folly cove collective (11. 119)

Under the tutelage of Virginia Lee Burton Demetrios, the all-women’s group in a Massachusetts community from the 1940s to the late 1960s cultivated the art of block-printed fabric patterns informed by their personal experiences and narratives (see also—too bad there was nothing truly subversive like a housewife’s vengeance represented but maybe there were subtle acts of rebellion in themselves), from home economics, local, vernacular architecture and family outings. Click through the link above for more on this community of printmakers.

8x8 (11. 093)

outsider art: revisiting the narrative embroidery of Agnes Richter and other works in the Prinzhorn Collection  

market sundries: the paper bag baron of the East End—via Strange Company  

the crispy r: more on rhoticity and unusual consonant 

pentimenti: conservators reveal a hidden demonic figure in Joshua Reynold’s “The Death of Cardinal Beaufort”—see also 

the statistical breviary: an overview of the history of digital design 

uno, dos, tres, quatro, cinco, cinco, seis: DJ Cummerbund (previously) presents a mashup of the The Offspring and Boney M—with quite a few other musical cameos 

face-hugger: the parasitic crustacean Phronima sedentaria was the inspiration for Ridley Scott’s Alien  

sgraffito: the alleged safe-room where Michelangelo hid from his political enemies, decorated with his anatomical and engineering studies opens to the public

9x9 (11. 078)

page rank: the SEO trend of naming establishments X Near Me seems to actually drive customers—via Waxy  

cyanea pohaku: a species of tree discovered right before it was driven to extinction

saint eom: the psychedelic compound of folk artist and fortune-teller Eddie Owens Martin outside of Buena Vista in the US state of Georgia and listed on the National Register of Historic Places  

usonian homes: a pair of Frank Lloyd Wright (see previously) houses on the market in Kalamazoo in the US state of Michigan  

saob: the official Swedish dictionary published after one hundred forty years of work

the united states of guns: another sadly evergreen post about how an armed society is not a free society   

happiness hotel: a luxury kennel once occupied the grounds of New York City’s Lincoln Center 

report of my death having been most industriously circulated by several of the london daily newspapers, would the times permit me to contradict the same through your valuable columns and refute the account: sculptor John Ternouth, designer of the plinth for Nelson’s Column, was surprised to learn of his premature demise—via Strange Company  

i am altering the deal—pray i don’t alter it any further: Amazon’s Alexa is ending inoperability support with severe punishment for those who try to hack their way around it

outsider art (11. 077)

Via the latest instalment of Clive Thompson’s Linkfest, we are directed to the story and gallery showing of

a reclusive, retired maths teacher who created a prodigious amount of wooden crafts and abstract paintings in complete solitude and almost complete secrecy over the final two decades of his life. Only divulged to his niece who had some notion of his artistic drive, Robert Martiensen’s full oeuvre was realised upon his death in 2007, surrounded in the family farmhouse by over seven thousand pieces of art, each meticulously named, dated and numbered. Dismissed by his heirs as rubbish, the unexpected trove was saved and conserved, with select pieces on exhibit and hopes to house the collection permanently in a public institution. More at the links above.

synchronoptica

 

one year ago: another MST3K classic plus further adventures in Crete

 

two years ago: Antarctic outposts plus a funicular escalator to revitalise a historic resort

three years ago: an experimental solar sail, artist Mary Moser, a smart safety helmet plus a commemorative camera styled after Bond’s Q

four years ago: toying with time

five years ago: a counter-march in Wiesbaden, AI Halloween costume ideas plus Yoko Ono’s Warzone

8x8 (11. 074)

hilma af: a planned towering gallery for the Swedish artist realised as a virtual reality experience  

papercraft: gorgeous moderne four palette architectural models to make 

the book of hallowe’en: a 1919 illustrated, syncretic study of the appropriated holiday in the spirit of the Golden Bough  

swarm charms: a go-to guide of medieval bee spells 

trainspotting: an omnibus post on avoiding rail collisions including a nineteen century timetable still in use 

reconstruction: the sounds of ancient languages—see also 

the logo is formed from minifig hands: the new LEGO Dune playset  

flow-chart: a study on the abandoned shopping-carts of America  

you may touch the artefacts: a gallery of early internet relics from Neal Agarwal—see previously

 synchronoptica

one year ago:  further adventures in Crete

two years ago: the US Invasion of Granada (1971)

three years ago: a hexadecagonal country retreat, SS Crispin and Crispinian plus pandemic gods and heroes

four years ago: a lyrical headline (1924), a video game atlas plus the world’s first erotic boutique proprietress 

five years ago: The Master Key of Futurity, virtual restaurants and ghost kitchens plus programming a more ethical Pac Man

digitalis (11. 073)

A new data-poisoning tool allows artists to fight back against generative AI by allowing them to make invisible alterations to pixels so when their data is scraped—without consent or compensation—for training, causing the output to verge in chaotic directions. Called Nightshade, these subtle changes could have significant down-stream effects for later iterations of what’s become mostly recursive machine learning. The industry faced with numerous lawsuits over this unauthorised sampling, the application’s creator hopes that this method—which reminds me of trap streets on maps, fake entries in dictionaries and other honeypots—will create a deterrent for such infringement.

