elder fuþark

After visiting the impressive cloister ruins of Avestra, we doubled back before continuing through Östergötland to the village of Rök Whose parish church hosts the famous runestone (Rökstenen, Rundata inscription number 136), the five tonne megalith considered the first written document of Sweden and thus the starting point of recorded history was rediscovered in the nineteenth century as part of the medieval church’s wall. Removing it for study and conservation—revived interest in such artefacts coinciding the 1865 deciphering of the runic alphabet by Norwegian academics retrieving a lexicon lost to the ages, at around seven hundred characters, the inscription represents the longest extant pre-Christian passage and contains a bit of Norde mythology and a reference to the Roman emperor of the latter day rump state—dating the writing to the ninth century.  Most scholars agree on the translation but many forward competing theories on allegorical interpretation. There was also an informative exhibit on runic writing in an outdoor pavilion and signs reminding that the church was open and welcomed one’s visit as well.

heavy-line geometric abugida

Taught in secretarial schools in the UK widely through the 1970s as a practical stenography tool (see also), the system of note-taking developed by language teacher and vice-president of the Vegetarian Society Sir Isaac Pitman (knighted by Queen Victoria for the former contribution) and the basis for written syllabaries for some Native American and First Nations peoples, we really enjoyed the introduction to namesake shorthand through this narrative from Lit Hub correspondent Richard Sanger to which his father’s long and distinguished in journalism was committed. Finding a home for his archives and notebooks was an undertaking full of surprises and ultimately brought together a cohort of expert translators and transcribers to unabbreviate the field notes and interviews to work together on a massive project, talents renewed—see also—during a winter of lock-down.

iso 646

Considered one of the early and foundational milestones in electronics engineering and developed as an offshoot of telegraphic encoding (see previously here and here), the American Standard Code for Information Interchange (ASCII) was first published by the American Standards Association (ASA—presently organised as the American Nation Standards Institute, ANSI) on this day in 1963. Its application in linking networks of machines was formalised and demonstrated by 1969 (see also) and has been since elevated to an internet standard, undergoing multiple revisions from conception through 2017. Initially recognised for its ability to aid in sorting list, character order is called ASCIIbetical and the collating sequence of data puts numbers and punctuation before letters and upper carriage letters before their smaller versions. While ASCII is constrained to a character set of only one hundred twenty eight, it is rolled into the larger and more inclusive, international Unicode standard.

8x8

what sophistry is this: Mark Liberman discusses the rhetoric of “elevated stupidity” 

truly toastmasters: a virtual toaster museum with fine exhibits from many eras and manufacturers  

water shrews: the BBC Science & Environment desk examines these superb divers of this large group of insectivores called collectively Eulipotyphla, “the truly fat and blind”—via Super Punch 

les cités obscures: revisiting the imaginative utopias of architect Luc Schuiten (previously)  

games for crows: like Where’s Waldo but with emoji—via Waxy red rover: Zhurong Mars explorer sends a selfie  

letragraphia: the sleek, revolutionary graphic design of Felix Beltrán

urbane dictionary: a gloss of cancel-culture terminology

durgan script

The always engrossing Language Log of the University of Pennsylvania acquaints us with a endangered and diffuse language—spread across Kazakhstan, Russia, Kyrgyzstan, Tajikistan, Ukraine and Mongolia—in the Sinitic (Chinese) family but written with Cyrillic and uniquely not Sinographic characters (see also). The continuum of Gansu, Mandarin and Dungan (Kansu) is mutually intelligible to a large extent. Tones are marked with the glyphs front yer and back yer (Ь / Ъ) from the Old Church Slavonic (see above and here too) and the current orthography is a compromise dating back to the 1920s when the Soviet Union banned Arabic and Persian-based writing systems, looked on disfavourably from the beginning as merchants along the Silk Road could conduct trade deals in a language that was secret to their neighbours.

mallorn

Via Dark Roasted Blend, we are directed to the extensive archives of the J.R.R. Tolkien Society and their periodic journal—the above titled in reference to the mellyrn trees of Númenor that grow to immense sizes—whose issues include peer-reviewed scholarship, editorial, art work and academic essays on the legendarium of Middle Earth and related topics. Some of the manual typesetting and formatting, illuminated scripts really, of the earlier instalments, like this coda to an argument about the physics of Gimli’s armaments and fighting style with the contributor having developed his own Fëanorian glyphs to render their by-line, are especially worth a read through.

