starstudded

Our thanks to Weird Universe for the introduction to the perhaps unfairly maligned 1979 Italo-German space opera Starcrash—written and directed by Lugui Cozzi—accused of being derivative of the wildly successful Star Wars saga that premiered in 1977—dismissed like this later homage, but actually produced in parallel, with Lucas’ film only coming to audiences overseas in December 1978. I suppose we all owe debts of inspiration—and that’s not say the two movies don’t share some common ancestry.
The film, which includes a soundtrack scored by John Barry, stars Caroline Munroe as the protagonist with Christopher Plummer as a benevolent Emperor of the Universe and David Hasselhoff as his rebellious son and heir apparent, was quite a serious undertaking and rather than exactly campy seems like the franchise from an alternate reality. Here is the trailer below and with a little effort, one can find the full feature online, should one be so taken.

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bouquet: floral masterpieces recreated with living flowers

plenary session: climate activist Greta Thunberg delivers a powerful message to those gathered at Katowice

coming attractions: a mashup of all the biggest movie trailers of 2018

the notorious rbg: supreme court justice is amazingly resilient

rebel scum: gorgeous, retro Star Wars style propaganda posters

hot neptune: researchers locate an exoplanet that’s slowly being evaporated by its host star—via Slashdot

patchwork pojagi: the beautiful kimonos and accessories of South Korean textile artist and educator Chunghie Lee

please enjoy responsibly: funny suggestion for a Christmas time drinking game

life day

Our faithful chronicler, Doctor Caligari, records that on this day among many, may other momentous events in 1978, CBS aired the two-hour, never to be rebroadcast spectacle, the Star Wars Holiday Special (lest you thought Christmas-creep was a new thing) on this evening.
The nearly unwatchable show (made harder to view by dint of the fact that only bootleg copies of poor fidelity are in circulation) hinges on the plot of Han Solo and Chewbacca travelling to Kashyyk, the Wookie home world, to celebrate Life Day with his family (Itchy, like Chewie, being a nickname and short for Attichitcuk). The special introduces the bounty-hunter Boba Fett as well as Ackmena, a Mos Eisley’s cantina bartender played by Bea Arthur and for the first time credits the voice of Darth Vader to James Earl Jones. The original cast gather at the end to spend the holiday together.

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that’s like comparing apples and mass shootings: idioms updated for American contemporary culture

store brand: Christmas advertisement aimed to educate the public on habitat-loss due to palm-oil plantations banned for being “too political”

across the stars: John Williams’ fresh arrangement for the Star Wars prequels—which if nothing else continued the tradition of arch and on point scores

perhaps not forty-two after all: the answer to the ultimate question of life, the Universe and everything is instead one hundred and thirty-seven, the fine-structure constant that haunted Richard Feynmann and Wolfgang Pauli—via Strange Company

sacred and profane architecture: this is the church you go to when God is in the volcano forging a ring of power, a Twitter thread via Art of Darkness

bauhaus 100: the next instalment profiling Herbert Bayer who helped create a universal typographic identity for the movement

tarpaulin

It was a decade ago on this day that US President George HW Bush signed into law the Emergency Economic Stabilisation Act of 2008 with the provision for the rescue scheme of purchasing toxic assets and making distressed financial institutions flush with cash called the Troubled Asset Relief Programme (TARP), as proposed by then Treasury Secretary Henry Paulson.
The plan to bailout the banks and dull any painful consequences from their avarice had not curried much public favour nor did the covert and discretionary manner in the administration of the aide instil confidence that we all wouldn’t be trotte down the same path again. Though we can source the sentiment at least back to the speeches of Martin Luther King, Jr with “socialism for the rich and free enterprise for the poor,” the passage of the law did inspire a few choice turns of phrases and meditations on how paradoxically the aim of capitalism is to escape its bonds and the observation that the intervention allows corporations to “privatize profits and to socialise losses.”

panda, cyborg, jesus

Though the libretto to the leitmotif “Duel of the Fates” (the recurring theme from the Star Wars prequels) is reportedly a fragment of an ancient, fourteenth century Welsh poem Cad Goddeu (Battle of the Trees) about the legendary enchanter, Gwydion fab Dôn, who animates the trees of the forest to do his bidding translated and then performed in Sanskrit (unlikely), our thanks to Miss Cellania for revealing to us the true lyrics.  Follow the bouncing ball.

