7x7

the year that was: Miss Cellania’s Winterval tradition of annual lists—including arts and entertainment, animals and more  

market volatility: unusual vintage shot glasses track ups and downs of the Dow Jones Industrial Average—via Super Punch 

a sight for sore eyes: a coffee table edition from rock royalty The Residents  

where the wild things are: Maurice Sendak directed a darker version of The Nutcracker ballet, truer to the original narrative and far more captivating  

ultimate rendering: Picasso’s first and last self-portraits—see also—via Messy Nessy Chic 

boop: robot reacts to a poke in the nose

lend me your ears and i’ll sing you a song about a sad, dysfunctional d.c.: US president Joe Biden’s first year in review presented by Politico

✝ j.m.j. ✝

Venerated on the Sunday between Christmas Day and New Year’s (or traditionally, before 1969, on the first Sunday after Epiphany), the Feast of the Holy Family is celebrated to honour as a familial unit Jesus, His mother Mary and His step-father Joseph—presenting their relationship as a model for good Christian families, though relatively little is mentioned canonically about the upbringing of Christ after the Nativity. A popular art subject from the late fifteenth century onward, sometimes the depictions went beyond the nuclear family with Anne, Mary’s cousin, and John the Baptist included—though never later portrait studio editions with his four brothers, James, Joses, Jude and Simon and unnamed sisters.

adam’s rib

Though not referred to as saints historically nor theologically in Ordinary Time, during the vigil of Christmas, corresponding with their feast day, this first couple and primogenitor (technically, Eve was cleft from her husband since Lilith as a co-creation didn’t work out as planned, Adam is called Father alone) of the human race, as Mary is called “the New Eve, Coremptrix” with Jesus “the New Adam,” celebrated on the next day. The cultural appropriation of the Christmas tree is sometimes attributed to “paradise plays” recounting the narrative of Genesis reenacted, fully-clothed I imagine at this time of year (they being the co-patrons of gardeners and tailors), on Christmas Eve, with greenery (a Paradise tree) decorated with red apples (later baubles), acting out their sin of disobedience and being expelled by the angels and made to toil.

diseñador gráficos

Via the forever brilliant, peripatetic Things Magazine we quite enjoyed perusing this treasury of Uruguayan graphic design heritage curated and chronicled in this archive through ephemera, philately, film posters and more. We especially liked the unified, branded-look of the logos by Fernando Álvarez Cozzi commissioned for wineries, charities and government offices. Check out all the different categories at the links above.

muskelspiel

Born this day in 1867 (†1927) in the village Burkhardtsdorf in the western edge of Upper Lusatia, Osmar Heinrich Volkmar Schindler, demonstrating skill as an artist early on was with the support of his uncle enrolled at the Dresden Academy of Fine Arts where after his education in portraiture and travels in France, Italy, the Netherlands and Belgium developed a signature style that mixed elements of Impressionism and Art Nouveau. In 1900, Schindler was invited back to the academy and given a professorship. Better known for his murals and interior decor for both secular and religious buildings of the fin de siècle throughout Saxony, works on display include David and Goliath, landscapes of the Sächsischen Schweiz and Lake Garda, as well as this muscle-flexing study that has the undivided attention of the art class.

pingxiety

This short about the tug-o’-war between duty to engage with social media demands and responsibilities in the real world that become increasingly suffused with online work and kindred spaces by Hanna Sun called “Blip” does an excellent job of limning that dreadful allure of the screen. Much more at Colossal at the link above.

géant endormi

Interviewed by co-founder of the alternative, underground publication platform Asylum Press Steven Heller we quite enjoyed learning about the new monograph from artist, writer and advocate for attribution Brad Holland and being able to pin a name to the many signature illustrations the graphic designer has done over his long career for magazines, album covers and contributing illustrator. Be sure to check out his blog, called Poor Bradford’s Almanac, for more of his catalogue of work on the human condition that’s reminiscent of that of Goya.

controlled burn

Via Everlasting Blört, we enjoyed this array of carefully crafted paper-programming with this collection of pyrotechnic posters (affiches), realised through a series of trial and error by French design duo Marion Pinaffo and Raphaël Pluvinage, whose dynamic geometric shapes and circuitry are reminiscent of the Thelema Tree of Life. Much more to explore at the links above.

