Decommissioned since 1993 but revitalised since as a living museum and working mine and venue, I had a chance to visit with H’s father the salt and potash (Kalisalz, used as an important agricultural fertiliser) extraction operation near the village of Merkers on the Werra river not far from Bad Salzungen.
Aside from the long history of mining and a comprehensive lesson on the enterprise and geology that bores under the Rhรถn mountains, the location is also the hiding spot for hundreds of tonnes of gold, silver and paper currency (amounting to around eighty percent of the holdings of the Reichsbank at the end of the war) and many priceless
works of art looted by the Nazis, discovered per chance by the advancing United States army (tipped off by slave labour transporting treasures to the mine) who then worked quickly to clear it out of Soviet occupied territory before the borders were demarcated.
After being lowered in safety gear—like actual miners beginning their shift—in a hoisting cage that descended into the dark, and driven in flatbed transports from five to eight hundred metres below the surface through a network of tunnels that covers an area the size of Munich.
Though the vehicles were only taking the dips, curves and ascents at under twenty kilometres an hour, the darkness, wind and narrowness of the shaft made it seem much faster, like a roller coaster ride stretched out for some two hours, with intermissions, lastly in the above Goldraum, a pair of excavated former bunkers that now serve as a machine exhibit, theatre and a concert hall with uncommonly good acoustics and unique crystal grotto with accompanying bar for refreshments—the deepest in the world.
It was definitely worth the visit and would drag H along next time.
the fourth plinth: what becomes of statuary exhibited temporarily in Trafalgar Square—via Things Magazine
