i feel clean—my whole body is a’quiver with cleanness (13. 663)

Going into general release on this day in 1955 after its premiere in the producer Paul Gregory’s hometown of Des Moines Iowa as a fundraiser for the local YMCA, as our faithful chronicler reminds, the genre-setting Southern Gothic thriller directed by Charles Laughton, his first and last cinematic work preferring the stage to the screen, was received unfavourably by critics and audience as being too avant-garde and abstract, but upon reevaluation has been named among the best films ever made, ranked second only to Citizen Kane. Adapted from the 1953 novel of the same name by Davis Grubb and drawing from the true-crime story of Harry F Powers, Dutch-born Harm Drenth who immigrated to West Virginia—a serial-killer who lured his victims through “lonely hearts” classifieds, Harry Powell, portrayed by Robert Mitchum, is arrested during the Great Depression, apprehended for driving a car registered as stolen, and serves his sentence with inmates of a botched bank robbery however with the pilfered ten-thousand dollars still missing. The heist’s architect hanged for the killing of murder of two police during its execution, once released, his cellmate—posing as an itinerant preacher, travels to the robbers’ hometown, charismatically wedding the executed’s widow (Willa, played by Shelly Winters—previously) and ingratiating himself on his step-children to learn the location of the cache. Wanting to restore the attentiveness and atmosphere of silent movies, the director studied the blocking and lighting of films from that era and employed techniques, like not shooting with traditional takes but rather leaving the cameras rolling and sound equipment on until the reels ran out with editors and engineers on the set, how directing was done before talkies, and used nitrate prints—though the studio had urged Laughton to make a colour film.

emsh (13. 662)

Via { feuilleton }, we are pleased to have had made the acquaintance of visual artist and experimental filmmaker, Ed Emschwiller, a WWII veteran who used his GI bill educational stipend to study at École des Beaux Arts (there meeting his wife and co-creative, scif-fi novelist Carol Fries) and the Art Students League of New York in the late 1940s. Using his veterans’ benefits again, the couple bought a house in Levittown, pursuing their art from a home studio—described as the only beatniks in the, segregated, planned community of Long Island. Often using Carol as a model for his commercial work, Emschwiller (usually signing his painting with the titular abbreviation) created covers for pulp publications including Galaxy, Infinity and Astounding Stories magazines, as well as paperback covers for Philip K Dick and Samuel R Delaney, whom considered his wife a peer. Despite a lucrative career and garnering several Hugo Awards (see previously here and here), in the early 1960s—in part inspired by Andy Warhol and the New American Cinema movement—Emschwiller turned to Factory-style filmmaking in suburbia with multimedia performance vignettes, as well as cinematography for documentaries on diverse subjects from Bob Dylan, voter-registration drives in Mississippi to the New York art scene for diverse commissions from the US Information Agency, NASA and Expo ’67. In the late 1970s, Emschwiller became interested in computer animation, eventually becoming professor and provost of the CalArts of the institutions television workshop and laboratory. More examples of Ed Emschwiller’s work spanning all the stages of his career and incomplete filmography are curated by Dennis Cooper at the link above.

line of succession (13. 638)

Based on the novel of the same name by Irving Wallace with screenplay by Rod Serling (previously), the Paramount release starring James Earl Jones, Burgess Meredith and Barbara Rush, the political drama debuted in US theatres on this day in 1972. The first in an aspirational cinematic trope of casting distinguished Black actors as the American president, taking place thirty-six years before the real world occurrence, Jones portraying Douglass Dilman, interviewed just prior to the inauguration of Barack Obama expressed disappointment in the project that he wished what was originally slated as a made-for-tv movie had been given more thought and budget to fully realise its significance, as president pro tempore of the US senate is elevated to high office, as also the first unelected individual, nor in capacity of the vice-presidency, through a series of unforeseen events. This secondary plot point foreshadowing the elevation of Gerald Ford in lease than two years after the film’s premiere. In attendance at a summit in Frankfurt in West Germany, the president and house speaker are killed in a building collapse. Suffering from a terminal illness that was heretofore undisclosed to the public, the vice president—played by Lew Ayres, Dr Kildare and the protagonist German Solider of All Quiet on the Western Front, refuses the job, with the secretary of state, played by William Windom (district attorney Horace Gilmer in To Kill a Mockingbird and with reoccurring roles on Murder, She Wrote and Commodore Matt Decker on Star Trek, voicing Uncle Chuck in Sonic the Hedgehog), dispelling the popular but false belief that his cabinet position makes him the designated survivor. These seeming allies do not set up Dilman for success and conspire to make his shortcomings and scandals overtures to the party and electorate to strengthen their campaigns. The promotional taglines were “It took an accident to make this man President of the United States. What they do to him now won’t be an accident, “The First Black President of the United States. First They Swore Him In. Then They Swore to Get Him,” and “Fate thrust him into the biggest job in the world...President of the United States. Now he wonders if he's big enough to do it.”