9x9 (11. 052)

bennu: scientist reveal recovered sample of primordial dust from an asteroid (see previously) may help us better understand the formation of the Solar System 

mansions, pensions: revisiting the dwellings of Leonora Carrington (previously) and how they informed her art  

upscale: Adobe to introduce an AI-powered extension to improve the quality, loopiness of legacy, low-resolution GIFs 

pimeyes: the reverse image search technology that can retrace one’s digital detritus  

decide which elvis is king: the consequential public debate over a commemorative US postage stamp  

the golden horseshoe: UK’s Natural History Museum unveils the winners of Wildlife Photographer of the Year competition—via Nag on the Lake 

beasts: Nigel Kneale’s 1976 horror anthology has a book companion to the series  

tower to cockpit: listen live to airport radio transmissions around the world—via the new shelton wet/dry  

panspermia: a thought-provoking conjecture about alien life emerging with the Big Bang

play well (11. 046)

After growing quite well acquainted with the non-traditional medium whilst playing (as building co-facilitator) the iconic toy with her toddler, Vancouver-based artist Katherine Duclos began producing pieces of fine, gallery-worthy art with LEGO herself, with her young son now as a very helpful and accomplished emmanuence and block organiser. See more of Duclos’ meticulous studies and multidisciplinary compositions in an interview with Print Magazine at the link above and her personal website here.

tarotic art (11. 025)

We appreciated this introduction to surrealist painter and social justice activist Leonora Carrington through her esoteric series inspired and informed by the iconography of the Major Arcana, whose symbolism is reflected everyone when one is ready for it. First exposed to the movement in the works of Max Ernst at the International Surrealist Exhibition, both artists later met, bonded and married, collaborating on projects and supporting one another’s work. Having settled outside of Paris, French authorities arrested the German Ernst with the outbreak of World War II as a “hostile alien.” Remanded to Germany, Ernst was taken into custody again by the Gestapo as a promoter of degenerate art. Dealt quite a hand and inconsolable over the detention of her husband (Ernst later was able to escape and flee to the US with the help of Peggy Guggenheim) and on the verge of a psychotic breakdown, Carrington agreed to a course of treatment in an asylum in Spain and underwent a regiment of electroshock therapy and powerful drugs. Carrington’s parents decided to then send her to a sanatorium in South Africa for continued care. Escaping en route in Portugal, Carrington sought refuge at the Mexican consulate and arranged a marriage-of-convenience to the ambassador so as to be liberated from the custody of her family and given the diplomatic immunity to travel. Ernst married Guggenheim, with Carrington joining a community of exiles in Mexico, where she was also a champion of women’s rights. Carrington’s body of work reflects Mesoamerican folkways and matriarchal traditions that whose points of departure limn her own biography. More from Hyperallergic at the link up top.

pict, png and svg (10. 986)

Although a bit surprised that the fabled auction house is yet trying to make NFTs a collectible, no matter has the public now gets to enjoy a never-before seen series of digital painting from the artist Keith Haring. From Boing Boing, Haring was gifted an Amiga computer in 1986 from his friend Timothy Leary in hopes that the artist would contribute to his project to promote a planned cinematic adaptation of the cyberpunk novel Neuromancer after witnessing Haring engaging with a Macintosh Steve Jobs brought to the birthday party of John Lennon’s son Sean (see also)—mostly to entertain the kids but other guests, including Andy Warhol were rather taken with the medium. Neither above venture quite came to fruition though, Haring was happy to experiment—and proceeds from the sale go to a good cause.

8x8 (10. 973)

energy makes time: a resonant essay about how doing those essential things enables everything else—via Kottke 

kopienkritik: Ancient Roman souvenirs and mementos limn their culture and makes their lived experience more accessible—see previously    

⏰: a clock correlated to YouTube videos that mention the current time—see previously—from Russell Samora—via Waxy

motes: what the tiniest specks of dust reveal about the world—via Damn Interesting—see also

honky château: more on the Abbey Road of the Val d’Oise—see previously  

coenties slip: the East River waterfront street that was witness to New York City’s cultural evolution—via tmn  

e-meter: the Church of Scientology urge the US government to walk-back right-to-repair legislation—via Slashdot 

a spell against indifference: Maria Popova laments her discounting of the power of poems—via Swiss Miss

synchronoptica

one year ago: RIP Mikhail Gorbachev, Rolling Stones’ Street Fighting Man (1968) plus more Gorbymania

two years ago: assorted links to revisit, numeracy and conspicuous calculation plus the animation studio of John Hubley

three years ago: Dungeon Master for Halloween, the Gdańsk Social Accords (1980), more links to revisit, Lincoln Logs (1920) plus Tom Hiddleston as macaroons

five years ago: a LEGO Bugatti, a corporate logo font, an intimate rave at Stonehenge plus the art and maps of Jo Mora

six years ago: unexploded munitions from WWII prompts an evacuation in Frankfurt plus more links to enjoy

