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letraset press: a collection of instant lettering dry-transfer sheets (see previously) from Coudal Partners’ Fresh Signals 

the woman who stared at the sun: the circumstance and contributions to astronomy of Hisako Koyama who helped hone our understanding of solar cycles 

a good walk spoiled: an in-depth look at how golf course exacerbate the housing shortage  

couch gag: a clever individual shares their construction of a miniature replica of the Simpsons’ purple television set that plays random episodes 

one week supply: a podcast discussing Damn Interesting’s curated links section 

the china syndrome: a super-tunnel simulator that illustrates the quickest, shortest routes to connecting points around the globe—see also  

tartu snail tower: the spiralling skyscraper in Estonia’s second city  

the art of letters: a typographical study from Mark Gowing

referens b𝑤ks

Courtesy of Weird Universe, we’ve previously encountered this forty-three letter script called Augmented Roman in which each glyph makes a distinct sound, allowing for a fully phonetic English orthography—textual examples of which we can recall looking and being thoroughly confused as young readers. We failed to realise however that the politician, publisher and educational reformer who developed the Initial Teaching Alphabet (i.t.a.) was Sir James Pitman (*1901 - †1985), grandson of Sir Isaac Pitman, who of a similar disposition, had developed a popular though far longer-lived stenographical system.

itc kristen

Being unabashed font snobs ourselves, we thoroughly enjoyed this piece by Jonah Lehrer for Lithub on the utility of Comic Sans and other similarly disfluent typefaces, how they are demonstrated to aid in retention and recall, jarring mental laziness and how corporate logos—in their quest for refinement—may be preening their brands to be instantly forgettable. The excerpt goes on to examine how the disquieting defamiliarisation plays a big role in oral tradition and the recitation, transmission of sagas and epic poetry.

floating capital

The excellent house blog of San Francisco’s storied DNA Lounge, JWZ, asks us to consider the meaning and message of one of the least popular emojis, the so described as man in business suit levitating (🕴)—an enigma but not in the sense of Avicenna’s thought experiment of the Floating Man or Magritte’s Son of Man, but rather what sort of capitalist, privileged elation that this symbol can be used to express. Click through for a selection of literary tropes for which this shorthand for rapture, stock-photo, narcissist or sociopath—whereas the real backstory involving a webdings exclamation mark and a Ska band is equally intriguing if not more circuitous.

eight of swords

Via Super Punch, we discover a text-to-image generative experiment that applies some 1970s sci-fi paperback covers filters to the classic Rider-Waite-Smith iconography to dream up a tarot deck hybrid. We especially liked this Seven of Pentacles card that seems inspired by the novel and film Silent Running.

fife and snare

Via the always brilliant Things Magazine, we are directed towards a digitisation of the complete—short but impactful—run of Avant Garde magazine, a project by Ralph Ginzburg and Herb Lubalin (previously here and here) that lived up to its title with articles on radical, pacifist politics and erotica.

The monogram included the nude lithographs of John Lennon and Yoko Ono plus a phantasmagorical version of Marilyn Monroe’s last photo session. The March 1969 cover featured here is the photographic composition of the award-winning professor and director Carl T. Fischer called The Spirit of 1976, the artist also known for his iconic celebrity portraits including Andy Warhol, Barbara Streisand, attorney F. Lee Bailey and boxer Muhammad Ali as Saint Sebastian.

kristinehamn

Driving a few kilometers to the city on the shore of Lake Vänern—the larger of the two and biggest in all of the European Union, third on the continent, we marveled at the Brick Gothic Kristinehamns kyrka opened in 1858 and informed by a similar construction boom after the Wiesbaden school to my mind.  On the lakefront preceding the harbor, there is a monumental sculpture from Pablo Picasso looking into the blue expanse, the fifteen meter high pillar the artist‘s largest and part of a series called „les dames des Mougins.“ Not overseeing the construction in person, the location of the installation was reportedly a contest between Sweden and Norway, with the latter ultimately conceding.  Just outside of town in a meadow of daisies and guarded by a flock of sheep stands the Järsberg Runestone, a bit less verbose than the previous, the inscription is one of the oldest known. Essentially „I made a thing,“ the writing is translated as „Leubaz I am called…I, the earl, write the runes.“

emojional rescue

Via the always brilliant Present /&/ Correct —please check out their sundries, we are reminded that today is Emoji Day (see previously) with the original character set as designed by Shigetaka Kurita in 1999.

