museo pio-clementino

Through the lens of Michelangelo failing in a competition to restore the iconic sculptural ensemble Laocoön and His Sons (previously) affords us another chance to examine the subject matter, a priest of either Poseidon or Apollo, who respectively was either guilty of the transgression or potential crossing the line in exposing the Trojan Horse for what it was or for breaking his vow of celibacy. Pope Julius II commissioned a contest to determine the best design proposal to restore a conspicuously absent arm for the central figure. Both Michelangelo and Raphael—related to the judge, the Vatican’s chief architect—lost to an artist called Jacopo Sansovino’s outstretched arm. During an excavation in 1906, the arm was recovered and positioned in accordance with Michelangelo’s original suggestion.