think the tide is with us (12. 573)

In deference to the silver anniversary of the Peter Benchley and Steven Spielberg and Peter Benchly collaboration—which agreedly holds up and worth a rewatch—Clive Thompson’s Linkfest (lots more great stuff there) directs us to a text-based adventure game inspired by the film authored by programmer and designer Matt Round, that follows the plot pretty faithfully scene by scene but from the point of view of the titular shark with some pretty compelling internal monologue (see also).

7x7 (12. 571)

edge of eternity: Poseidon’s Underworld’s cinematic vacation to the Grand Canyon 

the open-hearted many and the broken-hearted-few: the venerable and ongoing Leonard Cohen Files—via Metafilter  

litra: an ancient Byzantine scale complete with a set Greek letter-shaped counter-balances discovered in Türkei  

voulez-vous danser avec moi: the mambo scene of Brigitte Bardot and Dario Moreno from Michel Boisrond’s 1959 « Come Dance with Me? »  

flatland: the four dimensional world of Alicia Boole Stott—see also  

and if i haver: an endurance run of The Proclaimer’s I’m Gonna Be—via Web Curios 

it happened here: a contemporary table-read of Stephen King’s what-if premise of Apt Pupil considered during a staycation from Today in Tabs—via ibidem

7x7 (12. 565)

alligator auschwitz: Trump’s Florida detention centre is by every definition a concentration camp

solvitur ambulando: when in doubt, go for a walk—see previously  

mcmxxv—mmxxv: the century in one hundred films 

rif me daddy: US supreme court overrules injunction against executive branch illegal mass firings after passage of Trump’ domestic policy agenda  

geschirrspüler: a 1959 German dishwasher in action  

adam und eva: a group of Europeans’ failed attempt to found a utopia during the interbellum period on a remote Galápagos island—via Neatorama 

race and ethnicity: the case of George Shishim, invoking Jesus, illustrates the particularly American obsession with whiteness to the exclusion of others—see more

9x9 (12. 465)

the running man: US officials entertain the idea of a television game show that allows individuals to compete for citizenship—see previously  

chicken coop: Malia Márquez compares the craft of writing to tending poultry  

anamnesis: the diary of a lycanthrope  

party crasher: a slightly voyeuristic search engine for random wedding websites—via Web Curios  

milk and cheese: a tribute to comic book artist Evan Dorkin—via MetaFilter 

holistic wellness influencer: Trump’s pick for US surgeon general traffics in dangerous pseudoscience—see also  

werewolf of london: a look back on the first full-length creature feature on its ninetieth anniversary—via Miss Cellania 

the parable of the sower: Octavia Butler on writing and daily fidelity—via Kottke 

birth-right citizens brigade: challenge to XIV amendment law (previously) goes before US supreme court but arguments focus on activist judges and universal injunctions

10x10 (12. 449)

shooting the messager: the AP reporter fired and blacklisted for scooping the story of Nazi Germany’s surrender eight years ago—via Strange Company  

🚏: Shanghai metro lets riders design their own bus routes  

vision cantos: Denis Cooper on filmmaker Jud Yalkut—via { feuilleton }  

grave of the fireflies: Ze Frank (previously) on what’s happening with our bioluminescent friends  

the poyais scam: confidence tricker Gregor MacGregor’s con to lure investors in a fictional central American territory 

that’s why the apostrophe is single and not plural: the story of Anna Jarvis—the creator that later sued for the abolition of Mother’s Day 

flugsteighalle: a digital exhibition of Berlin’s monumental Tempelhof airport—previously—via das Kraftfuttermischwerk  

the madison avenue beat: a selection of vintage advertising jingles presented as a dance remix 

 corner of the city: street photographer Tong Ho Chung Howard’s most famous image captures the traditional tong lau (唐樓) architecture of Hong Kong, gradually being replaced by urban renewal programmes  

root causes: competing narratives for WWII Victory Day celebrations

7x7 (12. 438)

