Friday 19 July 2019

jennyanydots

I think we are all this film review of the upcoming “live,” demented deep-dreaming nightmare adaptation of the musical Cats. So many questions that dare not seek answers.
The 1981 piece is based on a collection of epistolary poetry that T. S. Eliot (previously) composed to entertain his godchildren in the 1930s—presenting a sociological tract on a tribe of felines and their nomination of one of their members to ascend into a paradisaical afterlife and be reincarnated, and the new production, starring an ensemble cast of screen and stage luminaries projected onto cat-sized avatars, is seemingly riding the coattails of attempting to revive old properties with live-actors aided by digital graphics, dispensing the need for imagination and suspension of disbelief, illustrative of what happens when creative outlets are not constrained by a budget and no one has the courage of conviction to say when a project is going in the wrong direction.