)|( (10. 971)

Via Hyperallergic, we are introduced to the art of Victor Ekpuk through an exhibit revealing social injustice through a patteran of secret symbols developed by the Ekpe of southeastern Nigeria called Nsibidi (see previously). As a contributor to the state-run press under the dictatorship of General Ibrahim Babangida in the 90s, Ekpuk developed his practise, along with satire and allegory, in defiance of increasing government censorship to call attention to corruption and inequality. More to explore at the links above.

 synchronoptica

one year ago: the Byrds’ Sweetheart of the Rodeo, Britain’s Manhattan Project plus assorted links to revisit

two years ago: a collection of news music, more links to enjoy, Hey Jude (1968) plus a headline grabbing spectacle from 1871

three years ago: the Washington-Moscow hotline (1963) plus suburban, subterranean fantasy worlds

five years ago: more links worth revisiting,  Everybody Dance Now, plus a Rex Factor-style podcast on the lives of the popes

six years ago: kudzu farming

die bauhausausstellung von 1923 (10. 945)

Opening on this day in Weimar and running for the next six weeks, the exhibition was the first public presentation of the art and architecture movement founded in 1919, and advertised in around one-hundred train stations with Oskar Schlemmer’s Bauhaus logo (the event delayed due individual presenting workshops wanting to prefect their items in accordance with the shift from handwork to industrial production and the poster stickered over), attracting around fifteen-thousand visitors. The first week included lectures by Walter Gropius and Wassily Kandinsky, ballets and concert performances and a procession with lanterns and fireworks. Installations included a model home, ceramics and various painting and building designs by contemporary figures such as Frank Lloyd Wright and Le Corbusier. Occurring during the height of the Great Depression, the exhibition became of symbol of the culture war simmering in Germany with praise and enthusiasm on one side for the school’s creative and educational goals and roundly rejected by conservative leaning critics who felt strengthened in their position by the relative financial failure.

33 spaceships for another planet (10. 931)

Via friend of the blog Nag on the Lake, we thoroughly enjoyed contemplating these otherworldly compositions by Karla Knight that use schemata and alien glyphs to craft evoking something ancient and pictogrammatic. Check out Knight’s whole portfolio here and explore how her work is a study in evolving diagrams and flow-charts.  

synchronoptica

one year ago: Nixon resigns (1974) plus assorted links to revisit

two years ago: your daily demon: Berlith plus another MST3K classic to enjoy

three years ago: motivational sessions for the long-distance runner, Xanadu (1980) plus a selection of LEGO user-interfaces

four years ago: Abbey Road (1969) plus more on the very American problem of gun violence

five years ago: more McMansion Hell,  a World War I Allied advance, Trump brand asbestos plus more links worth the revisit

9x9 (10. 915)

polly pocket: following the success of Barbie, all the Mattel branded toys promised their own feature films 

freshmen fifteen: a nifty conversion tool in the style of Neal.Fun—via Pasa Bon! 

ugly american: the dark side of trends in tourism—via Nag on the Lake’s Sunday Links (lots more to check out here) 

a sunday in the park with georges: the pointillist work by Seurat recreated in Wisconsin—see previously

eimreiðin: what became of trains in Iceland 

you gotta pay your dues if you wanna sing the blues: we appreciated this reminiscence about the Ringo Starr tune  

meteorological optical phenomenon: more on the Sun’s green flash as it disappears from the horizon  

seybold seminars: the outsized influence of desktop publishing conferences—see also 

return to tender: another exquisite John and Faith Hubley short courtsey of Fancy Notions

7x7 (10. 912)

barbieworld: a survey of a thousand advertisements contextualises the box-office phenomenon—see also 

gigo: a fundamental law of computing will ultimately thwart digital dictatorships  

lake berryessa: Dorothea Lange (previously) documented the flooding of a Napa Valley community in the 1950s—via Strange Company 

chamber music: a poorly received Baroque Beatles Book from 1965

i want to do whatever common people people do: a new genre was born in the sixteenth century when Pieter Bruegel began specialising in peasants, merchants and mongers  

word vectors: a bit of demystifying for Large Language Models—via Waxy 

 a census-designated place: explore Oppenheimer’s secret city of Los Alamos

the salon (10. 907)

As part of their series of off-cycle, off-topic minisodes and in solidarity with the beleaguered entertainment community, we really enjoyed this latest instalment from the Flop House that rather brilliantly (especially well executed considering it’s an audio medium) pit a series of masterpieces of fine paintings up against one another in a variation of the game of Hug, Marry, Kill—Admire, Acquire or condemn to the Pyre.