font-size

Sets of letterpunches for type-setters had traditional descriptive names (see also) for presses on the continent, the Far East, the British Isles and the United States. Though point-size varied over time and there’s been more harmonisation among periodical publishers over the years rather than greater divergence of standards. A two-point typeface is called in the American system a “Saxon” and in German “Non Plus Ultra” or “Viertelpetit,” 2½ a “Norse” and “Microscopique” in French and German, three-points an “Excelsior” in the USA, a Minikin in the UK, Diamant in France and Brilliant in Germany, 5½ is an Agate in the American system and Ruby in the British one and so on. Six-points in Nonpareil, seven a Minion (Kolonel auf Deutsch), eight a Brevier, nine Bourgeois (though Petit-romain or Gaillarde in France) with some of the more common sizes being named Pica (12), the English (14), Great Primer (18, 1½ Cicero in Germany), Paragon (20), the Double English (28), the Double Columbian (32) and 48-point font called the French Canon, Gros-canon or Kleine Missal.

� or code point blank

Specials or replacement characters are shunted to the very end of Unicode allocations to act as a substitute for an otherwise unrepresentable glyph (see previously here and here). The garbled text that can result from bad decoding and false rendering is referred to mojibake (文字化け). Though the effects are most catastrophic across different writing systems, languages that use the extended Latin alphabet assigned the character set “Western” or ISO-8859-1 encounter problems as well with the Icelandic praise for outstanding hospitality þjóðlöð transmitted as the unintelligible mess þjóðlöð or some other character string likely to break one’s computer.

triptych

Via friend of the blog Everlasting Blört, we thoroughly enjoyed pouring of the details of Carla Gannis’ 2014 digital art project that replaces the

religious allegory and iconography of Hieronymus Bosch’s Garden of Earthly Delights (see previously here and here) with a more secular and contemporary vernacular, the collage exploring modern vanities and consumerism. Much more at the links above and the short video on the exhibition below. Check out all three panels compared with the original and let us know your favourite emoji substitutions.

ruby characters

Originally typesetters’ lingo for interlinear citations for a letter with a five-and-a-half point (about a pica) height—the US using a standard called agate which is also in newsprint the smallest legible text, the title refers to mark-up notations or glosses that appear above or to the side of logographic glyphs to aid in or clarify pronunciation—and sometimes as a means to communicate puns or entendre. In Japanese, the phonetic courtesy characters are called furigana and in Mandarin, Bopomofo—from the first four letters of the system: ㄅ, ㄆ, ㄇ and ㄈ. 東京 ( とうきょう)
東京 ( Tōkyō)

🌏

Though admittedly probably with little practical application, we enjoyed toggling the settings and cycling through the range of cartographic projections (see previously) and scalable display options on Making Maps Out of Emojis via the always excellent Maps Mania. Watching the countries crawl across the screen pixelwise reminds me of the zero-player Game of Life.  There are atlas and globe configurations and a number of different ways to display landmasses and the oceans with sliders to shift the granularity and ensure our smaller neighbours get represented. Click through for more including how to custom code a dynamic world of one’s own.

alfa beta

One foundry has—for the centenary plus one of the graphic designer’s birth—plans a re-issue of the authoritative style guide by Turinese type artist Aldo Novarese (*1920 - †1995, also credited with ITC Symbol, Eurostile and Microgramma) plus a revival of his signature font Stadio from 1974, which was formerly lost to the ages, existing only in dry-transfer, rub-on lettering form. More on this extra bold grotesque and Zetafonts at Print Mag at the link above.