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deuterocanonical: ranking depictions of Judith beheading Holofernes, via Things Magazine

miami vice: a look inside the Mutiny Hotel where Scarface was filmed

stylite: an investigation into the doctored photograph of an ancient ruin reveals an ascetic tradition

knight industries two thousand: a banjo version of the Knight Rider theme

second skin: special membrane that transforms inanimate objects into multifunctional robots

plosive fricative: in English, counting from zero upwards, one’s lips won’t touch before one million, via Kottke’s Quick Links

biggs is right, i’m never getting out of here: animator Dmitry Grozov creates a brilliant anime trailer for Star Wars: A New Hope

pigpen: researchers isolate the chemical, microbial shadow that accompanies all of us

pew pew

Tedium gives us an interesting overview on sound design and the history of foley artists (the distinction being that foley effects concerns themselves with dramatizing human and natural sounds, like footfalls or a yapping dog, whereas sound designers are tasked with imagining how a laser blast ought to sound) and acquaints us the award-winning individual behind many of the iconic science-fiction and fantasy sound effects that are not only instantly recognisable but often serve to place one at a precise point in the narrative. Ben Burtt created the hums of lightsabres, Darth Vader’s respirator sounds, the satisfying, solid sound of Indiana Jones throwing and sustaining a punch as well as the crack of his bullwhip plus many others. Find out more at the link above.

hifi

On the thirty-fifth anniversary since its debut with Return of the Jedi on 25 May, 1983, THX released the score of its “Deep Note” audio trademark for the first time, prompting a talented vocalist named Mach Kobayashi to intone the thirty voices across three octaves to recreate to signature choral strike to perfection.

mertensian mimicry

Brighton-based illustrator Richard Wilkinson has creatively reimagined insects as vehicles and characters from the Star Wars saga, complete with pseudo-Latin taxonomical designations. These realistically rendered creatures that come to our attention via Colossal are a teaser of sorts for a much larger up-coming volume entitled Arthropoda Iconicus which will reference other characters in popular culture.

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el diablo: a ghoulish gallery of the comic and pulp art of Mexican publications of the 50s and 60s

和菓子: Edo period illustrations of Japanese confections called wagashi

in memoriam: ten stunning structures designed by recently departed architect Will Alsop

red carpet: Star Wars actress dazzles with a Vivienne Westwood original that celebrates increasing diversity in science fiction

landlines: an assortment of vintage telephones from Western Electric, via Weird Universe

from bauhaus to our house: celebrating the wide-ranging contributions and influence of author and journalist Tom Wolfe

ma bell

The congressman who represents California’s Silicon Valley wants to summon a telecommunications behemoth to testify before the legislature to account for over a half a million dollars in payments made to the consulting firm, shell company that Trump’s lawyer and ambulance-chaser Michael Cohen established in order to pay hush money to keep secret a tryst between Trump and porn star Stormy Daniels.
The payments from AT&T only came to light in the wake of the attempt to silence Ms Daniels and although AT&T claims it only secured the services of Mr Cohen to gain insights into the inner workings of the administration, it’s intimated that the company was buying influence with the Federal Communications Commission to persuade them to repeal regulations that helped enshrine the principles of net neutrality and anti-trust laws that might be roadblocks to company acquiring a media monopoly.

mockbuster

After two years of restoration of the last known reel of the movie in existence and digital conversion, the atrociously campy cult film that’s better known by the moniker “Turkish Star Wars,” the 1982 Dünyayı Kurtaran Adam (previously) or The Man Who Saved the World will be enjoying a limited theatre run in London and Glasgow later this summer (May the Fourth be with you).
The movie—hitherto only watchable on bootlegged video cassette copies—gained notoriety for its unauthorised use of footage from the actual Star Wars, with other science fiction films and space programme scenes spliced in, has quite an incoherent plot and was roundly panned by critics at the time. Despite its poor reception, a sequel was produced in 2006, Dünyayı Kurtaran Adam'ın Oğlu (The Son of the Man who Saved the World—otherwise “Turks in Space”) but audiences (never easily satisfied) were also critical of the second movie for having professional actors and special effects and was no longer true to the original. Visit the link above to see a video of a few scenes.  I think it’s fun that there’s a revival of such an unambiguously bad movie, but I also hope that the attention it garners directs more people to the finer side of Turkish cinema and film-making, as well.