7x7 (10. 877)

stand and deliver: the internecine factions of the US Democratic Party and the legacy of political triangulation  

divide-and-conquer: Hollywood studios plan to drag out the Writers’ Strike until they’re destitute ground into submission—via Kottke 

rho ophiuchi: for its first year of observations, the JWST team releases an incredible image of the nearest stellar nursery—check out the comments section for an explanation about the telescope’s signature diffraction spikes  

ma’am, this is a wendy’s: chatbots—rather than outsourcing to call-centres—being trialled in fast food drive-thrus and are skilled in the upsell  

xai: Elon Musk launches artificial intelligence platform with aims to understand the true nature of the Universe 

pay-for-play: Albrecht Dürer inserted himself at the centre of a commissioned altarpiece in a dispute over his fee—via Damn Interesting  

by the dawn’s early light: plans to build a billion dollar, half-a-kilometre high flagpole in Western Maine—where the Sun’s first light hits the country—has its detractors

10x10 (10. 840)

⚫️ ⚫️ ⚫️ ⚫️ ⚫️ ⚫️ ⚫️ ⚫️ ⚫️ ⚫️: Neal Fun’s (previously) infuriating password game  

ceiling cat: the European Souther Observatory in the Chilean mountains discovered a feline nebula

bad odds: wagering on climate change to bring the danger and risk to present and personal 

backstage: newsletters (from 1962 to 1980) published for Disneyland crew members, scanned in full—via Super Punch  

homage to magritte: a 1974 tribute in five vignettes to the Surrealist artist 

independent legislature theory: US Supreme Court strikes down suit that would cut checks and balances and judicial review of laws passed 

monkey bars: the first jungle gym (see previously) was built in hopes of teaching children about three-dimensional space and Cartesian coordinates 

magma: mining volcanoes could provide a more ecologically-friendly way to extract metals  

power of ten: NASA’s coding commandments focused on testability, readability and predictability that keeps critical systems safe and running in outer space  

goodnight phone: an interactive web comic for our shared present—via tmn

synchronoptica 

one year ago: assorted links to revisit plus a surprise session of the January Sixth hearings on the US Capitol Insurrections

two years ago: body language, the UN International Criminal Court (1993), Miss Continuous Towel and other spokesmodels plus Pitman shorthand

three years ago: a corporate typeface, a performative masculine simulator game, Martian meteors plus cataloguing one’s possessions

four years ago: the Stonewall Riots (1969), surveying Titan plus bringing back the chestnut tree

five years ago: Paul Simon on Sesame Street, silent cooking videos, assorted links to revisit plus combating fake product reviews

zeg de mensen dat homoseksuelen niet per definitie zwakkelingen zijn (10. 829)

Through his portfolio, Europeana presents a profile in Zivilcourage from the very open author and artist Willem Arondéus, who designed murals for various Dutch city halls and redesigns of coats-of-arms as well as illustration work before turning his interests towards poetry, writing and reporting and eventually turning his talents to the anti-Nazi resistance movement under the occupation, forging identity papers and establishing an underground periodical. He worked in concert through much of this period with conductor, cellist and prominent lesbian Frieda Belinfante. In March of 1943, Arondéus joined a conspiracy to bomb the Amsterdam public records office to thwart the Nazis ability to identify Jews and others. The group was apprehended months later and thanks to Arondéus’ guilty plea and accepting blame for the entire plan may have spared some of the members from execution, a few remanded to custody, but Arondéus himself and thirteen others were tried and sentenced, murdered by the Nazis on the first of July, with his last defiant words (wanting it to be known that he and two other co-conspirators were gay) relayed as, “Tell people that homosexuals are not cowards.” The liberated government of the Netherlands honoured him through a posthumous medal to his family in 1945 with broader recognition in the decades to follow.

synchronoptica 

one year ago: Germany lifts abortion restrictions as US Supreme Court overturns Roe v Wade plus a river cruise on the Rhein 

two years ago: the works of Robert Rotar, a Roman holiday, the Lullus bell cast in 1038, assorted links to revisit plus Cubist cars

three years ago: a concert for houseplants, the Battle of Bamber Bridge (1943), COVID-era travel restrictions plus Ford’s Futurama (1939)

four years ago: the Canadian National anthem (1880) plus more on warming stripes

five years ago: places not to die, the camera used in NASA missions—in LEGO form plus David Bowie as sea slugs