kanzlermehrheit: Bundestag selects Friedrich Merz chancellor after secure a majority in the second round of voting, averting a constitutional crisis  

rococo and its discontents: McMansion Hell on Trump’s gaudy transformation of the White House—via Kottke 

fuzzy maths: an unsure calculator that produces a range of histograms to assess one’s unknown factors—via Pasa Bon!—from home economics decisions to the Drake equation

reaction time: a car brake engaged by one’s eyebrows  

top billing: the movie poster and album cover art of Dick Ellescas that fuses Art Deco and Mod  

architektonisches gesamtkunstwerk: the Junkerhaus of Lemgo articulated over the decades whilst the jilted artist awaited his betrothed who would never return—via Messy Nessy Chic—more here 

habemus papam: first round of voting fails to produce consensus—plus live chimney cam

spaghetti thriller (12. 437)

The cinephiles of the Flop House with a special guest deliver a very thoroughgoing treatment of the Italian murder-mystery film genre called giallo (the title an alternate native term) popular from the 1960s through the late 1970s—which although declined subsequently with other exploitation movies leaves a lasting legacy and influences in subsequent movements like slasher and supernatural narratives. Derived from a series of crime pulp novels published by the Milano-based Mondadori house who distinguished book themes by their cover colours, in this case yellow—including in their catalogue translated titles from Agatha Christine, whose And Then There Were None (originally called Ten Little Indians or Dieci piccoli indiani) was widely read and considered the template for the genre, laying out the essential elements later adopted by filmmakers of a killer hidden amongst a cast whose identity and motive are not revealed until the end—translated to the screen with psychosexual horror, an atmosphere of suspense, camp, lurid Technicolour, bombastic scoring (see previously here and here) and gratuitous violence. Suspiria is sometimes included for its stylistic similarities but rejected by purist for its supernatural character, though director Dario Argento made other films, with typically baroque and non-revealing titles, like The Bird with the Crystal Plumage and Four Flies on Grey Velvet, that are considered classic gialli. Another interesting artefact was the prevalence of J&B scotch whisky in the films across the range of directors as a signifier of sophistication and manliness—Justerini and Brooks Ltd, founded in Bologna in 1749 and receiving a royal warrant to supply wine and spirits to the aristocratic households of London and later purveyors to hotels and restauranteurs. With shifting values, condemned as misogynistic, gialli fell out of favour but their later homage has occasioned a reevaluation of their consistent, if not indirect, message of the victims, almost exclusively women, not being listened to when airing their suspicions and fears.  Be sure to listen to the podcast for expert movie recommendations.

the nightly (12. 433)

Via Nag on the Lake and Web Curios, we are directed to an internet radio station fronting a music appreciation society celebrating a selection the vintage, obscure, vaguely gloomy and positively atmospheric songs and film scores, chiefly from the 1930 to the 1970s with some real jewels from Italian and Japanese cinema. Moody but not maudlin, there are over four thousand titles in circulation and growing that are instantly transporting and transfixing, evoking the hard-scrabbling and noir, taking one to those liminal spaces and liminal hours.

10x10 (12. 420)

america’s war: a special report from the Verge for the fiftieth anniversary of the Fall of Saigon   

leaflet: an Art Nouveau study of botanical forms and their application in decor—see previously  

mangajin: an appreciation of the month English-language publication for students of Japanese language and culture—full archives from the entire run from 1988 to 1997 here   

do: inspirational words from artist Sol LeWitt to fellow creative pioneer Eva Hesse 

chisanbop: the Korean technique of fingermath   

i have to push the pram a lot: Monty Python and the Holy Grail at fifty   

animal spirits: what felines, bovines, porcines, etc on the label say about wine quality   

you wouldn’t right-click a car: US anti-piracy campaign filled with hypocrisy, including a stolen font—see also   

bus error collective: a WSIWYG primer on oscilloscope music—via Waxy   

worst one-hundred days: assessments of Trump first months in office for his second term—more here and here

synchronptica

one year ago: Pennsylvania 6-5000 (with synchronoptica) plus naming world wars 

seven years ago: a corollary to the Bechdel test plus a visit to Stockheim

eight years ago: archaeology with trace DNA, Islamic gateways plus responding to nuclear extortion 

nine years ago: crowd control robots, language acquisition plus a hand-held DNA sequencer

ten years ago: visiting FDR’s Georgia retreat, ribald limericks, assorted links to revisit plus pontoon bridges to alleviate traffic congestion

