypt the initial settlement message from Nikta Khrushchev and deliver it to John F. Kennedy, with a nod to the direct link as portrayed in Red Alert, the 1958 novel that Doctor Strangelove (1964) is based on. The superpowers could initially send teletypes to one another—the equipment tested hourly by exchanging passages from William Shakespeare and Mark Twain (with selective quotations from the former and A. A. Milne as they were considered Soviet cultural property) for excerpts from Anton Chekhov and other literary figures, with messages of greetings and congratulations sent instead on New Year’s and on 30 August, the anniversary of the hotline’s launch. In 1986, the system was upgraded to facsimile machines and finally in 2008 to an extra secure form of email.

star child or letterbox edition

Via Kottke, we are directed to this little lockdown masterpiece by graphic artist Lydia Cambron who recreates beat-for-beat the concluding apartment scene (see previously here, here, here and here) from 2001: A Space Odyssey synced to her own 2020: An Isolation Odyssey filmed over the course of two months in her Brooklyn flat with props and creature-comforts that speak across time and space referencing both the disorientation of discovery and of the pandemic. Strongly recommend viewing all the way through the closing credits to fully appreciate the effort put into this work.

6x6

morning edition: artist paints sunrises on newspapers as a dawning juxtaposition to the headlines of the day

free parking: aerial views of grounded planes at the Frankfurter Flughafen—see previously

b&b: designs for a horizontal hive with human sleeping compartment

👁️👄👁️:the ubiquitous string of emoji signals a tautology

if it ain’t baroque: another in a growing chain of art restoration failures, via Miss Cellania’s Links

2020: a spa odyssey: a day retreat in Caracas inspired by Stanley Kubrick’s aesthetic

tma-0

According to the director’s original vision, the iconic and arresting prop from the 1968 cinematic adaptation of 2001: A Space Odyssey and a character in its own right (see previously) was to be a transparent hulking block of acrylic.  After having the two tonne megalith delivered—fulfilled by Stanley Plastics, a speciality company near Portsmouth, it failed the camera test and Stanley Kubrick went with the matte black basalt structure that we’re familiar with.
The Tycho Magnetic Anomaly has an exacting ratio of 1 : 4 : 9—1 : 2² : 3³, suggesting that the sequence extends out beyond our three spatial dimensions. Although the transparent version was mothballed and gathered dust in a studio backlot for years, the rejected prop did see a second career in the hands of Slovakian artist Arthur Fleischmann (*1896 – †1990), who was generally besotted with modern materials like Lucite and Perspex (also creating the UK Pavilion for Expo70) carved it into a sparkling “Crystal Crown,” unveiled by the Queen herself on the occasion of her Silver Jubilee. The commemorative artefact can still be visited at St. Katherine Docks just downstream of the Tower of London.  More to explore at Amusing Planet at the link above.

i'll just set my bourbon and advocaat down right here

Premiering in theatres in the US on this day in 1980, the Stanley Kubrick adaptation of the Steven King novel of three years prior presents a certain corollary to and correspondence with the present Zeitgeist of wintering, hibernation and generally being not taxed mentally or physically with its foil of an aspiring writer and recovering alcoholic and domestic abuser hoping to take full advantage of this generous sabbatical for self-improvement but woefully unable to.
What do you think? That much of the milieu is quite resonant, even if the plot and search and insistence for meaning is receding—just like we are focusing on inconsistencies, ambiguities and attributed symbolism as curative guideposts to navigate ourselves through this time when for many of us, we just have one job to do. Isolation is not only prone to the compromised credibility of an unreliable narrator but also can cause us to doubt and question our credentials as dependable observers—and whether we’re haunted by real ghosts or the hypochondria cabin-fever.

thus spake zarathustra

We had missed this rather significant directorial choice regarding Stanley Kubrick’s timeless and iconic adaptation of 2001: A Space Odyssey (see previously) and are grateful to the emendation from Open Culture.
Before deciding on scoring his film with the orchestral classics of Strauss (the above tone poem, fanfare was also used as walk-on music by Elvis Presley from 1971 until his death in 1977), Mozart and Brahms, Kubrick had commissioned composer Alex North (*1910 – †1991) to write a full soundtrack (listen to the playlist in its entirety at the link above) which was ultimately rejected. What do you think about the decision? Of course we are used to the setting as produced but North’s tracks have a different connection and emotional response. North, who had received accolades and Oscar nominations for his music in such films as Who’s Afraid of Virginia Woolf?, Cleopatra, The Misfits, Death of a Salesman, and Spartacus did not take the rejection well—especially having put so much effort into it and not discovering the fact he was cut out of the picture until its New York preview—but was able to incorporate some of the music into later projects, like the score for The Shoes of the Fisherman and Dragon Slayer.