elder fuþark

After visiting the impressive cloister ruins of Avestra, we doubled back before continuing through Östergötland to the village of Rök Whose parish church hosts the famous runestone (Rökstenen, Rundata inscription number 136), the five tonne megalith considered the first written document of Sweden and thus the starting point of recorded history was rediscovered in the nineteenth century as part of the medieval church’s wall. Removing it for study and conservation—revived interest in such artefacts coinciding the 1865 deciphering of the runic alphabet by Norwegian academics retrieving a lexicon lost to the ages, at around seven hundred characters, the inscription represents the longest extant pre-Christian passage and contains a bit of Norde mythology and a reference to the Roman emperor of the latter day rump state—dating the writing to the ninth century.  Most scholars agree on the translation but many forward competing theories on allegorical interpretation. There was also an informative exhibit on runic writing in an outdoor pavilion and signs reminding that the church was open and welcomed one’s visit as well.

heavy-line geometric abugida

Taught in secretarial schools in the UK widely through the 1970s as a practical stenography tool (see also), the system of note-taking developed by language teacher and vice-president of the Vegetarian Society Sir Isaac Pitman (knighted by Queen Victoria for the former contribution) and the basis for written syllabaries for some Native American and First Nations peoples, we really enjoyed the introduction to namesake shorthand through this narrative from Lit Hub correspondent Richard Sanger to which his father’s long and distinguished in journalism was committed. Finding a home for his archives and notebooks was an undertaking full of surprises and ultimately brought together a cohort of expert translators and transcribers to unabbreviate the field notes and interviews to work together on a massive project, talents renewed—see also—during a winter of lock-down.

iso 646

Considered one of the early and foundational milestones in electronics engineering and developed as an offshoot of telegraphic encoding (see previously here and here), the American Standard Code for Information Interchange (ASCII) was first published by the American Standards Association (ASA—presently organised as the American Nation Standards Institute, ANSI) on this day in 1963. Its application in linking networks of machines was formalised and demonstrated by 1969 (see also) and has been since elevated to an internet standard, undergoing multiple revisions from conception through 2017. Initially recognised for its ability to aid in sorting list, character order is called ASCIIbetical and the collating sequence of data puts numbers and punctuation before letters and upper carriage letters before their smaller versions. While ASCII is constrained to a character set of only one hundred twenty eight, it is rolled into the larger and more inclusive, international Unicode standard.

8x8

what sophistry is this: Mark Liberman discusses the rhetoric of “elevated stupidity” 

truly toastmasters: a virtual toaster museum with fine exhibits from many eras and manufacturers  

water shrews: the BBC Science & Environment desk examines these superb divers of this large group of insectivores called collectively Eulipotyphla, “the truly fat and blind”—via Super Punch 

les cités obscures: revisiting the imaginative utopias of architect Luc Schuiten (previously)  

games for crows: like Where’s Waldo but with emoji—via Waxy red rover: Zhurong Mars explorer sends a selfie  

letragraphia: the sleek, revolutionary graphic design of Felix Beltrán

urbane dictionary: a gloss of cancel-culture terminology

durgan script

The always engrossing Language Log of the University of Pennsylvania acquaints us with a endangered and diffuse language—spread across Kazakhstan, Russia, Kyrgyzstan, Tajikistan, Ukraine and Mongolia—in the Sinitic (Chinese) family but written with Cyrillic and uniquely not Sinographic characters (see also). The continuum of Gansu, Mandarin and Dungan (Kansu) is mutually intelligible to a large extent. Tones are marked with the glyphs front yer and back yer (Ь / Ъ) from the Old Church Slavonic (see above and here too) and the current orthography is a compromise dating back to the 1920s when the Soviet Union banned Arabic and Persian-based writing systems, looked on disfavourably from the beginning as merchants along the Silk Road could conduct trade deals in a language that was secret to their neighbours.