obturador

The twelfth century Visigoth cathedral of Palencia, dedicated to San Antolín of Pamiers sustained damage from the catastrophic earthquake and subsequent tsunami that struck the Iberian peninsula with

reconstruction efforts to the roof and cornices delayed until 1908, under the leadership of local architect Jerónimo Arroyo, who replaced one of the lost gargoyles anachronistically with the figure of a cassocked man lugging around a camera of the times. This was in homage to a documentarian called Luis Rodríquez Alonso, who were among the first to chronicle the region using the new medium. The rather austere gothic exterior betrays the rich interior treasures, including over twenty chapels, ornate retablos and a painting by El Greco of the martyrdom of Saint Sebastian, contains another easter egg, this time dating to a 1995 renovation to the achivolt above Puerta de los Reyes: at the apex, the two bas-relief creatures facing one another are not demons or dragons but rather xenomorphs from the then contemporary instalment of the Alien franchise.

6x6

recursive: Ghislaine Maxwell sketches the courtroom artist sketching her 

temporal distortion: an xkcd comic that references every ambiguous birthday scenario 

check out those gams: a pair of pageants with a narrower focus on beauty—via Nag on the Lake 

menty-b: Macquarie Dictionary’s short-list for Word of the Year  

qed: an overview of maths in film and television 

hungry eyes: the canon of Western art as viewed through the lens of food

the cat will eat you

Referred via our peripatetic friend Everlasting Blört, we quite enjoyed the introductiong to the extensive portfolio of Matt Semke whose collections of sketches and animations (framing exhibitions entirely in the GIF medium, at the risk of posting too many successive ones myself, as a way to limn the format’s possibilities and limitations) evoke this element of the Kafkaesque with sort of a contemplatively resigned yet disarming nature to them and a style possibly referencing that of La Planète sauvage. Much more to explore at the links above.

nifty

As the Guardian reports, Collins Dictionary has selected the abbreviation of Non-Fungible Token as its word of the year (see previously here and here), tracking the stratospheric rise of the blockchain of registry of digital assets that lexically rose above the general din of the COVID crisis, pingdemic and hybrid-working as pandemic-related forerunners, and—regardless of what one thinks of the evaluation--defines a new market and speaks to a broad craze and means for artists to profit online. Other contenders included cheugy and regencycore—referring to cosplay in 1810s style garb.

 

 

il bronzino

Passing away on this day in Florence, where he had spent his entire life, in 1572 (*1503), Agnolo di Cosimo, better known by his sobriquet for his dark complexion and red hair, was from his late thirties on engaged as a court painter for the grand ducal family of Tuscany, the Medicis—specifically for Cosimo I and Eleonora, which the Mannerist-trained painter portrayed here as Orpheus, musical virtuoso, around 1538.

The style curried disfavour from the general art world (see previously) from the late-Romantic to early Modern eras, but the disciplined poses and idealised renderings have seen somewhat of a resurgence recently.

Such impressions of poise and unchanging elegance made a lasting influence on aristocratic portraiture though not many others employed heroic nudity for public figures, patrons or otherwise. Many of his commissions were also allegories of classical mythology and biblical passages, including his 1533 depiction of the popular subject of Saint Sebastian—see previously.

9x9

poppy watch: juxtaposed recruitment campaign for lorry drivers looks like a cheesy Whovian villain (previously)—via Super Punch 

if past is precedent: a comic illustrating vaccine requirements in public schools—via Nag on the Lake  

voleur de grand chemin: literary correspondence for Jack Kerouac’s On the Road 

wurzelkindern: a delightfully illustrated 1909 children’s book about when the root children wake up—via Everlasting Blört

greatest movie never made: storyboard, note for Alejandro Jodorowsky’s Dune, to star Orson Welles, Gloria Swanson and Salvador Dalí, up for auction  

nitt witt ridge: an eccentric castle on a hill—via Messy Messy Chic (lots more to see here)  

could’ve been an email: a concise plan for shorted, more productive meetings from John Cleese in 1976  

high-fidelity: a patent for a playback stylus that moved the needle rather than the record in the form of a VW Bulli 

mop and smiff: the Saw-See annual, a nostalgic diversion from BBC1 uncovered

museo pio-clementino

Through the lens of Michelangelo failing in a competition to restore the iconic sculptural ensemble Laocoön and His Sons (previously) affords us another chance to examine the subject matter, a priest of either Poseidon or Apollo, who respectively was either guilty of the transgression or potential crossing the line in exposing the Trojan Horse for what it was or for breaking his vow of celibacy. Pope Julius II commissioned a contest to determine the best design proposal to restore a conspicuously absent arm for the central figure. Both Michelangelo and Raphael—related to the judge, the Vatican’s chief architect—lost to an artist called Jacopo Sansovino’s outstretched arm. During an excavation in 1906, the arm was recovered and positioned in accordance with Michelangelo’s original suggestion.