a spacex odyssey

Via the Awesomer, Deep Fake artist called ctrl shift face has morphed the visage of entrepreneur Elon Musk onto actor Keir Atwood Dullea playing astronaut David Bowman in this four-minute clip as he confronts the HAL 9000 regarding egress for some pod bay doors. It’s not quite seamless yet and I think we like to grasp onto those glitches as hard as we can but impressive and disturbing, nonetheless with the potentials for the technique clearly illustrated—check out more canny shorts of face-swapping at the links above.

for here am i sitting in a tin can

Though lyrically and stylistically informed by the previous year’s release of the Stanley Kubrick’s adaptation of 2001: A Space Odyssey (previously), David Bowie’s “Space Oddity” (previously) had a delayed release—a version was recorded back in February—owing to an earlier split with his old record label and Bowie’s new artists and repertoire managing group decided to release the song on this day in 1969, just nine days ahead of the Apollo 11 mission, to capitalise on the publicity of that event. Due to the tone and the unresolved finish, the BBC network of stations refrained from playing the song until the crew of the lunar excursion were safely back on Earth.

my god, it's full of stars

The inestimable Kottke directs our attention to the half hour National Film Board of Canada 1960 documentary “Universe,” which portrays the Cosmos as it would be experienced by a voyager barrelling through time and space, and was a cinematic touchstone for filmmaker Stanley Kubrick, informing the look and tone of his adaptation of 2001: A Space Odyssey. If the voice of the narrator seems oddly familiar, that’s because it is late actor Douglas Rain, renowned for his role as the voice of HAL 9000.

i’m afraid i can’t do that dave

Though matters have yet to escalate to HAL 9000 levels, Quartz reports that the first interaction between the International Space Station’s robot crew member (previously) and its human astronauts came off a little socially awkward with first impressions ranging from frosty to slightly menacing. I’m confident that relations will improve and civility will prevail but one does have to take a bit of exception to the fact that man and machine got off to this sort of start on day one of the mission.

requiescat in pace: douglas rain

NPR reports that accomplished Shakespearian actor Douglas Rain passed away, aged ninety in Ontario, with an illustrious career with many hundreds of credits to his name, both on stage and on television, working alongside countless veteran actors—but perhaps the role that Rain will be remembered and appreciated in the widest sense for is that of voicing the Heuristically programmed ALgorithmic computer that controlled the systems of the Discovery One spacecraft on its voyage to Jupiter in Stanley Kubrick’s adaptation of Arthur C Clarke’s 2001: A Space Odyssey (previously here, here, here and here). Rain’s calm and measured tones became something menacing and unforgettable, to have lost agency and the ability to countermand a machine. In 2010, HAL is rebooted and Rain reprises his role, this time alongside his twin, SAL 9000, voiced by Candice Bergen.

7x7

true blue: synthetic, petroleum-based dyes go into a billion pairs of jeans a year but one company is committing to natural, indigo denim, via Things Magazine

scyphozoa: Ernst Haeckel’s (previously) exquisite jelly fish

through a different lens: a collection of the photography of Stanley Kubrick

electronic engineers’ master volume ii: vintage 1985 tech company logos and resources from Marchin Wichary, who also sets them to a screen-saver—via Coudal Partners’ Fresh Signals

notability, fame, notoriety: watch Time magazine create its cover for the Age of the Drones edition

hela: the immortal Henrietta Lacks (previously here and here) is honoured in the US National Portrait Gallery

bell-bottom blues: voice-over artist Ken Nordine narrates some trippy Levi’s advertisements from the 1970s 

my god, it’s full of stars

On this day fifty years ago, Stanley Kubrick’s theatrical adaptation of the Arthur C Clark science fiction novel had its initial release at the Uptown Theatre in Washington, DC.
The cultural impact of this work is nearly impossible to gauge in totality but among the many ground-breaking firsts of the film (previously here, here and here) was the appeal to the possibility of space-tourism (projected already for the turn of the millennium) and product placement and brand tie-ins with the hotel-restaurant chain Howard Johnson’s (effectively defunct in 2006) presence on the station with its Earthlight lounge. Back on Earth, there was a 2001-themed kids’ menu for years after.