tell me about a complex man (13. 615)

Instead of the usual fare of the podcast and talk-show publicity circuit, we really appreciated The Daily from The New York Times—introduced with appropriately Homeric epithets—had an enthusiastic panel discussion just ahead of the release of Christopher Nolan’s cinematic adaptation of The Odyssey with scholar and translator Emily Wilson (whose work I’ve been meaning to read for some time now and whose take on the first line of the epic poem, “Sing, o Muse” above inspired the director, with a penchant for complicated and flawed protagonists, to assay the project) and author and classicist Madeline Miller, who wrote Song of Achilles and Circe. It was a fascinating panel discussion about the characters, language, tradition and themes of wandering, homecoming and hospitality of the timeless and endlessly interpreted tale. Through the lens of detractions by purists and pedants and provocateurs, attacks that the authors are well-accustomed (Wilson’s website has three contact forms: Interviews/Speaking Requests, General Inquiries and Misogynistic Trolling) and currently applied to Nolan’s work with casing choices (these same people got very upset about a Black Little Mermaid) they arrive a genuinely insightful look at the narrative, academic honesty and conclude that whatever choices that a version makes (in a long-lineage of adaptations and critiques), omissions, Hollywood-endings that one cannot hurt Homer, that the story is invulnerable.

9x9 (13. 609)

washington state: the incorporated polity was originally to be named Colombia after its chief river but people feared it would be confused with the national capital district, so gave it the name of the city that comprises DC 

hemi-finals: strange alignment of the last eight World Cup national teams  

mr pibb is aspirational—he’s currently in med school: sodas with a doctorate  

zero-sum game: circular deals and a shameless Ponzi scheme sends everyone to the moon  

false equivalence: political tribalism and the whataboutism of the Right for the Left 

a show about nothing: a scrolly-telling of the history of the sitcom Seinfeld—see previously here and here—via Web Curios  

wake up neo: a signet ring with OLED display shows the cascading green code from The Matrix  

après moi, le déluge: a forecasting tool for sea-level rise to drown the world  

separated by a common language: what North Americans call a cookie, the British call a biscuit—and what Americans call a biscuit has no exact counterpart in UK cuisine. Discuss.

synchronoptica

one year ago: the Terracotta Army (with synchronoptica) plus assorted links to revisit

two years ago: double-click jargon, more on the zombification of the legacy web plus Biden vows to stay in the US presidential race   

three years ago: a secret weather modification programme for Vietnam, a ska special plus more links to enjoy

four years ago: the Hollywood Bowl, Avogadro’s Number plus US vs USSR in chess championship (1972)

five years ago: a stone ship in Sweden 

six years ago: the Ehrenburg of Ehrenbach 

9x9 (13. 605)

spitalfields life: street photographer Kurt Hutton  

djt: rentier-in-chief could potential benefit financially from the rebranding of Palm Beach International airport, just kilometres away from Mar-a-Lago 

turn around bright eyes: RIP Bonnie Tyler—see previously here, here and here 

l’odissea: the 1911 cinematic adaptation of the timeless classic  

freedom fuel: White House announces network of gas stations with prices capped (previously) at $3.47 per gallon, status quo ante bellum 

the night the earth shook, strangers started to draw: in the aftermath of the devastating earthquake in Syria and Türkiye in February of 2023, the Humanitarian OpenStreetMap Team helped save lives—via Maps Mania 

twenty minutes into the future: a look at when the cola-wars where dominated by dystopian science-fiction—see previously

tax shelter: very much solicited financial advice on Trump Accounts for Kidz 

pixel skylines: urban grounds from vintage video games

lightning round (13. 565)

Without even being disclosed as satire with its ultimate tired-not-wired entry being “Having a ‘funny’ back page,” this early example of ragebait from Wit’s End September 1995 issue is an interesting time capsule of opinion (facetious, cringe—crass in hindsight or otherwise) of what was trending nearly twenty-one years ago. There’s a lot going on with this listicle of what’s deemed overrated, some of which still have resonance, like gender ambiguity, anything called a Summerfest, all-you-can-eat shrimp, being the host city of the Olympics, town-meeting with elected officials, morphing, zines. Others just seem bizarre for their inclusion like Pliny the Elder and conversion to Islam whilst incarcerated, 1968—and others, disparaging the likes of the alums of the Harvard Lampoon or Absolutely Fabulous, which made me rather upset. Check out the Reddit post above and let us know what stuck out for you—and maybe do a wellness check on that year.