nel mezzo del cammin di nostra vita

A prolific and popular salon painter in his own time—though figural portraits of classical subjects fell out of fashion until a revival in the 1980s, William-Adolphe Bourguereau of La Rochelle born this day in 1825 (†1905) counts as his most famous work in his 1879 La Naissance de Vénus.  This painting does not actually depict the birth of the goddess by her transported to Cyprus as a fully mature figure in a sea shell—first gained attention and notoriety after winning the 1850 grand prize in the Prix de Rome, submitting two entries for that year’s competition, triumphant with a rather pedestrian depiction of the rescue of Zenobia, half-drowned, by a group of shepherds. The more evocative alternate submission was the pictured Dante and his guide Virgil (where have you brought me?) in an encounter from Canto XXX of the Divine Comedy in the Circle of the Imposters (Falsifiers—perjurers, counterfeiters, etc.) with an alchemist called Capocchio forever condemned to be gnashed by a Florentine knight named Gianni Schicchi de’ Cavalcanti who forged the will of a wealthy merchant to leave a horse for him, whose punishment seems a little extreme. Aside from being immortalised in the epic and this painting, Giacomo Puccini produced an eponymous light-hearted opera in 1918.

7x7

anamorphosis: a sixteenth century optical illusion in a work by Hans Holbein the Younger 

💧: the first episode on the Weirdness of Water, presented by the Curious Cases of Rutherford & Fry  

uncharted: the region in Greece that was historically so inaccessible it was named Agrafa, literally off the maps—via Messy Messy Chic  

a people’s archive of sinking and melting: artefacts documenting the climate crisis  

odonym: a suite of applications to explore the toponymical decisions behind street names—see also 

fiat geld: origins of the trillion dollar coin  

spice like us: the geopolitics of nutmeg informed by its reputed efficacy against the plague

7x7

the boy on the bike: a trip down Golden Hill in Shaftesbury, Dorset with a beloved bread advert directed by Ridley Scott with music by Dvořák  

dedication—devotion, turning all the night time into the day: more on the hypothesis (see previously) that the Dire Straits song can improve any movie ending 

the hauntening: various AIs try their hand at spookifying, exorcising Victorian mansions—previously

outbreak: a timelapse of COVID-19 cases in the United States over the past eighteen months 

just the punctation: what text without words reveals to authors about their style—via Waxy  

abecedarium: a 1968 Alphabet (previously) of the Dada movement hosted by Hans Richter (caution, some rapid, flashing images) 

rašínovo embankment: revitalised Prague riverfront features vaulted arches for cafes and gallery spaces

8x8

heir apparent: after over a century, Russia hosts a royal wedding for a member of the Romanoff family

9m²:a luxury apartment in Tokyo that makes very efficient use of space—at more than twice the size, my work-week flat feels rather sprawling and and ilunder-utilised 

pandora’s box: a trove of leaked records, following on from the Panama papers shows how the wealthy and connected hide their riches 

faux mcdoo: a fake McDonald’s in Los Angeles for filming purposes, via Messy Nessy Chic 

tx-33: new lows attained in gerrymandering and voter-marginalisation 

full circle: a retrospective exhibit of Judy Chicago  

deuce court: a demonstration of medieval tennis  

вызов: cast joins crew aboard ISS to film scenes of the first movie shot in microgravity

7x7

cultured: beautiful Petri dish art (see also) from Dasha Plesen  

tax centinels: protesting college students conspired to create “penny famines” across the US in the late 1930s 

rediffusion: the Thames Television archives—via Things magazine  

fat bear bracket: follow the celebration of survival and success with Katmai’s nature preserve ursine residents—via Hyperalleric’s Required Reading 

the thing on the fourble board: a 1948 episode of the radio programme Quiet, Please! is considered to be one of the scariest broadcasts ever 

bisection: the spiralling figural sculpture of Isabel Miramontes  

frustule: the rich diversity of diatoms illustrated in an 1890 volume