A cinematic masterwork in its own right, the film by director Hajrudin Krvavac, premiering just over a half century ago in mid-April, Walter Defends Sarajevo, stands on its own merits with intrigues, betrayals, complex characters, action sequences and an overarching message of triumph and defiance aligned with 
the Yugoslav ideal of harmony and inclusion in a multi-ethnic state, the film tells the story of heroic resistance to occupation in a plot to foil the Nazi forces 1945 attempt to withdraw from the Balkans and regroup, based loosely on the sacrifice of partisan leader Vladimir Peric who fought under the code name and whose real identity was unknown to the enemy, and has the distinction of being a real contender for the most viewed production of all time. Its release coinciding with the gradual introduction of foreign films and during a time of tensions between the Soviet Union and China, the censors began admitting select works—mostly documentaries from Romania, Hungary and the Yugoslav Republics—but Walter Defends Sarajevo was unique among this class and unlike what most in China had experienced beforehand. Previewed as a radio-play a generation committed the dialogue to heart before the screenings began, playing to a billion individuals over the course of a year in theatres, schools, factories and village squares. Spoiler alert: the operative of the Sicherheitsdienst deployed to capture and kill ‘Walter’ muses during the film’s iconic ending why he was never able to find his nemesis and comes to the realisation—“Sehen Sie dieses Stadt? Das ist Walter!” Still shown to the this day, its influence can be seen in the Chinese film industry.
genuary 2023: a month of generative coding to make beautiful AI artefacts—via Web Curios 