9x9 (12. 381)

domestic box office: in response to escalating tariffs, China is curtailing the number of American films screened in the country  

redeployment: decision to reposition US troops stationed in Poland causing concern  

dixonary: improprieties in pronunciation among New Englanders 

 𐦉: the Latin alphabet expressed as hieroglyphics  

now is a great time to buy—$djt: social media posts and a spike in options activity may indicate insider trading within the administration  

א₀: physicist Dominic Walliman charts out the fields of mathematics and how the academic informs application 

from the gigantic bones displayed at roncesvalles: an adjective that should be brought part back into use 

a man, a plan: US defence secretary floats idea of reopening mothball military bases from the 1989 invasion of Panama 

trading floor: the history of the ticker-tape machine

will a fosse neck do it? (12. 366)

Via fellow internet peripatetic, Messy Nessy Chic, we really enjoyed this celebration of the choreography of Bob Fosse (previously) taken from the 1969 cinematic adaptation of his Sweet Charity—based off of Fellini’s Le notti di Cabiria featuring the narrative of a sex-worker in Rome and lightly sanitised as the story of a call-girl, dancer-for-hire in Times Square’s Fandango Ballroom, its sleaziness illustrated by “Hey, Big Spender,” portrayed by Shirley MacLaine. Invited home by a celebrity guest on the mends from an apparent breakup, the protagonist finds herself in his apartment for dinner, “If They Could See Me Now,” whilst pursuing an ill-fated romance with a claustrophobic elevator-operator.

kalaallit nunaat (12. 338)

As the autonomous overseas territory has been garnering some welcome and some unbidden attention lately with the US determined to annex the artic island and sending an entourage to engage in election interference and meddle with self-determination, Tedium presents a celebration of Greenland’s unique pop culture, informed but untethered from its history as a colonial dependency. From the first piece of cinema entirely produced on the island with a cast of local actors to the psychedelic, prog rock band Sumé, critical of the Danish government, past policies of assimilation and an anthem for the independence movement, the national artistic output is couched on the struggle for recognition but also stands on its own outside of any context. There’s a coda linking back to the US vice-president through Richie Cunningham’s character enlisting in the army stationed at Ultima Thule—to get away from Happy Days—and director Ron Howard assaying Vance’s autobiography. Much more at the link above.

synchronoptica

one year ago: AI search (with synchronoptica)

seven years ago: gerrymandering, suicide prevention plus the buccaneers of America

eight years ago: a coopted meme, studio MUTI plus more on technological redundancy

nine years ago: ambitious Hyper-Loop plans for Europe 

ten years ago: crusaders sack Constantinople, a roundup of patriotic cartoons plus the rise of the smart-watch

10x10 (12. 325)

isolated dictatorship: Canadian MP urges citizens to avoid travel south of the border  

sykkelinfrastruktur: an amazing bike tunnel in Bergen  

incel camino: a new make and model for the Swasticar for all the domestic terrorists 

four of swords: Hyperallergic’s tarotscope for the coming of Spring  

fabio and the goose: Bobby Fingers (previously) reconstructs the encounter of harlequin novel author and pin-up’s encounter with a migrating bird whilst on a rollercoaster  

arbour day: tree planting activities cancelled over anti-DEI posture  

cats in outlines: the strangely gratifying effect of felines freezing in place 

sorry—not sorry: a study of apologies gleaned from reality television 

scylla and charybdis: the millennia-long aspirations to link Sicily with the mainland may soon come to pass  

pin: an unnerving psychosexual horror Canadian horror film from 1988

georgia claimed her—georgia named her (12. 317)

