Whilst working on Lincoln in a basement studio of the Capitol, the impeachment proceedings of Andrew Johnson were taking place in the chambers above. Failing to secure a conviction that would have removed Johnson from office, by a single vote, radical elements of the Republican Party sought out someone to blame other than their own members and deflect from the bribery that was actually the motivating factor. It was discovered that the Kansas senator, Edmund G Ross, who cast the decisive vote to acquit was staying in a DC boarding house owned by Ream’s father during the trial, and it was suggested that Ream, notably absent from the family lodging operation and busy with her work, had somehow influenced Ross’ vote in order to vouchsafe her commission and preserve the legacy of Lincoln through saving his predecessor. The House passed a resolution to turn the studio space into a guardroom and nearly ejected Ream and her unfinished statue from the Capitol. The press and the art community aired their outrage at this petty retaliation and Congress eventually reversed the decision. Ream went on to open studios in New York and Washington after studying in Europe and producing busts of continental celebrities including Franz Liszt and Gustave Doré, her career essentially ending after her marriage at twenty-four as it was considered unseemly for a married woman to earn an income.
synchronoptica
one year ago: Eilean Donan plus Castle Linlithgow
two years ago: your daily demon: Buné, assorted links to revisit, a silly super villain plus a Czech space opera
three years ago: artist Léon Spilliaert, cartooning the US constitution, assorted links worth the revisit plus moving forward with fusion technology
four years ago: more links to check out, a food writer and former pirate plus growing one’s own victory garden