mallorn

Via Dark Roasted Blend, we are directed to the extensive archives of the J.R.R. Tolkien Society and their periodic journal—the above titled in reference to the mellyrn trees of Númenor that grow to immense sizes—whose issues include peer-reviewed scholarship, editorial, art work and academic essays on the legendarium of Middle Earth and related topics. Some of the manual typesetting and formatting, illuminated scripts really, of the earlier instalments, like this coda to an argument about the physics of Gimli’s armaments and fighting style with the contributor having developed his own Fëanorian glyphs to render their by-line, are especially worth a read through.

font-size

Sets of letterpunches for type-setters had traditional descriptive names (see also) for presses on the continent, the Far East, the British Isles and the United States. Though point-size varied over time and there’s been more harmonisation among periodical publishers over the years rather than greater divergence of standards. A two-point typeface is called in the American system a “Saxon” and in German “Non Plus Ultra” or “Viertelpetit,” 2½ a “Norse” and “Microscopique” in French and German, three-points an “Excelsior” in the USA, a Minikin in the UK, Diamant in France and Brilliant in Germany, 5½ is an Agate in the American system and Ruby in the British one and so on. Six-points in Nonpareil, seven a Minion (Kolonel auf Deutsch), eight a Brevier, nine Bourgeois (though Petit-romain or Gaillarde in France) with some of the more common sizes being named Pica (12), the English (14), Great Primer (18, 1½ Cicero in Germany), Paragon (20), the Double English (28), the Double Columbian (32) and 48-point font called the French Canon, Gros-canon or Kleine Missal.

� or code point blank

Specials or replacement characters are shunted to the very end of Unicode allocations to act as a substitute for an otherwise unrepresentable glyph (see previously here and here). The garbled text that can result from bad decoding and false rendering is referred to mojibake (文字化け). Though the effects are most catastrophic across different writing systems, languages that use the extended Latin alphabet assigned the character set “Western” or ISO-8859-1 encounter problems as well with the Icelandic praise for outstanding hospitality þjóðlöð transmitted as the unintelligible mess þjóðlöð or some other character string likely to break one’s computer.

triptych

Via friend of the blog Everlasting Blört, we thoroughly enjoyed pouring of the details of Carla Gannis’ 2014 digital art project that replaces the

religious allegory and iconography of Hieronymus Bosch’s Garden of Earthly Delights (see previously here and here) with a more secular and contemporary vernacular, the collage exploring modern vanities and consumerism. Much more at the links above and the short video on the exhibition below. Check out all three panels compared with the original and let us know your favourite emoji substitutions.

ruby characters

Originally typesetters’ lingo for interlinear citations for a letter with a five-and-a-half point (about a pica) height—the US using a standard called agate which is also in newsprint the smallest legible text, the title refers to mark-up notations or glosses that appear above or to the side of logographic glyphs to aid in or clarify pronunciation—and sometimes as a means to communicate puns or entendre. In Japanese, the phonetic courtesy characters are called furigana and in Mandarin, Bopomofo—from the first four letters of the system: ㄅ, ㄆ, ㄇ and ㄈ. 東京 ( とうきょう)
東京 ( Tōkyō)

🌏

Though admittedly probably with little practical application, we enjoyed toggling the settings and cycling through the range of cartographic projections (see previously) and scalable display options on Making Maps Out of Emojis via the always excellent Maps Mania. Watching the countries crawl across the screen pixelwise reminds me of the zero-player Game of Life.  There are atlas and globe configurations and a number of different ways to display landmasses and the oceans with sliders to shift the granularity and ensure our smaller neighbours get represented. Click through for more including how to custom code a dynamic world of one’s own.

alfa beta

One foundry has—for the centenary plus one of the graphic designer’s birth—plans a re-issue of the authoritative style guide by Turinese type artist Aldo Novarese (*1920 - †1995, also credited with ITC Symbol, Eurostile and Microgramma) plus a revival of his signature font Stadio from 1974, which was formerly lost to the ages, existing only in dry-transfer, rub-on lettering form. More on this extra bold grotesque and Zetafonts at Print Mag at the link above.