🧐 (13. 564)

Courtesy of Kraftfuttermishwerk, we discover the world of how-to instructional reels that well predate but prevision influencers and looksmaxxing in the cache of Movietone News shorts, colourised and remastered carefully to preserve their charm and possibly unintentional humour through the lens of this 1930 tutorial by Count Etienne Louis Philippe Ścibor-Rylski of colonial Singapore, perhaps prompted by reports that the fashion trend had finally arrived in the States, on how to properly wear a monocle, the etiquette surrounding it—for those uncouth Yankees—and how to use it as an effective prop. Monocle drop was the original mic-drop. Click through for more vintage reels curated by Did You See? (including scenes of street life from the same period) and let us know what you find.

9x9 (13. 563)

pennsylvania dutch: an ethnographic profile of the Deitsch speaking Amish—see also  

it’s 1100 pm—do you know where your ai agent is: Janelle Shane (previously) on agentic artificial intelligence, vibe-coding and the need for guardrails  

hunshandake sandy land: battling creeping desertification with an army of chickens 

ethnic cleansing: US supreme court rules that the country can refuse asylum-seekers at the border and can begin the deportation of Syrian and Haitian refugees under temporary protected status        

⚙️⚙️⚙️🦑⚙️⚙️⚙️: manoeuvre your marine mollusc through an environment resembling dungeon levels from Zelda with Bubble Bobble type puzzles—via MetaFilter  

rainbow plaques: an alternative to Blue historical markers appear across London, honouring LGTBQ+  personages

final descent: the iconic airliner, the Boeing 747, is being phased out 

jerry’s world: a map of an imaginary land limned over decades using a deck of cards for procedural generation—see also  

despicable me: the influence of Minionese on the slang of Gen Alpha—see previously

8x8 (13. 550)

add to dictionary: a remembrance of the departed Tony Krueger, the software engineer that introduced red squiggles to word-processing to indicate a potential error  

seen by the machine: AI scores one’s relative importance by billions of datapoints called “the weights”—please consider the environmental impact before googling oneself—via MetaFilter 

drain the swamp: a meme roundup on the Lincoln Memorial Reflecting Pool  

cancon: musical acts propelled to stardom over minimum requirements for domestic content on Canadian airwaves—via Miss Cellania and Nag on the Lake  

reading the room: a moment of silence observed before interviews with filmmakers to take in the room tone as a supercut from Criterion  

a la carte: US history told in early restaurant menus—see previously  

able mabel: a robotic maid from 1966  

usa a-ok: more than amplifying random statistical noise, an interesting look at Americans’ misspellings mapped

synchronoptica

one year ago: the Carnac Stones (with synchronoptica) plus a trip to Belz

two years ago: exploring Maccagno  

three years ago: artist and freedom fighter Willem Arondéus, a revolt and march toward Moscow plus the last Emperor

four years ago: Germany legalises abortion plus a work cruise on the Rhein

five years ago: artist Robert Rotar, the goddess of luck, the bells of Bad Hersfeld, assorted links to revisit plus Cubist cars

six years ago: an orchestra for houseplants,  the Battle of Bamber Bridge (1943), tourists not welcome plus the Pontiac Ghost Car

give us magnification vince (13. 540)

Via Marco McClean’s Memo of the Air, we enjoyed finding this vintage vinyl abridgement of the profoundly strange Disney feature The Black Hole as an audio LP. I remember such adaptations were popular and a way to tide one over with a teaser when a rewatch was something not so easily summoned up and an extra vehicle to showcase dialogue and sound effect through a radio drama that relied more on imagination than memory. The voice actors who played V.I.N.CENT. LF-396 (Vital Information Necessary Centralised Labour Force) and Old BO.B. LF-28 (Bio-sanitation Battalion), however, respectively Roddy McDowall and Slim Pickens, respectively, went uncredited in all versions. Sigourney Weaver was initially considered for the role of Dr Kate McCrea, the expedition’s ESP-sensitive scientist, but the casting director found her name too unusual going instead with actor Jennifer O’Neill, despite her reluctance to cut her hair for the zero-gravity scenes  Eventually relenting after the studio agreed that O’Neill could bring own hairdresser on set, Vidal Sassoon, she allowed her hair to be cropped short, easing the trauma by consuming several glasses of wine, resulting in a drink-driving accident after the first day of filming.  O’Neill was removed from the project and replaced with understudy Yvette Mimieux as the ship’ psychic.