7x7

triangulate your influences: maps of the USA and UK with cities and towns represented by their most prominent or notorious natives—via Things Magazine  

don’t go jason waterfalls: a medley of misquotations, a lot of which are new to us too—see also

unbranded: gorgeous images of Tokyo digitally denuded of cables and signage by Rumi Ando—via Present /&/ Correct  

map app: create custom vintage style maps of anywhere at any historical period—via Web Curios 

 *: a historical style symbol (previously)—via Stan Carey  

princeself: an affirming survey and guide to neo-pronouns—via ibīdem  

muchmusic: a fun, nationally sourced soundtrack for the Canadian census

ducks unlimited

Via the happily back from sabbatical Web Curios, we are treated a treasury—an embarrassment really of more than one could ever use—of little pixel-banked of little graphic design images from Iconduck, providing a consistently styled archive of over one hundred thousand free and open source illustrations categorised by subject and theme to use as one sees fit.

obscenicons

We really enjoyed revisiting the maledicta of grawlixes and the like (previously) from the always excellent Shady Characters as developed by Mort Walker’s lexicon and learn a bit more of the visual vernacular with jarns (🌀), quimps and nittles that mask the curses and waftaroms and indotherms that represent fragrant smells. More to explore at the links above.

monotype

Default settings are an announcement to one’s audience and become the pervasive standard of least-resistance—as seen in the domineering notes, notices and presentations appearing in the pre-set font family of the Microsoft Office suite of products and so it was a welcome bit of news that the choice was not to be so much foisted on users or queued up in recently used—in the architecture of the programming—but rather would rather replace, unseat King Calibri (Lucas de Groot’s 2002 creation is a fine one but suffer from ubiquity) with a user-juried selection (albeit a self-selecting pool) with contenders including the symmetry-breaking Seaford from Tobias Frere-Jones, Grandview from Aaron Bell that is informed by older German roadway signage and the Mid-Century modern Bierstadt of Steven Matteson—namesake of a suburb of this other Deutsch font city.

7x7

and the oscar goes to: highlights and surprises from the 2021 Academy Awards  

zauberwald: Robert Mertl’s forest photographer captures the aesthetic I aim for during my woodland walks  

canzone russa italianizzata: the Russian Italo-Pop musical stylings of Alla Pugacheva  

cards against humanity: the brilliantly sullen poetry of John Giorno  

yahoo the destroyer: maligning the cannibalised early internet for contributing to the Digital Dark Ages via Waxy—plus a different approach to archiving going forward  

the trouble with tribbles: marketing Flatcat as one’s next robotic feline companion  

art of the title: film lettering over the decades

he who waits behind the wall

First invoked by name in a 2004 on-line form for creepypasta and attributing it to the influence of the eldritch, Lovecraftian primordial deities, Zalgo text, epithet above, refers to the certain aesthetic of overly adorning and stacking text with diacritical marks to produce a glitchy, destructively (sometimes maliciously in the form of copy-bomb and can result in transmission errors) cursed, spooky effect (see also)—with the reader either interpreting their computer or brain malfunctioning, overcome by the preternatural and unfathomable.

7x7

cortège: the custom Land Rover hearse that will convey Prince Philip on his funeral procession

whiter-than-white: ultra-reflective coating (previously) could help cool the climate—via Slashdot  

eboracia: housing developer Keepmoat Holmes discovers sprawling Roman ruins in North Yorkshire  

elenctic debate: honing one’s critical thinking with the Socratic method 

emojinal rescue: the Unicode subcommittee reconvenes, heralding the coming of new glyphs  

ramshackle: illustrations of antient structures that survived the Great Fire of London before they were ultimately demolished  

pleurants: bright and bold floral urns for cremains

9x9

oh, i travel—a sort of licenced troubleshooter: a lexicon of the Bond franchise in all its forms 

riptide: an homage to the pre-code (previously) Hollywood actress Norma Shearer 

dead pilots’ society: CBS Summer Playhouse and similar vehicles were venues for anthologies of failed television shows—see also  

la vie électrique: Albert Robida’s 1893 vision of the future includes a remote courtship by means of a télephonoscope 

the sensational she-hulk: Marvel comics hand-lettering from Reagan Ray—previously  

buzz-saw: the ancient shark-like Helicoprion had spiral tooth-whorls 

reinventing the wheel: engineers in Seoul develop transforming, load-bearing tyre using principles of origami—see previously  

oh—the pint pot, half-a-pint, gill pot, half-a-gill-quarter-gill, nippikin and the brown bowl: conventional measurements of liquid (see also) anticipated the next in a binary fashion  

shaguar: if Austin Powers were to be revived today, he would have been cryogenically frozen in 1991