droide astromeccanico

From the Italian word for a jaunty saunter, Gita the cargo droid from the company Piaggio (famous for their Vespas—that is, wasps in italiano and Popemobiles) meant to accompany humans on errands and help bare burdens that are two heavy or awkward to convey otherwise.
Designed with the goal that it should be able to carry a case of wine—and leave it’s human’s hands free for other things, Gita is self-navigating and can avoid obstacles and balance a load of up to twenty kilogrammes and seems to be a disruptor somewhere in a happy medium between (segue to) Segways and unaccompanied delivery robots and drones, which have both earned derision. Visit the links above for a demonstration and to learn more.

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luddites: standing up for dumb (but not dumbed-down) devices, via Naked Capitalism

it’s what’s for dinner: US Cattlemen’s Association declares war on fake, plant-based meat, via Super Punch

rydberg polarons: at extremely low temperatures atoms can be crowded inside other atoms

good ju-ju: an assortment of modern cyber lucky charms

mileștii mici: tour the world’s largest wine-cellar located in Moldova, via Messy Nessy Chic

aurabesh: the alien script of the Star Wars Universe

les shadoks: the cult French cartoon from Jacques Rouxel and René Borg with a fantastic musique concrète theme song

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screen time: a curated collection of flip-books that delivered movies that fit in the palm of one’s hand a century before smart phones

star wars, nothing but star wars: Meco Monardo’s disco remakes of Hollywood film scores

first ladies: gender reassignments for all the US presidents

blue planet: stunning underwater photography competition winners and honourable-mentions

dot-matrix: computer-generated artwork from 1969 by Frederick Hammersley

virtue signalling: White House budget proposal (again) is very disaspirational and sets the US even further behind in the sciences

secretum de thesauro experimentorum ymaginationis hominum

Having missed out on the earlier furore and excitement over speculation that Star Wars battleship designs might have been inspired by the work of a late medieval Italian draughtsman, we appreciated how Super Punch brought us up to speed.
While the pareidolia of seeing a fully-operational Death Star escorted by an array of Star Destroyers (plus earlier conceptions of the Imperial and Rebel fleets) is lure enough on its own, the imagination and career of the fifteenth-century Venetian surgeon and engineer, Giovanni Fontana (Johannes de Fontana), is pretty engrossing as well. Though only illustrations have survived the ages, Fontana invented and built functioning prototypes of what we’d recognise as the bicycle, the magic lantern, the torpedo plus many innovations in hydraulics and trigonometry and cryptography. Fontana’s overarching goal was to recreate those machines and devices of great antiquity, the stuff of legend, and some see a similarity between his style of illustration and the baffling pictures and text of the mysterious Voynich manuscript.

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нова нада: the Star Wars saga posters of Soviet Europe (plus a notable knock-off)

treemaps: classic oil paintings pixelated algorithmically

turbofolk: Serbia’s kitschy pop-folk music scene runs counter to  Western stereotypes about alternative lifestyles acceptance in the former Yugoslavia

lunchbox on wheels: former Google engineers create a driverless delivery vehicle to counter the last-mile problem

reasonable accommodation: a US airline declines to allow an emotional support peacock to board a flight

lexical gap: a jury of linguists declare “influencer” to be the German import of the year

coming attractions

In 1999, two friends uncovered a treasure trove in a Nebraska antiques shop of over sixty thousand letterpress blocks used to advertise films in newspapers. Their two thousand dollar investment which covers nearly the entire history of motion pictures (from the silent-era up until 1984) has been appraised at ten million. At the link above, there is a short documentary that showcases a part of the vast collection.

check your privilege, obi-wan

Kottke is now the host and curator of The People’s History of Tattoonie, which itself was in danger of becoming rarefied and disjointed as an anthology of sorts. Usually I find such satire a little heavy-handed for my taste as we all ought know not to impose our cachet and culture upon something long, long ago and far, far away (notwithstanding how a more advanced culture would have more mature definitions of identity than we do, and in the end we usually just look smug fancying ourselves to be the soul of consideration and accomodation) but this dialogue, line of argument is pretty brilliant and needless to say illustrative. “Your ‘Big Story’ of the military-imperial complex lets you ignore what’s right in your FACE.”