9x9 (13. 539)

criterion collection: a roundup of dirigible-themed movies, featuring, among others, Fay Wray and Ronald Reagan as secret agent Brass Bancroft  

the camelot of africa: a tour Ethiopia’s Gondar castles 

binomial coefficients: some numbers in Pascal’s triangle make very few cameos and no one is sure why  

lost world: museum docent Louis Gratacap pioneered the genre—see previously  

fast-track enlargement: talks begin for EU accession for Ukraine and Moldova  

ger:gre: Monty Python’s Ancients v Moderns football match  

planetary-mass companion: the famous Pink Planet may be a failed binary star system  

a tisket, a tasket: an update on the headquarters building of Longaberger baskets—see previously  

sac pour mal de l’air: a collection of air sickness bags from a variety of airlines

forget it, jake—it’s chinatown (13. 536)

As our faithful chronicler informs, the neo-noir classic directed by Roman Polanski and starring Faye Dunaway, Jack Nicohson, John Huston, Diane Ladd and Burt Young was released on this day in 1974 to critical acclaim. Over the milieu of the California water wars, a series of political conflicts over water rights at the turn of the last century with the expansion of Los Angeles and the construction of aqueducts to divert resources from Owens Valley and Mono Lake used by ranchers and farmers, a woman, calling herself Evelyn Mulwray, engages a private detective to keep on whom she says is her husband, a civil engineer with the California public utility department. The investigator photographs the subject with another woman, exposing their apparent affair, but then is confronted by the engineer’s real wife, concluding that the impostor set up her husband in order to discredit him and prevent the discovery of a complex conspiracy to hoard water whilst the city is experiencing a drought. Parallel to Dunaway’s scripted revelation “My sister! My daughter!”—the film could be read as a retelling of Oedipus Rex, a plague exploited to gain power ultimately reflecting the endemic corruption of society, misidentification, and a maimed protagonist who realises the truth too late to affect the outcome—genealogists working for Time magazine informed Nicholson after the making Chinatown that his sister was, in real life, was actually his mother, raised by his grandparents as their own son when the actor was born out of wedlock to showgirl June Frances Nicholson. On learning this fact at age thirty-seven, he acknowledged it was a “pretty dramatic event but it wasn’t what I’d call traumatising…I was pretty well psychologically formed.”

9x9 (13. 533)

biometrics: the after effects of gamification of physical activity—sometimes I want to launch my pedometer and everything else into the Sun 

sovereign wealth fund: Bernie Sanders’ proposal to cede control and profits of AI to the American public  

cinecope: an archive of rare and rarefied films—via Web Curios  

battle of the bit: an authoritative archive of chiptune and MIDI renditions  

otome: the rise of synthetic, choose-your-own-adventure romance  

a privet matter: a farmer hacks down China’s lonely tree—see also here and here  

chromacity: the colours on the spectrum that your screens cannot deliver—via MetaFilter  

a show of hands: designing more finger-friendly haptics for our devices—plus dispelling old myths, via Waxy  

dark flow: how your scrolling addiction was built off casino gambling

my only escape from it all, watching a film or a face on a wall (13. 507)

On a recent long road trip, I contracted quite an earworm in the form of the Bananarama song “Robert De Niro’s Waiting…” when it came on the radio. Though not an unpleasant intrusion (in fact such randomness is quite welcome in an overly-curated environment), I was hoping to exorcise it with a little research, discovering that the lead single from the Irish-Anglo girl group—British-Hiberno? I wonder what that particular construction is called and as for girl group, Sara Dallin, Keren Woodward and Siobhan Fahey were true pioneers with an imprint—was supposedly lyrically meant to suggest something edgier and darker than their usual quirky pop-songs but was just about fandom and hero worship in the end.  The accompanying music video for Talking Italian was directed by Duncan Gibbins (making videos for Glen Frey, Lisa Lisa and Cult Jam, Blow Monkeys, Wham! and others, Gibbins tragically perished in 1993 whilst trying to rescue his cat during a wildfire that engulfed Malibu, sustaining severe burns all over his body and jumping into a swimming pool, Gibbins contracted blood-poisoning from chlorine in the water—the cat was later found unharmed) portrays one of the band members being followed by mafia-presenting man for a possible hit. Unable to locate a De Niro lookalike, they used a John Travolta impersonator for the shoot, who ended up being the pizza-delivery guy that they had had summoned. Honoured that someone had written a song about him, the actor, the renowned up until that time for his roles in the Godfather sequel, Taxi Driver and Raging Bull hosted the band for dinner. Talking Italian.