Recorded on this day by Ben Bernie and the Hotel Roosevelt Orchestra and released the following day, spending five-weeks at number one on the American charts, the jazz standard was inspired by a chance meeting with the composer and longtime state house representative Dr George Thaddeus Brown, pledging while in office to name his daughter in honour of his constituency—the anecdote reflected in the above lyric. Renditions include performances by Bing Crosby, Cab Calloway, Django Reinhardt, a more empowered version by Roberta Flack, the Harlem Globetrotters’ theme from the instrumental rendering by Brother Bones and His Shadows featuring whistling and rhythm spoons and the below opening scene (which lives rent-free in my head) from the 1983 film To Be or Not To Be featuring Mel Brooks and Anne Bancroft dancing and singing in Polish.

see you next wednesday (12. 315)

Via the New Shelton wet/dry, we learn that a fairly innocuous, throw-away line from Stanley Kubrick’s 2001: A Space Odyssey as the titular closing line spoken by the father of Frank Poole in a video letter to his son became the working-title for the first screenplay of director John Landis. Self-described as terrible and unfilmable but with a few redemptive though underdeveloped ideas (a musical autobiography as if he himself had died aged nineteen), this beginning effort was never produced but Landis made sure to give it a cameo appearance in later films as he established his credentials as an auteur as a running gag, rarely screened and never in its entirety and recast each time. A frame story, it appears in Landis’ 1977 The Kentucky Fried Movie as a 4D experience with each audience member attended by an usher acting out what is occurring on screen, on a billboard in The Blues Brothers as a King Kong knock-off, a porn film presented in a seedy theatre in An American Werewolf in London and as the pictured poster in 1983’s Trading Places. Outside of Landis’ filmography, it is also a line of dialogue in the monster movie Michael Jackson and girlfriend are watching his in Thriller extended music video as well as numerous other easter eggs to watch for in his other works and homages by other creators—which pretty good for an unmade freshman project.

advance compliance (12. 229)

Disney, amid a board shift in DEI posture among American corporations, having already relented with a fifteen million dollar settlement plus profuse apologies for character defamation when an anchor said the garbage sex-pest had been found liable for rape rather than abuse, we learn via JWZ has reverted from the more thoughtful content warning introduced in October of 2020 for its vintage catalogue: This program includes negative depictions and/or mistreatment of people or cultures. These stereotypes were wrong then and are wrong now. Rather than remove this content, we want to acknowledge its harmful impact, learn from it and spark conversation to create a more inclusive future together. Disney is committed to creating stories with inspirational and aspirational themes that reflect the rich diversity of the human experience around the globe—to its previous terse disclaimer for classics that haven’t aged well, “This programme is presented as originally created and may contain stereotypes or negative depictions.”

12x12 (12. 179)

contraception begins at erection: Mississippi lawmaker has introduced a bill called ‘contraception begins at erection’ outlawing male masturbation, hoping to bring balance to the reproductive rights’ restriction that focus on women—via the New Shelton wet/dry  

obayashi world: Japan’s most Lynchian filmmaker  

so long and thanks for all the fish: Joan Ocean’s Dolphin Connection—via Web Curios  

crass competing abstrusities: official, sanctioned transcription of US secretary of state Marco Rubio (鲁比奥) changed—possibly as a way to get around the ban the Chinese government itself imposed plus other politicians’ names—see previously  