star child

Via Kottke we discover that an architect, artist duo in Los Angeles have recreated an exacting replica of the iconic, other-worldly bedroom from Stanley Kubrick’s epic production of 2001: A Space Odyssey.
After disabling HAL, Doctor David Bowman confronts older and younger versions of himself in this setting when he goes to investigate a mysterious monolith in orbit around Jupiter. The bedroom film-set is in a massive warehouse transformed into an exhibition hall and thematically it is part of a series of displays meant to take visitors on a hero’s journey, an homage to Joseph Campbell’s trope of the monomyth.

daisy bell or oneironaut

A bit ironically—as I think this Stanley Kubrick classic taught us rather to start worrying and fear the machine, artist Bhautik Joshi, as the always brilliant Colossal shares, transformed the entirety of 2001: A Space Odyssey into a neural dream sequence, a routine that enhances visual input by trying to recognise patterns and begins—logarithmically, to tease them out of every detail, sort of the artificial intelligence (one assumes) version of human pareidolia. Some adjustment to the protocols allowed Joshi to reinterpret the visual style of the movie after his favourite artist Pablo Picasso, which makes for some wildly hallucinogenic scenes. Be sure to check out Colossal to watch the full feature and learn more about the artist’s oneironautic (pertaining to dream-travellers) adaptions of other visionary sci-fi films.

redrum

Via Kottke’s Quick Links, we discover a wondrous homage to all things appertaining to Stanley Kubrick’s masterpiece of modern horror The Shining from the caretaker of the Overlook Hotel. The driven snows from Hoth, we know already were recycled from the neighbouring film set, but who knew that much of Blade Runner’s aerial footage was also courtesy of the Torrence family as well?

tycho magnetic anomaly-1

Having just written about another, older film that helped inspired some of Kubrick’s most memorable montages, I thought it was a nice coincidence that the always brilliant Dangerous Minds served up this engrossing appreciation of the development and divergence of 2001: A Space Odyssey. The article, with more to explore, discusses the difference between the storytelling devices of the director and the writer, Arthur C. Clark, and how the different media access the imagination, mystery and a cosmos fraught with either enfeeblement or indifference, but it also reveals another homage, influence Kubrick had in Russian film-maker Pavel Klushantsev’s 1957 The Road to the Stars that debuted a decade earlier—which is far too full of artistry and vision to be labelled as propaganda but did coincide with the launch of Sputnik.

the overlook

While iconic producer and director Stanley Kubrick’s staging and ensemble could never be labelled derivative, having inspired countless other homages, and nothing less could be ascribed to The Shining, there is nonetheless than some point for point correspondence that Kubrick himself attributes to a much earlier inspiration.
The Swedish film called Körkarlen, the Wagoner, was presented to British and American audiences a year after its debut under the title of Thy Soul shall bear Witness or The Phantom Carriage in 1922. Both films have to address the torture of alcoholism and the resulting missteps in family life, although the silent version had more ledgend to draw upon than the local lore of hotel staff with a sort of Flying Dutchman curse of the street urchins and dissolute of the town of Landskrona that holds the last person to die in the previous year is charged with acting as the Grim Reaper and collects the souls of those to die in the next. A departed drinking buddy who led the protagionist astray in life tries to make amends in death by arranging encounters with people who can help him get his life back in order. One can view the film in its entireity at this link, and appreciate its pioneering use of special effects and complex storytelling which makes use of flashbacks within flashbacks.

room 237

Der Spiegel (leiderlich nur auf Deutsch) has a nice photo-album tribute to Stanley Kubrick’s masterpiece of horror, The Shining, on the occasion of its thirty-fifth anniversary. The captions for these iconic stills need no translation but do have some interesting trivia—like that Jack Nicholson axed through sixty doors before the director was satisfied with the shot or the snow from the garden labyrinth ending was recycled from a neighbouring film production going on the same time, Kubrick gladly taking the stage-snow after the rebellion fled Hoth.

magical mystery tour

After the box-office success of HELP! there was a pitch to the legendary film director Stanley Kubrick to cast the Beatles in a production of the Lord of the Rings saga. The Tolkien estate eventually rebuffed the proposal, but just imagine how our conception of the characters would have been otherwise, not to mention the scoring. Incidentally Carl Sagan had approached the band about including the track Here Comes the Sun on the golden records carried aloft on the Voyager space probes. The Beatles were enthusiastic and honoured but for whatever reason, their record label refused. That would-be first encounter would have been surely even more monumental and definitely immortal.