6x6 (13. 491)

common loon: one hundred greatest bird names—see previously—via Nag on the Lake  

continue y/n: test how carefully one reads AI agent requests and permission fatigue—via Quantum of Sollazzo  

weather rothkos: meteorologically up-to-date, location-based abstract art—via Web Curios  

the seduction of ingmar bergman: a concept album involving the abduction of the famed Swedish director pressed into making American cinema  

descartes against humanity: games reimagined as designed by philosophers  

apartment birds: recent avian visitors

11x11 (13. 450)

o’dark ocho: an interesting linguistic coincidence  

wildlife gusher: a mysterious structure found in the middle of nowhere—click through to read some delightful and illuminating explanations, via Miss Cellania  

thomas jerome newton: a rereading of the novel The Man Who Fell to Earth in preparation for a rewatch of the David Bowie film  

富くじ: Present /&/ Correct’s collection of Mid-Century Japanese lottery tickets—see also 

spook hotel: the de facto capitol of US administered Venezuela  

kleptocracy: Trump drops his ten billion dollar lawsuit agains his internal revenue service and department of commerce in exchange for a two billion dollar slush fund to award loyalists and exempt himself and associates from future tax audits—via Kottke  

œnology methodology: the study and enjoyment of wine—see previously  

special envoy: Trump sends governor of Louisiana to Greenland to make “friends”  

night nurse: the forgotten author Dora Macy behind the Barbara Stanwyck classic  

public health emergency of international concern: World Health Organisation declares west Africa outbreak of ebola viral haemorrhage fever highly dangerous with the US CDC still not allowed to communicate with the UN body  

cowcumbers: the courgette was previously called so as they were only considered fit for bovines

the navy vs the night monsters (13. 446)

Produced by Jack Broder and Roger Corman (see previously here and here and here) and starring Mamie Van Doren, Billy Gray and Anthony Eisley, the B-movie on the trailing end of a spate of films about botanical beasts premiered in theatres on this day in 1966. The plot involves an expedition returning from the Antarctic with samples of ancient flora, stopping off a remote US navy weather station in the South Pacific for refuelling—the thawing cargo awakens as nocturnal, motile trees that decimate the crew of the station.spewing acid on their victims. Once communications to the outside world is reestablished, the handful of survivors are rescued when napalm is dropped on the island. Whilst not faring well with contemporary audience nor upon reevaluation, not amounting to anything like a cult classic, cast and crew in part were persuaded to take part in the project on the credentials of the author of the sci-fi novel that the movie was based on—albeit it loosely and considerably padded post-production to get it to ninety-minutes in length—and almost quit en masse upon learning the title and that the US military would be the calvary. Adapted from the 1959 The Monster at the Earth’s End by prolific writer Murray Leinster, reviving the trope of what’s frozen at the South Pole is best left frozen there, Leinster’s catalogue of plot devices and imagination mark the first instance of the use, with enduring influence, of several standards of the genre: first contact (over which the writer’s estate tried to sue Star Trek), universal translators, parallel universes and timelines, a networked computer that would provide a media for communication, commerce and entertainment—the terminal called a logic and servers called tanks—orbiting space stations, tractor beams, terraforming, panspermia as well as the television series Time Tunnel and Land of the Giants.

giving me everything inside and out (13. 444)

As our faithful chronicler reminds, the Simple Minds’ song reached the top of the US Billboard charts on this day in 1985. Commissioned specifically for The Breakfast Club, the track written and arranged by record producer Keith Forsey, previously percussionist for Udo Lindenberg, several Italo-Pop pioneers, Boney M, Blondie and Giorgio Moroder, the Scottish group at first rejected the power ballad, preferring to play their own material and expressing no interest in the teen movie but eventually relented. Inspired by the preview of a scene in which a high school bully and an introvert bond with no one else watching, Forsey intended the number to serve as a reminder for their commonality and not forget it in the schoolyard. The placeholder lyrics (see also) of na-la-la-la made the final cut, and the 1980s anthem became a breakout hit for the band.

the house of mouse (13. 404)

Via Messy Nessy Chic, we are directed towards this illustrated strategic plan and sales pitch (click to embiggen) that Walt Disney presented to investors in 1957 showing revenue streams and how the company would work just as the empire was forming, Disneyland opening just two years prior, financed in part by syndicated anthology series, the Mickey Mouse Club—the variety show for children also a talent pool for the studio’s live-action stars, and a mini-series on frontiersman Davy Crockett with a tie-in ballad becoming a best-selling record. The entire juggernaut of merchandising (coonskin caps included) was complete and unprecedented, becoming firmly ensconced in American and later worldwide culture.