 

but if you don’t make your product in america—which is your prerogative—then very simply you will have to pay a tariff: though vacillating somewhat on his commitment and working from home, Trump delivers a message to the Davos WEF summit  

she was nasty in tone, not compelling or smart: Bishop Budde won’t apologise for her appeal for mercy and hospitality  

the birthright citizens’ brigade: a list of organisations pushing back against the slide to authoritarianism in the US  

dreiundfünfzig tage: how Hitler dismantled a constitution republic through constitutional means  

xanthelasma: Florida man on diet of beef, cheese and sticks of butter oozes cholesterol from his skin—see also—via Miss Cellania  

a catalyst for curiosity: Wikenigma documents the unexplained—via Kottke—those scientific and academic questions that evade a definitive answer, like the Collatz conjecture 

you remind me of the babe: Robert Eggers to make a sequel for Labyrinth  

unplanned pregnancy: as an encore to freeing all the January Sixth rioters, Trump pardons dozens of anti-abortion protesters, some jailed for violent tactics to block clinic access and intimidating doctors ahead of the Right to Life March

11x11 (12. 172)

concrete feats: the landmark Våga Water Tower on coast Varberg, Sweden  

ſpy v ſpy: a look at the world of espionage in the Middle Ages—via the new Shelton wet/dry 

obelisks: researchers discover a new form of life with circular RNA—that appear less alive than viruses  

we were wrong that day—we broke the law: convicted January Sixth capitol rioter known as MAGA Granny rejects clemency offer  

winning odds: a collection of vintage Japanese lottery tickets  

cinematic universe: The Goonies and Back to the Future happened on the same day in 1985—via Kottke  

шрифт: foundry excavating Ukrainian fonts from the underground  

dark web: Trump has granted an unconditional pardon to Silk Road founder Ross Ulbricht 

red team: research students—under supervision recreate—viral pathogens identical to those that caused the 1918 influenza pandemic  

lexicon: a glossary of medieval words from Middle English whose meanings have shifted  

solar gate: 4D printed blinds mimic plants to open and close on their own

i guess it means there’s trouble until the robins come (12. 194)

Via tmn, we appreciated this corresponding pair of brief encounters that reporter Adam Nayman shares on the entertainment beat of departed director that strike one as about as Lynchian as it gets. The first exchange took place in a hotel room during the 2001 Toronto Film Festival with Mulholland Drive on the circuit and the creator holding a succession of interviews with various outlets. Asking an unvarnished question about the director’s intent that went unanswered, David Lynch delivered a quotable coda after the tape recorder had been switched off of “A thing is what it is—and that’s what it wants to be.” Retreating to a corner of the room after his allotted time was over, Nayman repeated it on tape so as not to forget but inadvertently mimicked Lynch’s cadence in doing so. Overhearing him, Lynch shot him a thumbs up. Five years later, Nayman secured a more extensive session with the release of Inland Empire over the phone, asking more seasoned and nuanced questions to draw out better responses. After it concluded, however, Nayman discovered to his horror that only one side of the conversation had been recorded, with a deafening lacuna present where the responses should have been, not dead air exactly but more “like the whirl of an overhead ceiling fan—or the roar of the ocean as heard through the cochlea of a bloody, discarded human ear” or like how a speech coach was hired to help with enunciation for The Man from Another Place for the lines of reverse-speech not knowing the actor playing the role, Michael J Anderson, a computer technician for NASA’s space shuttle mission control before his acting career, already knew how to talk backwards, having used it as a secret language in school—and in a panic called back Mr Lynch’s assistant to puzzle out the technical difficulties or repeat the interview. The assistant said that his schedule was full but placed Nayman on hold for an interminable length of time before finally returning to explain, “David says he’s sorry—he says that you can say that he said whatever you like, however you remember it is fine.” Lynch’s body of work is not just experiences, those films live with one for years and decades. Much more at The Ringer at the link above.

the man from another place (12. 193)

We enjoyed this appreciation of the soundscape of the filmography of transcended director David Lynch compiled by NPR correspondent Hazel Cillis. Covering Lynch’s own composition “In Heaven” from Eraserhead to the orchestral soundtrack to Dune (see previously), all tracks from Toto (the band best known for their hit “Africa”) except Brian Eno’s ambient contribution in the “Prophecy Theme” and all moody and atmospheric numbers in between, the playlist embodies the surreal and mysterious essence of the creator, especially in the use of standards to disabuse the audience from thinking they know what they’re hearing just because it’s familiar.